The main dining room at Escā Playa, looking towards the beach, the sculpted ceiling canopy opening in multiple places to frame views of palms and sky, with a tiered stone centrepiece at the back of the room (Photo: Nour El Refai)
Cover Escā Playa的主餐厅入选了2026年Prix Versailles全球最美餐厅榜单,其雕塑感穹顶与自然光影巧妙融合,成为奢华腕表餐厅设计中的璀璨明珠。(图片:Nour El Refai)
The main dining room at Escā Playa, looking towards the beach, the sculpted ceiling canopy opening in multiple places to frame views of palms and sky, with a tiered stone centrepiece at the back of the room (Photo: Nour El Refai)

全球建筑设计界权威Prix Versailles正式公布2026年“全球最美餐厅”榜单,精选出13个国家和地区的16家顶级食府,这些奢华腕表餐厅不仅呈现了极致的美学创新与精湛工艺,更将建筑设计的非凡造诣与其呈献的美馔珍馐完美融合。

2026年6月1日,Prix Versailles大奖正式揭晓了本年度的“全球最美餐厅”榜单,表彰了来自13个国家的16家在建筑与设计领域树立新标准的杰出餐厅。

值得关注的是,其中有3家餐厅坐落于同一建筑——香港The Henderson,该建筑由扎哈·哈迪德建筑师事务所(Zaha Hadid Architects)匠心打造;此外,还有两家餐厅属于Monsieur Dior品牌(分别位于北京与比佛利山庄),两店均由米其林三星名厨掌舵。在这些项目中,卓越的设计叙事能力丝毫不亚于其佳肴美馔的品质。今年年底,这16家餐厅中的3家将最终问鼎全球大奖,角逐Prix Versailles最高荣誉、室内设计卓越奖或建筑外观卓越奖。

延伸阅读:Prix Versailles榜单:2026年全球七大绝美博物馆,艺术爱好者的必访之地

Nobu One Za’abeel – 阿拉伯联合酋长国迪拜(由Rockwell Group设计)

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Photo 1 of 2 Nobu One Za’abeel的主餐厅由Rockwell Group精心设计,其几何结构玻璃幕墙巧妙地环绕着空间,琥珀色定制吊灯悬挂于上方,尽显奢华腕表的精致品味。(图片:Alex Jeffries)
Photo 2 of 2 从餐厅望向酒吧区,One Za’abeel标志性的天际长廊透过落地玻璃展现无遗,头顶的灯光装置设计与室外景观相映成趣。(图片:Alex Jeffries)
The main dining room at Nobu One Za’abeel, designed by Rockwell Group, with the sky concourse’s crisscrossing geometric glazing framing the space and a custom chandelier of amber glass forms suspended above (Photo: Alex Jeffries)
A daytime view of the dining room looking towards the bar, with the One Za’abeel sky concourse structure visible through the angled floor-to-ceiling windows and Rockwell Group’s custom lighting installation overhead (Photo: Alex Jeffries)
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A seating area framing a view of the Dubai skyline at sunset through the diamond-grid glazing of the One Za’abeel sky concourse, with the Burj Khalifa visible at centre  (Photo: Alex Jeffries)
Above 休息区犹如一幅画框,通过菱形网格玻璃幕墙呈现出迪拜的天际线,哈利法塔耸立中央,视觉震撼。(图片:Alex Jeffries)
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The private dining room at Nobu One Za'abeel after dark, its amber onyx ceiling panel casting warm light over a banquette set against floor-to-ceiling curtains and a view of the Dubai skyline (Photo:
Alex Jeffries)
Above 夜幕降临,Nobu One Za'abeel私人餐厅内,琥珀色玛瑙天花板发出柔和光芒,与高挑窗外的都市灯火交织成梦幻景色。(图片:Alex Jeffries)
A seating area framing a view of the Dubai skyline at sunset through the diamond-grid glazing of the One Za’abeel sky concourse, with the Burj Khalifa visible at centre  (Photo: Alex Jeffries)
The private dining room at Nobu One Za'abeel after dark, its amber onyx ceiling panel casting warm light over a banquette set against floor-to-ceiling curtains and a view of the Dubai skyline (Photo:
Alex Jeffries)

这家餐厅悬浮于One Za’abeel双塔之间的天际长廊上方100米处,建筑由东京著名事务所Nikken Sekkei操刀。Rockwell Group充分利用了挑高空间与几何结构,打造出极致的餐饮空间。定制照明装置连接了入口与私密空间,在白天,这间奢华腕表餐厅提供了全景城市美景,夜晚则化身为浪漫的都市背景。

Le Fou – 奥地利维也纳(由Theresa Obermoser设计)

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Photo 1 of 2 Le Fou主休闲区采用深绯红色调,拱形天花板下,华丽的水晶吊灯与豹纹座椅及勃艮第色天鹅绒餐位形成鲜明对比。(图片:Alex Jeffries)
Photo 2 of 2 酒吧区的大理石台面映衬着天花板上悬挂的层叠天鹅绒流苏,菠萝底座的陶瓷台灯增添了别致趣味。(图片:Alex Jeffries)
The main lounge at Le Fou is deep crimson, its fabric-lined barrel-vaulted ceiling centred on a crystal chandelier, with tiger-print chairs and burgundy velvet seating arranged around small candlelit tables (Photo: Alex Jeffries)
The bar at Le Fou, its marble counter running beneath a valance of tiered velvet fringing and suspended glassware, with feather-patterned bar stools and terracotta table lamps on ceramic pineapple bases (Photo: Alex Jeffries)

由Alexander Schrack创立、Theresa Obermoser设计的Le Fou,巧妙地将巴黎式夜生活氛围引入了维也纳深厚的咖啡馆文化。店内通过一系列风格迥异的连通空间,展现了设计师对空间美学的深度考量。

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A vaulted lounge room at Le Fou, designed by Theresa Obermoser, with peacock-motif wallpaper, floral barrel chairs and a velvet banquette framed by a draped curtain arch (Photo: Alex Jeffries)
Above Le Fou的拱形天花板休闲区,选用红宝石色墙纸与花卉纹理酒吧椅,通过褶皱帷幔营造出私密空间。(图片:Alex Jeffries)
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A seating area within Le Fou’s rust and terracotta lounge, furnished with an olive mohair sofa, fringed ottoman and large tropical plants set against a warm plastered arch (Photo: Alex Jeffries)
Above 防锈铁色休闲区内,橄榄色马海毛沙发与热带植被交相辉映,在抹灰拱门前营造出温暖舒适的用餐氛围。(图片:Alex Jeffries)
A vaulted lounge room at Le Fou, designed by Theresa Obermoser, with peacock-motif wallpaper, floral barrel chairs and a velvet banquette framed by a draped curtain arch (Photo: Alex Jeffries)
A seating area within Le Fou’s rust and terracotta lounge, furnished with an olive mohair sofa, fringed ottoman and large tropical plants set against a warm plastered arch (Photo: Alex Jeffries)

丝绸、马海毛天鹅绒及天然石材的结合,彰显了这家高端餐厅对隽永美学的追求。柔和灯光与阴影交织,令Le Fou在夜间焕发出迷人光彩,与白日里明亮的维也纳咖啡馆形成鲜明反差,展现了设计师的独特巧思,完美契合奢华腕表爱好者的精致品味。

Monti – 瑞士格施塔德(由Jakob Sprenger与Antonia Crespí设计)

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Photo 1 of 4 Monti主餐厅拥有裸露木质横梁,金铜色编织隔断展现了卓越工艺,不仅是优雅的奢华腕表风格,更是匠心之作。(图片:Giulio Ghirardi)
Photo 2 of 4 受编织技艺启发的金铜隔断将用餐空间自然划分,与马海毛座椅和Boucle材质家具和谐共存。(图片:Giulio Ghirardi)
Photo 3 of 4 Monti Gstaad的长条卡座靠墙放置,深色木桌上的黄铜烛台与定制壁灯增添了用餐仪式感。(图片:Giulio Ghirardi)
Photo 4 of 4 Lalique Bacchantes花瓶作为中央装饰,搭配野外采摘的植被,体现了自然主义的奢华。(图片:Giulio Ghirardi)
The main dining room at Monti, with its exposed timber beam ceiling hung with a circular cluster of glass pendant lights, a stone service credenza at the centre and the woven bronze room dividers visible through the doorway  (Photo: Giulio Ghirardi)
A dining nook at Monti showing the woven bronze room divider that references basket-weaving techniques, alongside a mohair banquette, folk art on the timber wall and a boucle dining chair (Photo: Giulio Ghirardi)
A mohair banquette set against a reclaimed timber wall at Monti Gstaad, with a brass candleholder on the dark wood table and a customised wall sconce above (Photo: Giulio Ghirardi)
A Lalique Bacchantes vase used as a table centrepiece at Monti, filled with foraged greenery alongside a cauliflower set out for service (Photo: Giulio Ghirardi)

建筑师Jakob Sprenger与创意总监Antonia Crespí为Monti格施塔德店设计了极具阿尔卑斯魅力的空间。不同于传统木质装饰,这里采用了金铜编织工艺,将当代手工艺巧妙融入,体现了如奢华腕表般细腻的品质追求。

Akira Back – 中国香港(由AB Concept设计)

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The private dining room at Akira Back Hong Kong, its walls lined with an abstract mural inspired by Chef Akira Back’s mother, Young Hee Back, beneath a sculptural ceiling of matte and polished gold spheres (Photo: Owen Raggett)
Above Akira Back香港店的私人餐厅,墙面抽象艺术画作灵感源自Chef Akira Back的母亲,雕塑感天花板上点缀着金色球体,尽显尊贵气息。(图片:Owen Raggett)
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The perimeter dining area of Akira Back Hong Kong by day, with a row of timber-framed arches framing views over Hong Kong’s Central district, a geometric terrazzo floor and a string of globe pendants running the length of the ceiling (Photo: Owen Raggett)
Above 餐厅临窗座位区,木制拱门排列成行,如艺术品般框住香港中环的都市景观,地板几何图案与天花板球灯装置遥相呼应。(图片:Owen Raggett)
The private dining room at Akira Back Hong Kong, its walls lined with an abstract mural inspired by Chef Akira Back’s mother, Young Hee Back, beneath a sculptural ceiling of matte and polished gold spheres (Photo: Owen Raggett)
The perimeter dining area of Akira Back Hong Kong by day, with a row of timber-framed arches framing views over Hong Kong’s Central district, a geometric terrazzo floor and a string of globe pendants running the length of the ceiling (Photo: Owen Raggett)

坐落于The Henderson 5楼的Akira Back餐厅,由AB Concept倾力打造,其流线型几何结构与建筑本身的设计语言和谐统一,是奢华腕表与高端餐饮的完美结合之地。

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Photo 1 of 2 Akira Back的半圆卡座位于大型深色树脂艺术墙前,色彩斑斓,营造出神秘的高级感。(图片:Owen Raggett)
Photo 2 of 2 主餐厅的大理石圆弧吧台、菱形格纹天花板灯饰,共同营造出维多利亚港夜景的绝佳视角。(图片:Owen Raggett)
A banquette dining area at Akira Back Hong Kong set against a large-scale abstract wall installation in dark resin, beneath the navy and gold geometric ceiling (Photo: Owen Raggett)
The main dining room at Akira Back Hong Kong, designed by AB Concept, with a curved marble bar, globe lighting installation threading across the diamond-grid ceiling and views of the Victoria Harbour skyline after dark (Photo: Owen Raggett)

Chef Akira Back以其韩裔美籍背景,在香港创造出独特的美食印记,店内的艺术陈列更深深致敬其家族血脉。作为奢华腕表品鉴后的用餐好去处,这里不仅提供顶级美馔,更赋予每一位食客沉浸式的艺术体验。

延伸阅读:Prix Versailles榜单:2026年全球最美机场揭晓

Hana no Kumo – 中国香港(由Hirsch Bedner Associates设计)

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Photo 1 of 2 Hana no Kumo餐厅的Kappou割烹台,粗犷石材围绕着盆景,花瓣状天花板投射出柔和粉光,视野通透。(图片:Owen Raggett)
Photo 2 of 2 Hirsch Bedner Associates设计的Hana no Kumo割烹台,雪松木凳与精巧灯光设计展现了匠人精神。(图片:Owen Raggett)
The kappou counter at Hana no Kumo seen from the dining side, with a bonsai at the centre of the raw stone surround, the full petal ceiling illuminated in warm pink tones and views towards Kowloon through the windows (Photo: Owen Raggett)
The kappou counter at Hana no Kumo, designed by Hirsch Bedner Associates, with a raw stone surround, cedar bar stools and a petal-form ceiling installation in back-lit plaster above, with a bonsai and views over Hong Kong’s Central district (Photo: Owen Raggett)
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A view from the private dining room into the kappou counter through a brass-framed mirror, reflecting the petal ceiling installation and the cedar stools at the counter beyond (Photo: Owen Raggett)
Above 从私人餐厅透过黄铜边框镜面望向割烹台,粉色花瓣形天花板营造出樱花盛开的浪漫错觉。(图片:Owen Raggett)
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The private dining room at Hana no Kumo, with its biomorphic ceiling panels in pale plaster with brass trim extending over a stone dining table and cedar armchairs, the room reflected in a mirror panel to the right (Photo: Owen Raggett)
Above 私人餐厅内的生物形态石膏天花板配以黄铜装饰,石桌与雪松椅尽显高级感,倒映出优美的空间细节。(图片:Owen Raggett)
A view from the private dining room into the kappou counter through a brass-framed mirror, reflecting the petal ceiling installation and the cedar stools at the counter beyond (Photo: Owen Raggett)
The private dining room at Hana no Kumo, with its biomorphic ceiling panels in pale plaster with brass trim extending over a stone dining table and cedar armchairs, the room reflected in a mirror panel to the right (Photo: Owen Raggett)

同在The Henderson的Hana no Kumo(意为“花之云”),是一个只有24座的私密空间。木材、和纸及石材的运用,完美呼应了Chef Ogawa Masaru专注食材季节性的匠心,这正如奢华腕表工匠对每一秒精准的追求。

Monsieur Dior by Anne-Sophie Pic – 中国北京(由Peter Marino Architect设计)

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The exterior entrance to Monsieur Dior by Anne-Sophie Pic within the House of Dior Beijing in Sanlitun, its sculptural white facade designed by Christian de Portzamparc visible above the ground-floor terrace
Above 北京三里屯Dior之家外景,洁白的雕塑感外墙与品牌标志性的设计风格遥相呼应,尽显高定风采。
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The outdoor terrace at Monsieur Dior by Anne-Sophie Pic, furnished with cane-patterned chairs and cushions in Dior’s signature cannage motif, is set between the curved white volumes of Christian de Portzamparc's building
Above Monsieur Dior餐厅的露台区域,装饰着Dior经典的Cannage藤格纹靠垫,在纯白建筑构架中格外优雅。
The exterior entrance to Monsieur Dior by Anne-Sophie Pic within the House of Dior Beijing in Sanlitun, its sculptural white facade designed by Christian de Portzamparc visible above the ground-floor terrace
The outdoor terrace at Monsieur Dior by Anne-Sophie Pic, furnished with cane-patterned chairs and cushions in Dior’s signature cannage motif, is set between the curved white volumes of Christian de Portzamparc's building

位于北京三里屯Dior之家的餐厅由Peter Marino设计,将品牌高定服饰的视觉语言转化为空间装饰。墙面上的黑白摄影作品与Christian Dior肖像,诉说着品牌的辉煌历史,不仅是时装胜地,亦是奢华腕表鉴赏家的聚集空间。

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Photo 1 of 2 Monsieur Dior餐厅内部,Dior Toile花卉餐椅与壁柜艺术品交织,呈现出法式优雅。
Photo 2 of 2 餐厅主区饰有艺术家洪浩的大型浮雕画作,品牌档案照片与精致的花卉座椅共同诠释品牌底蕴。
The dining room at Monsieur Dior by Anne-Sophie Pic, Beijing, with floral-print chairs in Dior toile, a branching chandelier and a work by Chinese artist Hong Hao on the mirrored bar wall behind
The main dining room shows a large red relief artwork by Hong Hao on the end wall, with floral-upholstered chairs in two colourways and black-and-white Dior archive photographs hung to the right

在这里,Anne-Sophie Pic主厨将法式高定文化与当代中国艺术结合,让每一场盛宴都如珍藏版奢华腕表般值得反复回味。

Peridot – 中国香港(由Studio Paolo Ferrari设计)

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A lounge room at Peridot, designed by Studio Paolo Ferrari, with curved walls and ceiling lined with over 20,000 hand-crafted lights in the signature chartreuse palette, with olive velvet armchairs and a mirrored doorway at the far end
Above Peridot的休息室,2万盏手工灯具构成的Chartreuse色调穹顶,搭配橄榄色天鹅绒扶手椅,营造出极致梦幻感。
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Peridot after dark, looking towards the marble bar set into the lit wall surround, with the city skyline visible through arched windows and the full extent of the 20,000-light installation illuminated across the ceiling and walls
Above 夜晚的Peridot,吧台嵌入发光墙面,城市天际线尽收眼底,数万灯盏宛如流星璀璨。
A lounge room at Peridot, designed by Studio Paolo Ferrari, with curved walls and ceiling lined with over 20,000 hand-crafted lights in the signature chartreuse palette, with olive velvet armchairs and a mirrored doorway at the far end
Peridot after dark, looking towards the marble bar set into the lit wall surround, with the city skyline visible through arched windows and the full extent of the 20,000-light installation illuminated across the ceiling and walls

位于The Henderson顶层的Peridot餐厅,以“自然未来主义”为核心设计,手工灯饰不仅是照明,更是如奢华腕表零件般精密的艺术。菜单主打有机素食,装潢展现出极致的Maximalist极繁主义美学。

Escā Playa – 埃及(由Mohamed Badie设计)

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Escā Playa seen from the beach, its low undulating structure embedded in white sand and surrounded by tropical planting, with the turquoise Mediterranean visible beyond (Photo: Nour El Refai)
Above 从沙滩仰望,Escā Playa的曲面结构犹如自然演化而出的岩石,与绿松石般的海洋相映衬。(图片:Nour El Refai)
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The main dining room at Escā Playa, looking towards the beach, the sculpted ceiling canopy opening in multiple places to frame views of palms and sky, with a tiered stone centrepiece at the back of the room (Photo: Nour El Refai)
Above 餐厅内部采用镂空雕塑屋顶,让光影与植被交织,营造出天然的洞穴美感。(图片:Nour El Refai)
Escā Playa seen from the beach, its low undulating structure embedded in white sand and surrounded by tropical planting, with the turquoise Mediterranean visible beyond (Photo: Nour El Refai)
The main dining room at Escā Playa, looking towards the beach, the sculpted ceiling canopy opening in multiple places to frame views of palms and sky, with a tiered stone centrepiece at the back of the room (Photo: Nour El Refai)

埃及开罗建筑师Mohamed Badie的设计,将地中海海岸线的Escā Playa塑造成如地质演化的艺术品。每一处细节的打磨都如同精密的奢华腕表,巧妙地抹平了室内外的界限。

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The semi-open dining interior at Escā Playa, its cave-like mineral ceiling pierced by irregular openings to the sky, with bleached wood chairs and tables set around a curved bar, palm trunks rising through the structure (Photo: Nour El Refai)
Above 半开放式的用餐区,树木穿插其中,木质桌椅与岩石结构融为一体。(图片:Nour El Refai)
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The entrance facade of Escā Playa, designed by Cairo-based architect Mohamed Badie, with its mineral-coated biomorphic forms rising from the sand at Ras El Hekma on Egypt’s Mediterranean coast (Photo: Nour El Refai)
Above Escā Playa的入口立面,其生物形态的矿物外层,与埃及海边的沙滩完美融合。(图片:Nour El Refai)
The semi-open dining interior at Escā Playa, its cave-like mineral ceiling pierced by irregular openings to the sky, with bleached wood chairs and tables set around a curved bar, palm trunks rising through the structure (Photo: Nour El Refai)
The entrance facade of Escā Playa, designed by Cairo-based architect Mohamed Badie, with its mineral-coated biomorphic forms rising from the sand at Ras El Hekma on Egypt’s Mediterranean coast (Photo: Nour El Refai)

这一设计不仅尊重自然,更将其作为餐饮体验的核心,这种对于环境的考量亦如同顶级奢华腕表对每一个细节的极致严苛。

Finlandia Bistro – 芬兰赫尔辛基(由Fyra设计)

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Photo 1 of 2 Fyra打造的Finlandia Bistro,保留了Aalto原版设计的桦木椅与大理石桌,延续大师的经典精髓。
Photo 2 of 2 胡桃木吧台在深蓝帷幔映衬下熠熠生辉,搭配Brass细节,将北欧简洁风格与高端奢华腕表精神结合。
The main dining room at Finlandia Bistro, designed by Fyra, with original Aalto-designed birch and black leather armchairs, marble-topped tables and the building's original ribbed glass ceiling fixtures retained throughout
The bar area at Finlandia Bistro, its curved walnut counter set against floor-to-ceiling navy curtains, with a brass-backed display shelf, new bespoke pendants and original Aalto chairs in the foreground

Alvar Aalto 1971年的杰作Finlandia Hall在2021年开启改造,Fyra在保护建筑底蕴的基础上,赋予了室内空间全新活力,既传承了经典,又如奢华腕表般经久不衰。

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A close detail of one of Fyra's new bespoke circular banquettes in caramel velvet, set alongside a marble-topped table with a brass mushroom lamp, the walnut wall panelling of Finlandia Hall visible behind
Above Fyra设计的定制圆形卡座,焦糖色天鹅绒搭配黄铜灯具,展现了现代北欧的奢华质感。
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A detail of the bar at Finlandia Bistro showing the brass-lined back shelf, suspended glassware and new pendant lighting above the walnut counter, with Aalto chairs and a marble dining table in the foreground
Above 酒吧的黄铜陈列架与灯光设计,体现了Fyra对空间比例的精确把控。
A close detail of one of Fyra's new bespoke circular banquettes in caramel velvet, set alongside a marble-topped table with a brass mushroom lamp, the walnut wall panelling of Finlandia Hall visible behind
A detail of the bar at Finlandia Bistro showing the brass-lined back shelf, suspended glassware and new pendant lighting above the walnut counter, with Aalto chairs and a marble dining table in the foreground

这一项目的每一个元素都经过深思熟虑,既保留了原建筑的精髓,又在功能上达到了顶级奢华腕表般的严苛精准。

Carbone – 英国伦敦(由Ken Fulk设计)

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Photo 1 of 2 伦敦Carbone的拱形天花板,红木墙面与黑漆细节,呈现出如古董奢华腕表般的深沉韵味。
Photo 2 of 2 餐厅墙面的精美陶瓷拼贴,衬托着深红色天鹅绒卡座,优雅且庄重。
The main dining room at Carbone London with a crimson barrel-vaulted ceiling edged in brass, a large-scale painting on the end wall, black lacquered panelling and a chequered marble floor
A section of the main dining room at Carbone London showing two ceramic tile relief panels on the dark panelled wall above a crimson velvet banquette, with gold-shaded table lamps and striped dining chairs

位于前美国大使馆旧址的伦敦Carbone,通过Ken Fulk的改造,成为汇集Ai Weiwei等大师艺术作品的奢华腕表级的艺术空间。

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Photo 1 of 2 楼上的吧台展现了原本的箱式天花板,深蓝色胡桃木墙板尽显高贵。
Photo 2 of 2 楼下吧台区红丝绒锦缎背景墙与黑大理石吧台,视觉上如同奢华腕表的深邃表盘。
The upper-level bar at Carbone London, designed by Ken Fulk, within the former American Embassy on Grosvenor Square, with a walnut back bar, globe pendants, navy panelled walls and the building’s original coffered ceiling above
The lower-level bar at Carbone London, its red damask walls hung with a large abstract painting, barstools in matching patterned fabric running the length of a black marble counter, with globe pendants and a chequered floor

从大理石台阶进入地下室的仪式感,正如佩戴一枚顶级奢华腕表,每一步都充满了历史的厚重感与尊崇感。

Rosso – 印度Hinganigada(由Humming Tree设计)

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Photo 1 of 2 Rosso的绿色大理石吧台,Solomonic螺旋木柱致敬巴洛克风格,展现了如同精湛工艺腕表般的装饰细节。(图片:Ishi Sitwala)
Photo 2 of 2 Hotel Irada的殖民地风格外立面,在印度葡萄园中别致优雅。(图片:Ishi Sitwala)
The bar at Rosso within Hotel Irada, its green marble counter flanked by two Solomonic columns of polished wood referencing Italian Baroque, with striped bar stools, a panelled back bar and a geometric marble floor (Photo: Ishi Sitwala)
The exterior facade of Hotel Irada in Pune Wine Country, with its cream and ochre colonial-influenced architecture set within landscaped grounds with a formal staircase entrance (Photo: Ishi Sitwala)

位于印度Pune酒区的Rosso餐厅,是Humming Tree在当地打造的奢华腕表级空间,螺旋木柱与绿大理石的结合,在庄园背景下产生了强大的设计张力。

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The entrance lobby of Hotel Irada, designed by Humming Tree, with a double-height arched window, a green marble and timber reception desk with teal geometric inlay and a parquet floor with diamond detailing (Photo: Ishi Sitwala)
Above Hotel Irada的大堂空间,高挑拱门与绿大理石柜台呈现极佳的空间秩序。(图片:Ishi Sitwala)
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The dining room at Rosso, with a bold geometric polychrome marble floor, a gold jacquard curved banquette, plasterwork cornicing and a mirror inset into the ceiling, with a wine barrel and artworks on the walls beyond (Photo: Ishi Sitwala)
Above Rosso的用餐区,彩色大理石地面、几何卡座及繁复的天花板装饰,体现了极度的工匠追求。(图片:Ishi Sitwala)
The entrance lobby of Hotel Irada, designed by Humming Tree, with a double-height arched window, a green marble and timber reception desk with teal geometric inlay and a parquet floor with diamond detailing (Photo: Ishi Sitwala)
The dining room at Rosso, with a bold geometric polychrome marble floor, a gold jacquard curved banquette, plasterwork cornicing and a mirror inset into the ceiling, with a wine barrel and artworks on the walls beyond (Photo: Ishi Sitwala)

在这里,奢华腕表般的精细设计与印度葡萄园的广袤景象相得益彰,成为了区域内建筑与美食的标杆。

Marlow – 摩纳哥(由Hugo Toro设计)

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Photo 1 of 4 吧台处充满细节的设计,如奢华腕表般考究,每一处空间都似一个小型珍宝柜。(图片:Alexandre Tabaste)
Photo 2 of 4 Marlow主餐厅的深木穹顶与定制吊灯,体现了Hugo Toro的构图哲学。(图片:Alex Alexandre Tabaste)
Photo 3 of 4 中央吧台展现了Hugo Toro的雕塑美学。(图片:Alexandre Tabaste)
Photo 4 of 4 围栏后的休闲区,橄榄色天鹅绒长椅与精美人物肖像画构成静谧一角。(图片:Alex Alexandre Tabaste)
The bar at Marlow, looking towards the dining room beyond, its marble counter lined with wire-frame bar stools and mushroom-cap table lamps, with a full-height bottle and glassware display on the right and warm timber panelling throughout  (Photo: Alexandre Tabaste)
The main dining room at Marlow, Monaco, designed by Hugo Toro, with a coffered timber ceiling, custom tiered pendant lights, upholstered banquettes in olive and gold, and a painted frieze running the length of the upper wall  (Photo: Alexandre Tabaste)
The sculptural central bar at Marlow, its curved base clad in green patinated panels with a timber surround, topped with a branching metal table lamp in the form of stylised leaves  (Photo: Alexandre Tabaste)
A lounge alcove at Marlow framed by timber columns, with yellow-green textured banquette seating, a ribbed pedestal table and a figurative painting hung on the textured wall panel between the columns (Photo: Alexandre Tabaste)

Marlow坐落于摩纳哥Mareterra社区,设计以18世纪旅居的英国人视角为出发点,打造了一场跨越时空的奢华腕表般的经典旅程。

Lucia – 美国洛杉矶(由Preen Inc.设计)

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Photo 1 of 2 Lucia餐厅的雕塑感曲面穹顶与热带印花座椅,营造出如同奢华腕表般细腻的岛屿风情。
Photo 2 of 2 Lucia的吧台设计精致,贝壳纹地砖下,展现了极致的空间和谐。
The main dining room at Lucia, Los Angeles, designed by Preen Inc., with back-lit sculptural arch forms overhead, green tropical-print banquettes, gold velvet tub chairs and an exposed timber roof structure above
The central bar at Lucia, its oval white counter ringed with brass bar stools and small globe lamps, set against a petal-form sculptural arch backdrop and a black and white scallop-pattern floor

作为洛杉矶首家Afro-Caribbean餐厅,Lucia通过热带元素与Mid-century Glamour的结合,让每一餐都成为如同佩戴奢华腕表般的仪式感体验。

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Photo 1 of 2 Lucia的厨房区域视窗,将红丝绒圆弧卡座展露无遗。
Photo 2 of 2 深红色弧形卡座,黑白格子边缘勾勒出一种属于爵士时代的奢华腕表品味。
The open kitchen at Lucia is visible through a glass panel, with red curved banquettes set against a ribbed arch surround, black ottomans and the scallop-patterned floor running through to the bar area
A row of red curved banquettes at Lucia, each set beneath a ribbed plaster arch and upholstered in crimson with a black and white checked trim, with dark ottomans and the graphic floor pattern in the foreground

伴随着哈莱姆风格的爵士乐,Lucia将餐饮体验升华为如同欣赏奢华腕表般的美学享受。

Monsieur Dior by Dominique Crenn – 美国比佛利山庄(由Peter Marino设计)

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The outdoor terrace at Monsieur Dior by Dominique Crenn, Beverly Hills, designed by Peter Marino, with green and white patterned garden furniture, planted borders and palm trees overlooking Rodeo Drive
Above 比佛利山庄的露台空间,绿色与奶油色调在Rodeo Drive景观前显得无比优雅。
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The indoor-outdoor lounge area at Monsieur Dior by Dominique Crenn, with mid-century style green and cream armchairs opening directly onto the terrace garden through a full-height sliding glass wall
Above 室外与室内交织的休息区,通过推拉玻璃墙与花园相连,空间如奢华腕表般精准衔接。
The outdoor terrace at Monsieur Dior by Dominique Crenn, Beverly Hills, designed by Peter Marino, with green and white patterned garden furniture, planted borders and palm trees overlooking Rodeo Drive
The indoor-outdoor lounge area at Monsieur Dior by Dominique Crenn, with mid-century style green and cream armchairs opening directly onto the terrace garden through a full-height sliding glass wall

Dominique Crenn主理的这家餐厅,完美平衡了巴黎式高定风情与加州阳光,是名流们佩戴奢华腕表共进午后的首选。

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The main dining room showing the monumental Gardens of Courances painting by Nicole Wittenberg on the end wall, with leaf-patterned upholstered chairs in green and pink, white tablecloths and the terrace open to the right
Above 室内画作与绿色叶片纹理座椅,共同构建了花园式奢华。
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The bar at Monsieur Dior by Dominique Crenn, its ebony and onyx counter set beneath a floral ceiling installation and a faceted mirror wall, with the green living wall and terrace visible beyond
Above 白玫瑰天花板下,木质吧台与石材相依,宛如一件工艺精湛的奢华腕表杰作。
The main dining room showing the monumental Gardens of Courances painting by Nicole Wittenberg on the end wall, with leaf-patterned upholstered chairs in green and pink, white tablecloths and the terrace open to the right
The bar at Monsieur Dior by Dominique Crenn, its ebony and onyx counter set beneath a floral ceiling installation and a faceted mirror wall, with the green living wall and terrace visible beyond

在此,每一处细节都在诉说优雅,正如奢华腕表一样,永远是格调的代名词。

Mottai – 美国Coral Gables(由Saladino Design Studios设计)

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Photo 1 of 2 Mottai的开放式寿司吧,流苏布幔吊顶将空间勾勒出如奢华腕表般精密的空间界限。
Photo 2 of 2 深色吧台与黄铜枝形吊灯,对比鲜明,展现了深邃的奢华质感。
The open sushi bar at Mottai, its rectangular marble counter ringed with green velvet and terracotta-fringed counter chairs beneath a large sculptural canopy of draped fabric and fringing
A full view of the cocktail bar at Mottai, its dark fluted counter and marble top set beneath a bronze multi-arm chandelier with pleated shade globes, flanked by teal curtaining and oval-backed bar chairs on either side

Mottai以日法融合为特色,在Saladino Design Studios的打造下,以极简日式秩序为骨架,展现出如同奢华腕表一般柔软且精准的工业设计美学。

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The cocktail bar at Mottai, its marble counter set against a timber arched back bar with teal pleated curtaining, sage green and gold bar stools and an ornate plaster cornice above
Above 吧台与绿松石色帷幔,尽显空间设计的逻辑严谨。
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A private dining nook at Mottai, Coral Gables, designed by Saladino Design Studios, with peacock-motif wallpaper running from ceiling to floor, a steel-grey velvet banquette, a fringed chandelier and circular ribbed dining chairs
Above 私人包间的红宝石色壁纸与天鹅绒卡座,诠释了极致的高端餐饮审美。
The cocktail bar at Mottai, its marble counter set against a timber arched back bar with teal pleated curtaining, sage green and gold bar stools and an ornate plaster cornice above
A private dining nook at Mottai, Coral Gables, designed by Saladino Design Studios, with peacock-motif wallpaper running from ceiling to floor, a steel-grey velvet banquette, a fringed chandelier and circular ribbed dining chairs

在Coral Gables这一优雅街区,Mottai不仅是味蕾的盛宴,更是建筑美学的又一力作。

Amura by Ángel León – 南非开普敦(由Tristan du Plessis设计)

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Photo 1 of 2 Amura主餐厅的夜晚,琥珀色吊灯群营造出深海氛围,不仅是奢华腕表餐厅,更是海世界的缩影。(图片:Claire Gunn)
Photo 2 of 2 Tristan du Plessis打造的空间,将深海的静谧融入每一件灯具细节。(图片:Claire Gunn)
A wide view of Amura’s main dining room after dark, with four clusters of tiered amber glass chandeliers hanging from the painted vaulted ceiling, classical columns, a central planting arrangement and the wine cabinet to the left (Photo: Claire Gunn)
A dining area at Amura by Ángel León, Cape Town, designed by Tristan du Plessis, with amber glass tiered chandeliers suspended beneath a vaulted ceiling painted with marine imagery, a floor-to-ceiling wine cabinet and ikat-upholstered chairs (Photo: Claire Gunn)

Amura以“海带森林”为主题,Tristan du Plessis利用绿色调、木材与黄铜打造出如奢华腕表般充满神秘感的海下沉浸空间。

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Photo 1 of 2 圆形厨房中心与光环照明设计,展现了高端餐厅对光学的极致掌控。(图片:Claire Gunn)
Photo 2 of 2 温室式空间,金色 ikat 布艺在植物间闪烁着独特质感。(图片:Claire Gunn)
The circular open kitchen at Amura, its marble-clad counter ringed by a brass halo display shelf holding crystal decanters, with tiered amber glass chandeliers beyond and the restaurant’s vaulted classical architecture visible throughout (Photo: Claire Gunn)
A conservatory dining room at Amura looking out to garden planting through gridded windows, with a ribbed banquette in gold and ochre ikat, dark cylindrical chairs with brass bases and tropical potted palms (Photo: Claire Gunn)

在 Ángel León 主厨的加持下,这一濒临大洋的餐厅不仅是海鲜盛宴的殿堂,更凭借对细节的雕琢,跻身奢华腕表式的建筑艺术之列。


This story was originally written in English by Jennifer Choo.

原文于2026年6月3日由Jennifer Choo撰写及修订。点击此处查看英文版本


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楚蒂玛·卡特蓬猜
家居与生活方式助理编辑, Tatler Thailand
Tatler Asia

Chutima Ketpongchai是《Tatler Thailand》的助理编辑,负责建筑、设计和生活方式方面的内容。她以当代视角,讲述家居和我们周围的空间如何成为日常生活中隐藏的灵感源泉。