Cover Jimmy wears Chanel J12 Hyper Cybernetic. Carmen wears Chanel Mademoiselle Privé Bouton Lion Cuff

With its multifaceted watchmaking expertise informed by generations of savoir faire and technical mastery, Chanel stands out in the traditional world of high watchmaking, captivating the attention of those seeking timepieces that delicately balance form and function

Nestled among the rolling hills and lush forests of the Jura Mountains in Switzerland, about 1,000 metres above sea level, is a small mountain village of extraordinary renown. Since the 18th century, La Chaux-de-Fonds has dedicated itself to the craft of watchmaking, and after years of being developed and shaped by the horological industry, it is now recognised as the beating heart of the watchmaking world—and home to about 180 brands. The town and its neighbour Le Locle were jointly awarded Unesco World Heritage status in 2009 for demonstrating outstanding universal value as unique manufacturing towns with organic urban ensembles entirely dedicated to a single industry.

It is here in this prestigious watchmaking capital that Chanel, along with many other important brands including Patek Philippe, Girard-Perregaux and Ulysse Nardin, brings its timepieces to life. Chanel’s roots in watchmaking can be traced back to the launch of its first timepiece, Première, in 1987, which made waves for being one of the first 140 watches that was truly designed for women at the time. It was a bold statement very much in the style of the French maison’s revolutionary founder, Gabrielle Chanel. 

In case you missed it: How Chanel continues to fuse style and substance in its watchmaking

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Above Chanel Watch Manufacture (Photo: Chanel)

In 1993, Chanel acquired G&F Châtelain, a decades-old watch and jewellery components manufacturer in La Chaux-de-Fonds, bolstering its commitment to the fine art of horology. The brand has continued to expand its watchmaking prowess through intricate artistry, horological know-how and technical innovation while staying true to design-led couturier codes. In the traditional world of watchmaking, its distinctive approach stands out, captivating discerning horology enthusiasts— both men and women—seeking beauty in their timepieces without compromising function.

Before the production of a Chanel timepiece takes place in La Chaux-de-Fonds, it takes shape first as merely an idea, set in motion in Paris, France. Located just a stone’s throw away from the maison’s iconic 31 Rue Cambon address is the Chanel Watch Creation Studio at Place Vendôme, which serves as a creative playground for the studio’s director Arnaud Chastaingt and his team to dream up unique watches that embrace audacity. 

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Above Arnaud Chastaingt, the director of Chanel’s Watch Creation Studio (Photo: Chanel)

Here, ideas are conceived and expressed as initial drawings, which form an important basis for the team at the Chanel Watch Manufacture to work with. Once a 3D model of the design is crafted, the manufacture’s design department translates this creative vision into a file that breaks it down into individual pieces and their detailed specifications, from regulations to durability and reliability. This then aids the technical teams in creating the first prototype of the watch. Thereafter, every stage of the development and production process is handled within the Chanel Watch Manufacture and realised by the expert craftsmen and watchmakers.

Another big milestone in establishing Chanel’s horological prowess and legitimacy was the introduction of its first exclusive in-house movement, the manual
wound Calibre 1. Unveiled in the Monsieur de Chanel in 2016, the sophisticated Calibre 1 was designed for the men’s watch, with instantaneous jumping hours and retrograde minutes. The technical beauty of the movement’s components was visible through the caseback, which was the maison’s way of appealing to the male audience.

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Above Carmen wears Chanel Première Camélia X‐Ray. Jimmy wears Chanel Monsieur de Chanel Tourbillon Meteorite

Chanel has come up with more in-house haute horlogerie movements since then, with a dedicated department at the manufacture working on developing and assembling them. At this year’s edition of Watches and Wonders, the world’s largest watch trade show, Chanel launched the new Monsieur de Chanel Tourbillon Meteorite featuring the Calibre 5.1, the first flying tourbillon movement in the collection of men’s watches. Within the sleek 42mm black ceramic case sits a partially openwork dial made from meteorite, making each of the 55 watches in this limited run unique. The cage of the flying tourbillon is adorned with Chanel’s signature lion’s head emblem, which rotates to the rhythm of the passing seconds. Equipped with a power reserve of up to 72 hours, the watch comes with a matching black nylon strap with black calfskin trim and lining, and a steel triple-folding buckle. 

Another stunning haute horlogerie novelty this year is the Première Camélia X-Ray watch, which celebrates one of Chanel’s most emblematic and poetic symbols—the camellia—in the most magnificent way. The maison’s extensive watchmaking expertise is showcased here in the movement aesthetics of the in-house Calibre 2, which is designed and assembled to bring out the three-dimensional geometry of the flower-shaped skeleton set with 246 brilliant-cut diamonds. This visually impressive movement and setting is on full display courtesy of a clear sapphire crystal case and bezel, complemented by a patent calfskin strap with silver lining and a triple-folding white gold buckle set with 30 brilliant-cut diamonds. 

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Above Chanel Mademoiselle Privé Pique‐Aiguilles Quilted Motif
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Above An artisan working on the dial of the Chanel Mademoiselle Privé Pique‐Aiguilles Embroidery Motif timepiece in the gem‐setting workshop located in the Chanel Watch Manufacture in Switzerland (Photo: Chanel)

In addition to Chanel’s mastery of movements, its multifaceted horological prowess encompasses skilled gem-setting and artistic crafts. Within the manufacture, there is a workshop where craftsmen are solely focused on setting timepieces with precious stones and have mastered many gem-setting techniques. This allows the maison to bring the precious visions of the Watch Creation Studio to life, as seen in creations such as the Première X-ray. This feminine piece plays on transparency by alternating sapphire crystal links with white gold ones snow-set with dazzling diamonds. The sinuous curves of each link lend a soft, organic feel to the precious watch, which has a white gold dial set with 191 brilliant-cut diamonds and is limited to just 10 pieces.

 

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Above Jimmy wears Chanel J12 Hyper Cybernetic. Carmen wears Chanel Mademoiselle Privé Bouton Lion Cuff

It is evident from Chanel’s use of gems in timepieces such as the Première X-ray that the intention is not merely to add an element of preciousness to the watch; it is also an expression of the maison’s creativity and innovation. Similarly, in the J12 Hyper Cybernetic launched earlier this year as part of Chanel’s Interstellar capsule collection, diamonds are inventively set to create the graphic effect of a pixelated motif that contrasts with the matte black bezel and dial. This diamond-set motif gives the watch a fun sci-fi quality, creating the illusion of the watch glitching; weaving in and out from one alternate reality to another.

Those who appreciate couture will also relish Chanel’s ability to marry craft with haute horlogerie. Inspired by how the house’s founder always wore a pincushion on her wrist when working in her ateliers, Chastaingt created the Mademoiselle Privé Pique-Aiguilles watch. Launched earlier this year as part of the Mademoiselle Privé collection, the 55mm dome-shaped watch comes in five dial designs—a lacework of camellias; a composition of five of the maison’s iconic quilted bags; a pattern depicting various jewels strewn over black tweed; fully snow-set with diamonds to evoke sequins embroidered on black fabric; and a tweed jacket pattern— that showcase Chanel’s exceptional métiers d’art, such as hand engraving, grand feu enamelling and traditional decalling. 

 

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Above Some components of Chanel’s Calibre 5 (Photo: Chanel)

“I like the image of this functional piece of jewellery that adorns the wrists of seamstresses,” says Chastaingt. “I’ve adopted the spirit of this tool to create a watch. While its architecture has the boldness of simplicity, its oversized dial flirts with excess and offers an incredible space for expression.”

In another ode to Gabrielle, whose star sign is Leo, the Mademoiselle Privé Bouton Lion Cuff is a métiers d’art piece featuring a button adorned with the maison’s signature lion’s head motif sculpted in yellow gold. The button, too, is a recognisable element of Chanel, which its founder loved incorporating with ornamental designs on her suits and jackets. Gabrielle made sure these buttons provided both form and function on her creations; each one not only added flair to a piece but also allowed it to be fastened. Similarly, the button on this cuff is a working one that opens to reveal time, but only the wearer is privy to this secret watch. The bold black PVD-coated titanium cuff bears a yellow gold dial and bezel set with 142 brilliant-cut diamonds, concealed by the lion’s head. 

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Above Chanel Première X‐ray

With the unfurling of Chanel’s journey in timepieces, the maison invites horology enthusiasts to explore how its innovative fusion of fashion, art and technology in luxury watchmaking allows for personal expression while serving as a testament to its mastery of craft. Its unique ability to harmoniously converge style and substance in the world of watchmaking stands out, drawing in connoisseurs with watches of timeless elegance.

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Credits

Photography: Ching
Styling: CK
Make-Up: Angel Gwee using Chanel Beauty
Hair: Angel Gwee using Davines
Model: Carmen Villanueva at Ave Management
Model: Jimmy Huang at Ave Management
Outfit: Chanel

Topics

Annabel Tan
Editor, Watches and Jewellery, Tatler Singapore
Tatler Asia

Annabel Tan is the Editor of Watches and Jewellery at Tatler Singapore, where she covers all things luxury timepieces and fine jewellery across both print and digital platforms. She is also the Editor of Tatler GMT Singapore, a role that deepens her fascination with the ever-evolving world of watchmaking. Outside of work, she’s usually on the hunt for her next favourite watch that she can’t afford, planning her next beach getaway, or catching up on the latest Formula 1 race.