The architect behind the latest Aman Resorts talks about emotions and space

Goenka’s work for Aman has taken him to far-flung places, introducing him to diverse cultures and environments. One such place was Bhutan, for Amankora.

“Aman was one of the first international brands to be allowed to build there, and I was involved from the very beginning, helping to select sites and get the project off the ground. My wife and I even lived in Bhutan for several years during the build, so we really became [immersed in] the landscape, the culture and the community,” he shares.

The final product, both beautiful and meditative, belies the challenges it took to build in such a remote, resource-scarce environment. Goenka describes it as “a real lesson in patience.”

He elaborates: “We didn’t have trained carpenters, and some of the local workers had never built something like that before. But the result was something incredible—a true connection between the buildings and the land. Amankora will always be close to my heart as it reminds me of how important it is to slow down the design process, be patient, and let the architecture evolve naturally.” 

For Goenka, this lesson carries through to projects he is working on even today, such as Aman Beverly Hills, which will be completed in 2027. It will be located within the One Beverly Hills project at the intersection of Wilshire and Santa Monica Boulevards, and will also include the Aman Residences and Club.

Goenka highlights the architecture’s “sixth elevation”—the building’s timber cladding offering an organic and warm welcome from the street, together with the trees and greenery that will rise up and over the building.

“Aman Beverly Hills is an exciting project because although it’s located in the heart of Los Angeles, we wanted it to feel like an escape; a peaceful retreat in the midst of the city’s energy,” says Goenka on weaving the hotel and residences into its botanical garden setting and vice versa.

“The garden isn’t just outside the buildings; it flows seamlessly throughout the property, creating a natural connection between the indoors and outdoors. It’s about creating a sense of calm and tranquillity that resonates with the Aman ethos, offering a sense of sanctuary within the city.”

Aman Dubai on Jumeirah Beach is another project filled with landscaping—3.64ha, in this instance. “The design will capture both the natural beauty of the surrounding landscape and the vibrant energy of the city, creating a serene urban retreat,” says Goenka.

He must be having his fill of beach views during site visits, as KHA is also designing Aman Maldives, located at the easternmost point of the Maldives “where the archipelago gives way to the Indian Ocean”.

“This unique atoll, formed by live coral reefs and sandbars, features white coralline beaches, clear turquoise waters and vibrant marine life. The design respects the local context, climate and culture, offering a modern interpretation of simple and open Maldivian vernacular [architecture],” says Goenka. 

When I ask what it was like working with his famous ex-boss, Goenka’s gratitude is palpable. “Kerry was an incredible mentor. Many of us at KHA started as young architects, straight out of college. He had this wonderful way of letting you grow while subtly guiding you in the right direction.

"He wasn’t one for rigid rules or pushing a specific style; instead, he taught us the importance of understanding the culture and context of a site, or really immersing yourself in it, and then creating architecture that’s in conversation with that place.”

Aman Kyoto was a special project for KHA, being the longest Aman project that Hill worked on together. It was completed only after Hill’s death.

“If any project embodies Kerry’s legacy, it’s Aman Kyoto, with its perfect balance between architecture and nature, where the peace and tranquillity of the gardens are the heart of the experience,” observes Goenka on the fusion of pavilion-style architecture, framed garden views, tatami-lined floors, tamo timber panelling, hinoki bathtubs, washi-lined lanterns and raku tiles.

According to Goenka, being an architect is not just about making buildings. As a young student, he had been drawn to the profession as it allowed him the chance to shape spaces that could evoke real emotions in people.

“It’s about creating environments that people can connect with, that help them feel at peace or inspired,” he reflects. His work at KHA has allowed him to realise these dreams, along with those of others who visit and live in the studio’s incredibly crafted spaces.

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