London-based Filipino designer John Herrera makes his first foray into the runways of Paris Fashion Week
Paris Fashion Week has long been regarded as a coveted stage for both emerging and established designers. Biannually, the best of the fashion community vie for the spotlight during one of the busiest weeks on the fashion calendar. This honour was recently bestowed upon John Herrera, who made his debut on this prestigious platform, unveiling his haute couture collection entitled ‘Femme a la Mode.’
The 10-piece collection pays tribute to “fashionable women throughout history,” and serves as an ode to their influence on style and culture. According to the London-based Filipino designer, he designed each look “without being constrained by a specific creative direction.” The results speak for themselves, as the gowns showcased a variety of silhouettes and textiles that appear to honour different eras of fashion.
More from Tatler: All eyes are on Heart Evangelista at Paris Fashion Week

Above The finale look from John Herrera’s ‘Femme a la Mode’ collection featuring yards of piña seda (Photo: Paris City Fashion Week)

Above A look from John Herrera’s ‘Femme a la Mode’ collection (Photo: Paris City Fashion Week)
From the photos alone, one could point out the lushness of the pieces—elegant and romantic but imbued with a hint of edge. The collection features an opulent selection of fabrics, from silk duchess satin and silk-cotton velvets to intricately adorned materials embedded with glass bugles and Swarovski crystals. Other stunning creations include a loose off-white blouse with smocked sleeves and a black and chartreuse gown embellished with a large rosette.
See also: Patis Tesoro shows no signs of slowing down in her effort to preserve and promote Filipino design

Above A look from John Herrera’s ‘Femme a la Mode’ collection (Photo: Paris City Fashion Week)

Above A look from John Herrera’s ‘Femme a la Mode’ collection (Photo: Paris City Fashion Week)
A particular highlight of the show was the bridal gown that served as Herrera’s finale piece. In a true celebration of heritage, the piece featured yards of piña seda crafted into a billowing veil. The use of this native fabric added both a touch of cultural pride to the collection and showcased Southeast Asia’s rich textile traditions on one of the world’s most prestigious fashion platforms.
NOW READ
Inside ‘Timeless: J Moreno’ at the Metropolitan Museum of Manila
The show must go on: The Gucci Fall-Winter 2025 show thrives in beautiful inconsistency
Where the lines intersect: Onitsuka Tiger captures the urban duality of Tokyo





