Poon choi (Photo: Edmund Low)
Cover Poon choi (Photo: Edmund Low)

Masters of illustrations bring out the charm in our everyday food stories

By focusing on the vibrant relationship Malaysians have with food, these illustrators capture the sensorial and specific joys of eating and drinking. These drawings document the everyday moments and places where we nourish ourselves, in a way that’s simple yet deeply affecting.

To get a closer look into the minds of these illustrators, we talked to Jack Yin, better known as Jacktus; Yiqing Gan, who has worked for brands such as Amazin’ Graze; and Edmund Low, who is at the helm of local letterpress and print studio, def.Good.

See also: Elevate the plate: 7 local garnish brands you need to know

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Photo 1 of 5 Still life illustration of tropical fruits (Photo: Yiqing Gan)
Photo 2 of 5 Still life illustration of breakfast foods (Photo: Yiqing Gan)
Photo 3 of 5 Yiqing's illustrations from a meal at Dou Dou Bake (Photo: Yiqing Gan)
Photo 4 of 5 A food diary entry from V88 Café at Desa Park City (Photo: Yiqing Gan)
Photo 5 of 5 An entry from Kopenhagen Café in Bangsar (Photo: Yiqing Gan)

Tell us a little bit about your work

Jack Yin (JY): My work revolves around the things I enjoy that comes with being Malaysian - from our beloved durians, food, cendol, and Tiger balm, to our kopitiam and beautiful shophouses. There's just so much in our culture we can draw inspiration from.

Yiqing Gan (YG): I’m an independent illustrator that elevates brands’ experiences with playful flair and heartfelt stories. I usually focus on merchandising, advertising, and editorial. I like to include inanimate child-like characters and uplifting affirmation in my artwork to remind everyone to not forget their inner child, which allows them to express what is truly joyful in life.

Edmund Low (EL): I am an interior architect turned branding designer, illustrator and letterpress printer. 

What makes working with food different from other subjects?

JY: Technically, I find food to be more challenging to paint because of the subtle colour changes and more dynamic shading. You really have to capture the details to make your food illustration appealing and realistic. 

YG: Food is my love language, especially how growing up in Malaysia really spoiled me with an abundance of choices. Food is such a fun subject to me, it allows me to go crazy with texture and it allows me to add inanimate or miniature characters to enhance the storytelling. To be frank, food is not an easy subject to illustrate at times. When it's too abstract, it can be difficult to understand. However, with careful observation and interesting interpretation, an illustrated food may even be more appetising than a photographed food! My main tip for food illustration is to go express your creativity that photography can’t do. 

EL: To me good food is something that touches the heart and it is unique to each person who prepares it. It is not just visually mesmerising but also awakens your whole sense of taste, smells, texture and sound.  

See also: Understanding the fusion of fashion and food

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Photo 1 of 4 Ikat tepi (Photo: Jack Yin)
Photo 2 of 4 Eng Loh Hotel's building (Photo: Jack Yin)
Photo 3 of 4 A classic coffee cup from a kopitiam (Photo: Jack Yin)
Photo 4 of 4 Lai Foong's building (Photo: Jack Yin)

How do you evoke the details of food and drinks into your work?

JY: Colours! Colours are the key. I usually also use a lot of mediums when I'm painting food because each medium brings out the details in a different way. I try not to make my work way too detailed though, because I like my work more "graphical".

YG: I live by the motto the devil lies in the details. I love adding lines, grainy textures, little stippled elements to make food illustration interesting. The purpose of illustration isn’t to make it realistic, but to make your creative interpretation appetising and also a feast to the eyes. I love adding “floating” or “dancing” ingredients to enhance the food illustration. Capturing little ingredients on food is also a story-telling way on how the chef prepares their dish meticulously.

EL: For food, I sometimes try to make it abstract and sometimes take the realistic approach. Details are always in the light that is cast on the food to breathe life into it. I see the white spaces of light as spare space for imaginations. 

If you could only eat one Malaysian dish for the rest of your life, what would it be?

JY: Oh man, this is tough, but I found myself pacing back and forth between the chicken rice stall and the bak kut teh shop.

YG: Ramly Burger is my biggest guilty pleasure. I don’t think it's something I can find anywhere in the world.

EL: Chee Cheong Fun with curry. I used to eat it everyday during recess from primary to secondary school and now every other day in the week. 

See also: How to make a stunning charcuterie board at home

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Photo 1 of 3 Poon choi (Photo: Edmund Low)
Photo 2 of 3 Mooncake (Photo: Edmund Low)
Photo 3 of 3 Piglet cake (Photo: Edmund Low)

Where is your favourite local breakfast spot?

JY: Actually, any kopitiam! Especially the old and dusty ones–they usually serve the most bomb teh and kopi.

YG: Toh Soon Kopitiam in Penang is my big love, but I always go for authentic and local kopitiam whether it’s mamak or Hainanese to get my Malaysian breakfast cravings fixed. My perfect breakfast is made of a cup of kopi, toasted kaya and margarine toast with soft boiled egg, a roti canai, and also char kuey teow

EL: It will always be the kopitiam in Ipoh that serves the ‘Holy Trinity’, as I like to call them. A nice hot Hainanese coffee or Ipoh white coffee, roti bakar with kaya and chilled butter with 2 soft boiled eggs.

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