Maryknor Madamesila and Tanya Manalang as Daisy and Violet Hilton with some of the freaks in ‘Side Show: The Musical’ (Photo: Loreta Arroyo)
Cover Marynor Madamesila and Tanya Manalang-Atadero as Daisy and Violet Hilton with some of the freaks in ‘Side Show: The Musical’ (Photo: Loreta Arroyo)
Maryknor Madamesila and Tanya Manalang as Daisy and Violet Hilton with some of the freaks in ‘Side Show: The Musical’ (Photo: Loreta Arroyo)

A spoiler-free review of The Sandbox Collective’s ‘Side Show: The Musical’

Continuing its 2025 season, The Sandbox Collective brings back Side Show: The Musical to the Philippine stage. The musical follows Daisy and Violet Hilton, Siamese twins who reside in a small-town freak show. After meeting Terry Connor and Buddy Foster, the two head to the Vaudeville circuit, where they find fame and fortune. Directed by Toff de Venecia with musical direction done by Ejay Yatco, the production is a profoundly moving story of love, acceptance and desire for being ‘normal’.

More from Tatler: Rockwell is finally opening its much-anticipated Proscenium Theater with the staging of ‘The Bodyguard Musical’

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The stage of ‘Side Show: The Musical’ (Photo: Gabriel Bohol)
Above The stage of ‘Side Show: The Musical’ (Photo: Gabriel Bohol)
The stage of ‘Side Show: The Musical’ (Photo: Gabriel Bohol)

Upon entering the theatre, audiences are greeted with an alley stage that immerses them in the 1930s. Even as I was headed to my seat, walking through the corridors felt like moving through the actors’ dressing rooms, as there were mannequins and outfits on display, while lively carnival music set the scene. 

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Jon Santos interacting with the audience before the show starts (Photo: Gabriel Bohol)
Above Jon Santos interacting with the audience before the show starts (Photo: Gabriel Bohol)
Jon Santos interacting with the audience before the show starts (Photo: Gabriel Bohol)

Before the show starts, the cast excitedly takes the stage and interacts with the audience—detached from their roles and asking questions. The day I watched, Jon Santos, who plays the Boss, mentions that we should get ready for a “darker version of Bongga”, referencing his previous work in Bawat Bonggang Bagay. At a moment’s notice, everyone snaps into character for a seamless transition to the start of the show.

Ever committed to its advocacies, The Sandbox Collective starts Side Show with soundbites from prominent historical figures, but what struck me the most was former President Rodrigo Duterte’s quote about the war on drugs. It was terrifying to hear once again, and to be used in this context reinforced what Santos had previously mentioned. 

See also: What to expect at the Philippine staging of ‘Into The Woods’

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Reine Paisley in her theatre debut (Photo: Loreta Arroyo)
Above Reine Paisley in her theatre debut (Photo: Loreta Arroyo)
Reine Paisley in her theatre debut (Photo: Loreta Arroyo)

JM Cabling’s choreography, paired with The Sandbox Collective’s partnership with Ivan the Selfie Magician, was one of the best parts of the show. The lively ensemble darting around the room while performing magic tricks set the tone—making it feel like I was at an old-timey carnival. It only gets better with Mark Dalacat’s set design and Carlos Siongco’s costume design, to which the production spared no expense.

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Maryknor Madamesila and Tanya Manalang as Daisy and Violet Hilton (Photo: Loreta Arroyo)
Above Marynor Madamesila and Tanya Manalang-Atadero as Daisy and Violet Hilton (Photo: Loreta Arroyo)
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Krystal Kane and Molly Langley as Daisy and Violet Hilton (Photo: Loreta Arroyo)
Above Krystal Kane and Molly Langley as Daisy and Violet Hilton (Photo: Loreta Arroyo)
Maryknor Madamesila and Tanya Manalang as Daisy and Violet Hilton (Photo: Loreta Arroyo)
Krystal Kane and Molly Langley as Daisy and Violet Hilton (Photo: Loreta Arroyo)

Side Show’s casting couldn’t have been done better as everyone—from the leads to the ensemble and alternates—infused their own unique variations to the roles. For instance, the Hilton Twins: Tanya Manalang-Atadero and Marynor Madamesila and Krystal Kane and Molly Langley gave us a glimpse of what it’s like to be in their shoes. While the world around them can only see them as freaks, the show allows the audience to see past that. To us, the two aren’t Siamese twins; they’re just twins who talk and feel as we do.

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Jon Santos as The Boss (Photo: Loreta Arroyo)
Above Jon Santos as The Boss (Photo: Loreta Arroyo)
Jon Santos as The Boss (Photo: Loreta Arroyo)

As the only role outside the ensemble that has no alternates, Santos masterfully commands the stage with his powerful presence as The Boss. It’s a shame that his character has little appearance, as I would’ve loved to see more of his antics. Thankfully, Santos still puts on a show in the form of other characters that bear his signature flair.

Read also: ‘Intramuros Evenings’ returns with a unique restaging of ‘Ganito Na Kami Noon, Paano Na Ngayon?’

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CJ Navato as Terry Connor (Photo: Loreta Arroyo)
Above CJ Navato as Terry Connor (Photo: Loreta Arroyo)
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Reb Atadero as Terry Connor (Photo: Loreta Arroyo)
Above Reb Atadero as Terry Connor (Photo: Loreta Arroyo)
CJ Navato as Terry Connor (Photo: Loreta Arroyo)
Reb Atadero as Terry Connor (Photo: Loreta Arroyo)
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Tim Pavino as Buddy Foster (Photo: Loreta Arroyo)
Above Tim Pavino as Buddy Foster (Photo: Loreta Arroyo)
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Vien King as Buddy Foster with Krystal Kane and Molly Langley (Photo: Loreta Arroyo)
Above Vien King as Buddy Foster with Krystal Kane and Molly Langley (Photo: Loreta Arroyo)
Tim Pavino as Buddy Foster (Photo: Loreta Arroyo)
Vien King as Buddy Foster with Krystal Kane and Molly Langley (Photo: Loreta Arroyo)

Terry Connor, Buddy Foster and Jake—three characters who are made night and day through the different approaches by six actors were nothing short of perfect. CJ Navato and Reb Atadero, as the charming Terry, both performed heartfelt solos but differed in how they swaggered around as an agency suit. While the former makes it seem as though he’s truly fallen for one of the twins, the latter makes it feel more sinister, changing how one might interpret the story. Vien King and Tim Pavino, on the other hand, gave us flashy and modest versions of Buddy.

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Marvin Ong as Jake (Photo: Loreta Arroyo)
Above Marvin Ong as Jake (Photo: Loreta Arroyo)
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Joshua Cabiladas as Jake (Photo: Loreta Arroyo)
Above Joshua Cabiladas as Jake (Photo: Loreta Arroyo)
Marvin Ong as Jake (Photo: Loreta Arroyo)
Joshua Cabiladas as Jake (Photo: Loreta Arroyo)

By far, however, everyone pales in comparison to Marvin Ong and Joshua Cabiladas’ portrayal of Jake. In each of their performances of You Should Be Loved, the audience erupted into cheers. Interestingly, Cabiladas bore a thick Filipino accent, which gave his songs a unique twang that made them all the more entrancing. Ong’s version, while distinct from Cabiladas, was equally amazing. While Jake is a supporting character, the two’s nuanced takes easily made him one of the most loved in the musical.

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The freaks performing close-up magic (Photo: Loreta Arroyo)
Above The freaks performing close-up magic (Photo: Loreta Arroyo)
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The costume of The Masked Ragdoll during the intermission (Photo: Gabriel Bohol)
Above The costume of The Masked Ragdoll during the intermission (Photo: Gabriel Bohol)
The freaks performing close-up magic (Photo: Loreta Arroyo)
The costume of The Masked Ragdoll during the intermission (Photo: Gabriel Bohol)

Side Show’s cast is rounded out by its energetic ensemble, who took the time to learn close-up magic tricks for their roles as the freaks. Each member had a ‘freak’ that made them unique—from a bearded lady to an arsonist and a psychic. Come intermission, mannequins were put on display on stage, adorned with the freaks’ costumes and labelled descriptions on what makes each of them special. Guests are encouraged to leave their seats to get to know the side show’s denizens. 

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One of the banners at the side show (Photo: Loreta Arroyo)
Above One of the banners at the side show (Photo: Loreta Arroyo)
One of the banners at the side show (Photo: Loreta Arroyo)

As De Venecia’s final directorial stint with The Sandbox Collective, one could say that Side Show is a culmination of his over-a-decade-long passion for theatre and is a fitting send-off. It was a beautiful blend of advocacies and theatricality which could be considered his magnum opus.

The Sandbox Collective’s Side Show the Musical runs until August 17, 2025, at the Power Mac Centre Spotlight Blackbox Theatre, Circuit Makati. For more information, follow their social media pages.

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Gabriel Bohol
Features Writer, Tatler Philippines
Tatler Asia

About

Gabriel found his passion for writing through poetry in high school. He sharpened his skills at Ateneo de Manila University and hopes to write a play worthy of Broadway one day. A self-proclaimed geek, he loves to spend his free time playing video games and board games. When he's not clicking heads on Valorant or roleplaying as a barbarian in Dungeons and Dragons, you can find him exploring art galleries or watching stage plays.

Work

A creative writer who writes about anything and everything, Gabriel loves to dive deep into the arts and culture scene—as well as going on long road trips for travel pieces.

You can reach him on Instagram at @gbohol for any leads, casual conversations or game invites.