Cover British designer Kelly Hoppen and pop star Boy George in the latter’s dining room

British singer Boy George’s eclectic London home hits the high notes with its heady mix of classic and modern design elements, accented by his collection of vibrant artworks

Even as a young man living in London’s Woolwich neighbourhood in the eighties, pop superstar and deejay Boy George would draw glances for his flamboyant style: an intoxicating, experimental fusion of various cultural references, glamour and androgyny that made him a leading figure in Britain’s emerging New Romantic movement. Inspired by the glam rock stars of the 1970s, this underground subculture was characterised by eccentric fashion choices that underpinned its aspirational, escapist bent.

“It didn’t bother me to walk down the street and to be stared at. I loved it,” the Karma Chameleon singer, who was born George Alan O’Dowd in 1961, once said in an interview. “I think being individual in showbusiness gives you life and longevity.” George’s signature style would go on to permeate all aspects of his life, including the design of the stately three-storey gothic English mansion he has owned for nearly four decades.

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Photo 1 of 3 These symmetrical pillars frame the centre of the home while contributing to the fun interplay between classic and contemporary details
Photo 2 of 3 The neutral scheme serves to highlight the home’s gothic wooden ceilings and darker toned furnishings
Photo 3 of 3 These round coffee tables stand in contrast to the angular step ceiling of the taupe-hued screening room

Hoppen reveals that George had become smitten with her own breezy West London home after a visit, and requested her to redo his six-bedroom home so it would look like hers. “I was flattered, but it wouldn’t make sense for his house to look like my house,” she says. “We needed to understand the history of the building, and George’s life in it. So, I took into account his way of life, his aesthetic, his art and his beliefs, and intertwined his style and mine. I felt like we were in each other’s heads throughout the process!”

One of Hoppen’s first tasks was brightening the dark home. Giles Moulder, a partner at London-based F3 Architects, had previously designed a modern kitchen addition with a glass wall to bring in more natural light; the designer worked to open up the abode’s dim interior and myriad rooms even further with the liberal application of taupe and beige hues. 

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Above The home’s vaulted ceilings are complemented by the traditional balustrades, coupled with a mix of antiques and art
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Above The use of Italian marble adds grandeur to the central hall

This neutral palette is the foundation that lets the home’s other elements shine. These include gorgeous period details such as the restored stained-glass windows, vaulted ceilings, and a dramatic central staircase with an ornate wrought-iron railing, giant skylights, contemporary furnishings, sumptuous patterns and textures in the form of grey Italian marble accents and tactile fabrics, and George’s personal collection of brightly coloured paintings, photographs, ceramics and other memorabilia. “Working with gothic architecture was a first [for me], but a brilliant challenge,” says Hoppen.

Characterised by marble columns and round arches, the bright foyer is connected to a cosy dining area where George reads and writes. These neutral-toned zones feature a varied mix of furniture such as an armchair acquired at an antiques fair in London, a chinoiserie table and chairs, and high-back chairs slipcovered in beige basketweave linen. Here, bursts of colour are imparted by George’s beloved paintings.

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Photo 1 of 2 The living room is an inviting space characterised by comfy seats, a Tamo wood coffee table and a fish-eye mirror
Photo 2 of 2 Photographs and artworks lead the eye upwards along the staircase; these round coffee tables stand in contrast to the angular step ceiling of the taupe-hued screening room

To the right of the dining area is the gothic central staircase, its imposing form dominating the triple-height central hall. Photos by the homeowner adorn the walls beside the stairway, while display nooks house various objets d’art. A Carrara marble console rounds up this airy tableau, which is crowned by colourful stained-glass windows at its peak.

Beyond the staircase is the main living room, its coffered ceiling painted taupe. At one end of the space is exposed brickwork, a tactile backdrop to George’s deejay table. At the other end, a fish-eye mirror “brings a funhouse aspect to what is already a kind of a fun house”, Hoppen laughs. Occasional tables in bronze and wood are scattered throughout, along with tufted armchairs by Nadin & Macintosh and other chairs the designer had upholstered “to look half done and half undone”. Belgian ceramicware and more art provide visual accents.

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Photo 1 of 3 Yellow cabinetry in the utility room and the kitchen bring a dose of fun and energy to these typically utilitarian areas
Photo 2 of 3 Bright yellow finishes create joyful energy in this space
Photo 3 of 3 A household cooking pot is personalised with a quirky quote

A passageway leads to the kitchen, a refreshing space with cabinetry painted in various colours such as a cheery yellow shade, ivory, and even black. An exposed brick wall stands at one end, at the other, Moulder’s full-height glass panes open out to a landscaped garden and invite the sun’s rays to enter. A yellow-painted utility room mirrors the sunshine tones of the kitchen, elevating this typically pedestrian zone with its life-affirming hue. Another strikingly coloured space is a downstairs powder room, which uses black tiles and dark graphic wallpaper to dramatically moody effect. 

The overall neutral palette continues on the levels upstairs, with calming off-white, cream and taupe shades highlighting the home’s gothic wooden ceilings. George’s light-filled bathroom is a top-floor sanctuary with a giant skylight for a ceiling and Victorian-style tapware and basins; white subway tiles and a neutral palette evoke serenity. The master bedroom, which overlooks Hampstead Heath, also employs soft tones, linen bedding and drapes to restful effect. Here, a Holly Hunt headboard in white leather lends a touch of luxury, while Porta Romana table lamps and a vintage console from Shimu complete the visually pleasing composition.

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Photo 1 of 3 The master bedroom is a snug space softened with cosy linen and other natural texture
Photo 2 of 3 ; the master bedroom is a snug space softened with cosy linen and other natural texture
Photo 3 of 3 The minimalist walk-in wardrobe features a pleasing symmetrical look

The home’s other upstairs spaces include a meditation room, a roof terrace and the screening room, a comfy, windowless space. This cocooning zone, done fully in taupe, features a step ceiling, pebble-like marble coffee tables from McCollin Bryan and a sofa upholstered in Belgian linen. The TV stands within the fireplace surround, which acts almost as a proscenium, setting the stage for entertainment-filled evenings.

The three-year project was completed earlier this year; incidentally, George listed the house for sale in late September 2022, with an asking price of £17 million (about S$28 million). Looking back on the refurbishment, Hoppen calls it “one of the most special” jobs of her career to date. “It was a massive responsibility to take someone’s history and shape it into a home, but he had such trust in me,” she says, adding that George “loved” the end result. “It was an emotional moment for both of us.”

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Above A close-up of the Victorian-style tapware and basins
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Above Retro memorabilia bring bursts of colour to the study

Credits

Photography  

Mel Yates

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