Todak is leaving the gaming arena behind, at least for the runway, as Cultured by Todak makes its fashion debut at KLFW 2026
I’ll admit, I don’t know much about Mobile Legends: Bang Bang beyond seeing people around me play it religiously. But Todak is hardly an unfamiliar name, even outside the gaming world. And after its buzzed-about KLFW 2026 debut, it’s clear that the brand is now playing in a very different arena: fashion.
For years, Todak was one of the biggest names in Malaysia’s competitive gaming scene, particularly in Mobile Legends: Bang Bang (MLBB). Then, in December 2025, the organisation officially shut down its competitive esports teams to focus on a new direction: building Todak into a lifestyle and fashion brand.
Read more: The standout fashion details from KLFW 2026

Above (Photo: Saufi Nadzri)

Above (Photo: Saufi Nadzri)
That next chapter arrived at KLFW 2026, August 7, where Cultured by Todak made its runway debut with BattleScars. But while the move from esports to fashion might look like a sharp turn from the outside, co-founder Shinta Bubu sees it differently. “I’ve believed for a long time that esports was never going to remain just about gaming,” she says. Having spent more than 30 years working in technology, Shinta has always been interested in what technology (and fashion) does to people and culture. Gaming, she says, is a good example of how something can evolve from an activity into an identity.
“Gaming used to be something you did. Today, for an entire generation, it has become part of who they are.” It shapes what people listen to, what they wear, who they follow and the communities they belong to. For Shinta, that meant esports was always going to become part of a much wider cultural conversation.

Above Shinta Bubu, Co-founder of Cultured by Todak (Photo: Instagram/@shintabubu)
That idea first took shape in 2020, when she co-founded Indonesian esports team Morph Team. Its tagline, ‘Beyond Esports’, reflected her belief that gaming could naturally intersect with fashion, music, entertainment and lifestyle. The team eventually ventured into fashion too, including an appearance at Jakarta Fashion Week.
So while Cultured by Todak may be new to the fashion crowd, the thinking behind it has been years in the making. “It’s an evolution of something I’ve believed in for years.”
So, what does gaming culture actually look like in fashion?

Above (Photo: Saufi Nadzri)
This was perhaps the biggest question for Cultured by Todak. The easy route would have been to put gaming graphics and team logos on clothes and call it fashion. Instead, the brand wanted to take a more considered approach. “You don’t need giant gaming graphics or team logos for something to carry gaming DNA,” Shinta explains.
For Cultured by Todak, that DNA comes through in technical silhouettes, performance-inspired details, functionality and a certain sense of resilience. The idea is that you should be able to wear the clothes without knowing anything about esports—and still want them.
“We are not designing a gamer uniform. We are building a fashion language that comes from gaming culture.” That distinction sits at the heart of BattleScars, the collection that made its debut at KLFW.
Why BattleScars?

Above (Photo: Saufi Nadzri)
The name BattleScars feels fitting for a brand with almost a decade of esports behind it. There have been wins, losses, pressure, criticism and plenty of moments that required the team to start over and keep going. But rather than making the collection a literal retelling of Todak’s esports journey, Shinta wanted its message to feel more universal.
“Entrepreneurs, artists, athletes, everyone carries their own scars,” she says. The idea is to treat those scars not as something to hide, but as proof of where you have been and what you have made it through. That thinking comes through in the collection’s technical, resilient pieces, with its message summed up in the line: ‘The Future Belongs to the Battle-Tested.’ There is also a playful meeting of fashion and technology. One of the collection’s standout pieces is a hydrochromic jacket that changes colour in response to temperature.
For Shinta, it is exactly the kind of thing she wants Cultured by Todak to explore. “I don’t just want us to make clothes. I want us to create things that make people curious.”
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Of course, having an idea is one thing. Making it work on a runway is another. For the collection’s styling and visual direction, Shinta worked with stylist Minluna, whom she was introduced to by KLFW founder Andrew Tan. The connection was immediate.
Shinta already knew she wanted Cultured by Todak to feel edgy and elevated, with its gaming roots intact without looking like traditional esports merchandise. Minluna, she says, understood that instinctively. “She didn’t try to turn Todak into something it wasn’t. She helped us express what was already there in a much more fun and fashion-forward way.” And KLFW gave the brand its first real chance to see how that vision would land outside the gaming world.
“What excited me most was seeing people respond to the collection without necessarily knowing Todak’s esports history,” Shinta says.

Above Minluna backstage at KLFW 2026, styling the Cultured by Todak debut (Photo: Saufi Nadzri)
For Shinta, that is the real test. If someone who has never watched an esports tournament sees a BattleScars piece and simply wants to wear it, then the clothes have done their job. “Our esports heritage gives us authenticity, but it shouldn’t limit our audience.”
As Todak approaches its 10th anniversary, Cultured by Todak is less a reinvention than an evolution of what the brand has already built. The same community, resilience, technology and creativity that shaped its esports journey are now finding a place in fashion and the wider creative world.
And while Shinta has her sights set on cities such as Tokyo, Seoul, London and Los Angeles, she is just as focused on where the brand comes from. “I don’t want to build Southeast Asia’s version of an existing global gaming lifestyle brand,” she says. “I want Cultured by Todak to become a global brand that could only have come from Southeast Asia.”
From gaming tournaments to the KLFW runway, Todak may be on a different stage now, but its roots remain the same. The question is no longer where esports ends, but just how far its culture can go.
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