Take a look at how costume designer Linda Muir revived 19th century fashion for 'Nosferatu'
Linda Muir, the vision behind the hauntingly immersive costumes of Robert Eggers’s Nosferatu has received her first Academy Award nomination for her work on the film. Muir, a Canadian costume designer who has previously worked with Eggers on films such as The Northman and The VVitch, has an eerily accurate approach to historical apparel, which is fully realised in Nosferatu through painstaking research to avoid any anachronisms.
To craft the wardrobe for Eggers’s gothic reimagining, Muir combed through 19th century literature, along with illustrations and paintings from the period. Costumes were made from scratch, which meant no rentals. This was because she and Eggers were pursuing an aesthetic so precise that even the most minute of details had to be deliberate. She avoided making anything look too ironed or polished. Details from undergarments to outerwear were not only accurate to the century but also to the film’s specific setting—a provincial city in 1830s Germany.
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Above A behind-the-scenes photo of Nicholas Hoult and Lily-Rose Depp in costume as Thomas and Ellen Hutter (Photo: Instagram / @lindamuircostumedesign)

Above A behind-the-scenes photo of Bill Skarsgård in costume as Count Orlok (Photo: Instagram / @lindamuircostumedesign)
One of Muir’s most striking achievements is the wardrobe of Count Orlok, played by Bill Skarsgård. His costume consists of layers upon layers of outdated furs, selected to reflect how a 16th century Transylvanian nobleman might have dressed. The effect underscores Orlok’s attempt to conceal his ‘undead-ness’ beneath heavy drapery. Muir even collaborated with textile artist Silvana Sacco to mimic the fabric’s “aged” effect.
Each character’s socioeconomic status and marital standing were considered, particularly in regards to the film’s female leads. Anna Harding, portrayed by Emma Corrin, wears pristine, fashion-forward dresses that are meant to look as if they were just plucked from a catalogue—a reinforcement of her status as the wealthy wife of a shipyard owner. Lily-Rose Depp’s Ellen Hutter is dressed in whites and lilacs to evoke her innocence and frailty. A scene where she rips her bodice open serves as a visual metaphor for both physical and psychological constraints.
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Above The Innkeeper's outfit designed by Linda Muir (Photo: Instagram / @lindamuircostumedesign)

Above Anna Harding's funeral outfit designed by Linda Muir (Photo: Instagram / @lindamuircostumedesign)
Muir’s approach to authenticity extends beyond the aristocracy. The group of Roma peasants Thomas Hutter encounters on his travels wear mismatched garments chosen to reflect a life of accumulated possessions, alluding to their nomadic lifestyle. It’s this attention to detail that enhances the film’s lived-in feel, a kind of realism brought to life in every frame.
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