Prof Robert Powell's ‘Visionary Architects of Monsoon Asia’ distils the essence of green architecture through five Southeast Asian architects
Having spent the last 40 odd years in Asia, Professor Robert Powell is at a time of his life when he begins looking back on what he’s done and learned of the places, the architecture and the people he’s encountered in Indochina and the Malay Archipelago.
In his latest semi-autobiographical work, Visionary Architects of Monsoon Asia, Powell embarks on an “odyssey” of introspection and speculation, casting an eye towards the future of the built environment in Monsoon Asia.
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Above Professor Robert Powell (centre) with featured architects, from left: René Tan, Andra Matin, Duangrit Bunnag, and Dr Tan Loke Mun
Through the lens of five visionary Southeast Asian architects from the “younger generation”—Andra Matin, Duangrit Bunnang, René Tan, Tan Loke Mun and Vo Trong Nghia—Powell distils the essence of their groundbreaking green architecture. As he navigates through their innovative designs, Powell endeavours to impart their wisdom to a new cohort of architects, ensuring that their legacy continues to shape the architectural landscape for generations to come.
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Above Prof Robert Powell's latest semi-autobiographical book, Visionary Architects of Monsoon Asia
How did you arrive at the concept for Visionary Architects of Monsoon Asia?
I’ve written about an older generation that I’ve met: Charles Correa, Geoffrey Bawa, Tay Kheng Soon, Dr Ken Yeang and so on. This time around, I’d like to highlight the cutting edge work of five architects working within the Southeast Asian countries. These are architects under 60—and in architectural parlance, the “next generation”—and whose work I have tracked for several years.
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How were the architects chosen?
Essentially, I chose them because I’m just impressed by the individuals, and I have respect for the work they were doing. There has been more reliance on Asian architects, and less importation of Western ideas over the decades; a sort of maturing in the Asian architectural community, if you may. The work of the five architects gives an indication of where architecture is heading in a rapidly changing world, and they are representative leaders of the next generation, producing tropical modern architecture well suited to the climate and culture of Southeast Asia.
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Above Katamama Hotel by Andra Matin was constructed using Balinese clay bricks called Tabanan

Above 'Matchbox' villas at The Naka Phuket, designed by Duangrit Bunnag
Why is it important to bring them to the attention of a wider audience?
We are facing so many other problems of sustainability–a pretty overused word. But, for these five architects, it seemed to me, best illustrate some aspects of resilience and sustainability. They have some ideas about how that can be done: using local materials (Vo Trong Nghia and Andra Matin), reducing carbon footprint of buildings (René Tan and Tan Loke Mun), or restoring old buildings (Duangrit Bunnag). In a way, they’re entrusted with the production of a resilient built environment in an era of drastic climate change, through the need to promote biophilic connections and green architecture.
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What do you think the collective architecture of Monsoon Asia is lacking that you’d like to see more of in the coming years?
I think there’s still not enough attention being given to designing for climate change, and progress still has to be made on that. It’s not particularly just in Southeast Asia, it’s true for most countries in the world. They haven’t really grasped the nettle of doing something about climate change. That may be a little bit out of the hands of architects, but we have to play our role too. It is evident that architects in Monsoon Asia have an abundance of ideas on how to ensure the planet survives the global climate crisis. I mentioned in the book: built environment is responsible for 37 per cent of global energy-related carbon emissions, and knowledge, expertise and experience from these architects are key to helping governments deliver a more sustainable environment.
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Credits
Photography: Courtesy of Atelier International











