The chef-founder of Tate Dining Room and Mora opens up about her professional journey, personal evolution, and the simple ingredient that excites her the most
It’s a cold, damp morning on Upper Lascar Row—Hong Kong’s famed Cat Street market—where we wait among an eclectic mix of Chinese antiques, Bruce Lee figurines and a vintage collection of Parisian pin-ups to enter Mora, opened early for this occasion, and meet its chef and founder Vicky Lau. Inside, the space subtly echoes its surrounding streetscape with a more decorous blend of eastern and western design elements that flow with natural tones and textures, exuding a calm and soothing elegance, not unlike Lau herself, who sits with swanlike poise as the team readies her for our photoshoot.
Anyone who has enjoyed fine-dining experiences in Hong Kong over the past decade will likely need no introduction to Lau’s culinary chops; crowned Asia’s best female chef in 2015, she is also the first female chef in Asia to have two Michelin stars under her belt, with Tate Dining Room. She recently marked its tenth anniversary with a reflective celebration menu and opened soy-focused restaurant Mora in 2022 as a sequel to one of Tate’s popular single-ingredient menus, which placed the humble ingredient under a fine-dining spotlight. This was closely followed by the launch of Ān, a collection of homemade soy products, including milk made at a dedicated factory.
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An artist at heart, Lau’s path to chefdom was not necessarily ordained. Instead, it was a series of serendipitous choices that led her there. First, she moved from Hong Kong to the US at 15, attending a boarding school in Connecticut before studying graphic communications at New York University. “At college, we were exposed to the idea that we should design things that can positively impact humanity and I think this idea really stuck with me—the beauty of creating something meaningful.”
During this time, another experience would teach her what not to do. “If I hadn’t worked at a bank as an intern [during college], I wouldn’t have become a designer,” explains Lau. “The only thing I learnt from the internship was that I knew I would not work at a bank.”
After graduation, she worked at a New York advertising agency for some years but decided to return to her roots to head up her own design agency in Hong Kong. “When I was freelancing, I had to do my own accounting and needed to communicate with people. I think that gave me the confidence to become a chef and business owner.” Thereafter, she went on to train at Le Cordon Bleu in Bangkok and worked at the now-closed French restaurant Cepage in Hong Kong with Sebastien Lepinoy, a protégé of legendary Joël Robuchon.