Alessandra Ambrosio and her children in their home by Bullard (Photo: Douglas Friedman)
Cover Alessandra Ambrosio and her children in their home by Bullard (Photo: Douglas Friedman)

Multi–award-winning interior designer Martyn Lawrence Bullard on how he creates eclectic yet inviting interiors for his A-list celebrity clients

Interior designer to the stars Martyn Lawrence Bullard is himself a star in every sense of the word. Whether it’s being regularly named on numerous designer A–lists, having his work featured in leading publications worldwide, including Architectural Digest, Vogue, House & Garden and Elle Decor, or having his own successful range of textile designs, homewares, and jewellery to appearing on television shows like Million Dollar Decorators.

Indeed, the British-born Bullard, who initially moved to Los Angeles to try his luck as an actor, has established a sophisticated yet eclectic style that has led to being a sought-after designer the world over. This includes a star-studded celebrity fanbase, the likes of Cher, the Kardashians, Tommy Hilfiger, Blake Shelton and Gwen Stefani, and Ellen Pompeo.

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Interior designer to A-listers, Martyn Lawrence Bullard (Photo: Hope Lee)
Above Interior designer to A-listers, Martyn Lawrence Bullard (Photo: Hope Lee)

With two mono-graphs under his belt, Bullard’s stunning new book appropriately named Star Style gives readers a peek inside the homes of an array of glitterati from the worlds of music, fashion, stage, and screen, as well as some of Bullard’s most luxurious commissions for private homes and boutique hotels.

Tatler Homes speaks to the high-profile designer about his glamorous trajectory and inimitable signature style.

See also: The return of maximalism: Why are bold, eclectic interiors suddenly popular again?

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Bullard's latest book, Star Style
Above Bullard's latest book, Star Style

What’s it like designing for a celebrity client?

Celebrities are just like the rest of us, they love their homes and want to personalise them and make a nest for themselves and their families. The only difference is, unlike the rest of us, they need more privacy and security.

Leading a public life can be hard, so the home must be a sanctuary, a place where all your needs are catered to, and customisation is at its greatest power in formulating a deeply personal look, works for all the family needs but also services the requirements of their careers and the many facets that hold.

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Ellen Pompeo in her Malibu home by Bullard (Photo: Douglas Friedman)
Above Ellen Pompeo in her Malibu home by Bullard (Photo: Douglas Friedman)

Which would you say is the most challenging, designing a home, hotel or a retail space?

Private homes are the very favourite part of my career, as you are designing a space that fits a personality, that is shaped so very exclusively for that client and becomes a magical expression of them produced by using all my design skills, a perfect cocktail of personality and performance.

Hotels are also a wondrous aspect of my design career. A hotel is a space that is crafted to bring in the fantasy and design that is breathtaking, Luxurious and fanciful. It must give you a sense of place whilst transporting your senses, leaving a memory that is beautiful and draws you back. That’s the magic of decorating mixed with the beauty of travel. 

Read more: Revel in this lavish Peranakan townhouse on Melaka’s erstwhile Millionaires’ Row

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Ellen Pompeo’s Malibu living room (Photo: Douglas Friedman)
Above Ellen Pompeo’s Malibu bedroom (Photo: Douglas Friedman)

Do you have a favourite project and why?

I love all my projects for different reasons, but my current favourite has to be RuPaul’s wild and wonderful house. When you get to design for the world’s most famous drag queen, you know you can go wild with dramatic abandon.

And that’s what we did, culminating in a magnificent home that captures the essence of who he is and what a spectacular career he has obtained and conquered. A center stage for him to shine in! 

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Ellen Pompeo’s Malibu living room (Photo: Douglas Friedman)
Above Ellen Pompeo’s Malibu living room (Photo: Douglas Friedman)

What’s your design process like?

My design process is very much about understanding the client’s needs and decorative desires. It’s about getting to know them, how they live, how they want to live and what gives them joy.

Once I understand all the elements that they want for their dream home or project, I start to piece the pieces together to make a truly special and one-off interior that is customised to the most minute details.

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Ellen Pompeo’s Malibu bedroom (Photo: Douglas Friedman)
Above Ellen Pompeo’s Malibu bedroom (Photo: Douglas Friedman)

What’s a colour/ material you’ll never tire of using?

I love green. In all shades, I find it a beautiful colour, a tone that is so easy to mix with all other colours and always provides a fresh and luxuriant palette.

As I love natural fibres and textures, I’m a huge component of linen, especially for drapery. The natural texture of the fabric and the way light reflects from its surface are at once spellbinding and timeless.

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Tommy and Dee Hilfiger in their Connecticut home (Photo: Douglas Friedman)
Above Tommy and Dee Hilfiger in their Connecticut home (Photo: Douglas Friedman)

With 30 years under your belt, how do you keep your style fresh and relevant?

I keep myself fresh by constantly being open to learning new things, investigating every trend and design that comes on the market, travelling as much as possible, seeing new things, meeting new people, experiencing new surroundings, smells, food and ambience.

The day we stop being open to learning is the day our inspiration dies … and I won’t stop learning until the day I die! 

See also: How to avoid banal design, according to Italian architect and designer Piero Lissoni

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Hilfiger’s Connecticut home by Bullard (Photo: Douglas Friedman)
Above Hilfiger’s Connecticut home by Bullard (Photo: Douglas Friedman)

In your own words, how would you describe your signature style?

I never want to be known for having a signature style. I always want every project to be a one-off, a creation that was created for that client, a window into their soul and not a display case for my style.

My signature should be the ability to show my client’s style in its very best light, a magnificent interior that screams them and not me. It’s the greatest compliment to be told an interior is a mirror of the owner, then you really know you have done your job correctly.

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The dressing room in Hilfiger’s Connecticut home (Photo: Douglas Friedman)
Above The dressing room in Hilfiger’s Connecticut home (Photo: Douglas Friedman)

Has it evolved through the years?

My personal style, the way I design for myself, is constantly evolving. I use my own homes as expedient pads, the places I try out new things, new ways to mix and match, and as a place to house all the treasures I gather from my travels and group together in a way I find new and exciting. 

Read more: Home tour: Idyllic luxury, monastic beauty and natural materials in a Mallorcan village

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Tommy Hilfiger's Miami home by Bullard (Photo: Douglas Friedman)
Above Tommy Hilfiger's Miami home by Bullard (Photo: Douglas Friedman)

In your opinion, what are the biggest challenges designers face today?

The biggest design challenge today is the constant influx of new tools like AI. Whilst they bring amazing technology to us, it also takes away the personal touch and doesn’t allow for a truly personal experience.

It’s a delicate balance to use the latest tech in our work whilst retaining a truly customised and personalised experience for each client.

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Chris Cortazzo's Balinese-inspired house in Malibu by Bullard (Photo: Douglas Friedman)
Above Chris Cortazzo's Balinese-inspired house in Malibu by Bullard (Photo: Douglas Friedman)

What and who inspires you?

Travel always offers me the most inspiration. It is the greatest learning curve and allows us to become immersed in culture and history, which inevitably is the soul of all great design.

I learn from the classics, take lessons from the greatest historical designers and designs of the past and look to all the inventiveness of our time and the projections of the future.

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