Cover ArChan Chan is Tatler Dining’s Local Champion for 2023

Recently crowned Tatler Dining’s Local Champion for 2023, ArChan Chan, the head chef of Ho Lee Fook and cookbook author, shares her thoughts on the allure of the wok, the evolution of Cantonese cuisine and the enduring character of the Hong Kong spirit

How has Hong Kong’s food landscape changed since your childhood?

I grew up in Prince Edward and my grandparents were in Sham Shui Po, so I was always back and forth between these two areas. There are [still] the dai pai dong in the Sham Shui Po area but a lot of this really authentic stuff is disappearing.

Over time you see more and more places that have been open for 60 years but are closing in a matter of months. It is a tough business, though, with the rent in Hong Kong. For example, once I understood how to cook, I could not believe how cheap puff pastry egg tarts could be given the labour that goes into them. It's insane that puff pastries made in-house can cost [as little as] HK$10.

How do you think they do it?

I think Hong Kong people are really hardworking. They don’t think about, oh, does it make sense given the amount of time and labour it takes, and not being able to see my kids grow up because of it? People are just hardworking. They just have that nature and we get that from seeing how hardworking our parents and our grandparents are. We’re considered lucky to be able to say, “I want to be a chef”. Yes, I worked hard to be a chef, but I like to do it. You can’t ask your grandpa if they actually liked to do what they did. That is a luxury.

So I think this is still ingrained in people’s spirit, because if these places start asking themselves if it’s really worth it, then many of them would probably close up shop for good the next day.

Do you think the local cuisine is a direct result of this hardworking mentality of Hongkongers?

Yeah. And if you look at the amount of work they do, the time they put in, it’s probably really underpaid. Like the lady from the dai pai dong across the street [from Ho Lee Fook], they probably have worked enough [and have enough money] to stop working, but they will still work, because they probably inherited the shop from their elders. They don’t think about the question of retiring. They might close for one month and go on holiday, but they’re still open. They still work. And there’s a lot of people in Hong Kong who are like that. That is the spirit.

You came back to Hong Kong in the middle of the pandemic after many years abroad to reopen Ho Lee Fook. Was there anything special about the timing? 

I quite believe in fate and the universe and destiny. I always wanted to come back, that’s for sure, because of my family and my friends. I’m a single child and I’m the only person who can look after my parents, and they’re not getting any younger. This was very clear.

If you ask me if there’s any kitchen equipment in the world that I’m willing to spend 15 hours a day standing in front of and that I’ll still enjoy using, it’s definitely the wok. So to me, not only do I fit Ho Lee Fook, but it also fits me. There are not a lot of Chinese restaurants that are like it in Hong Kong.

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Tatler Asia

I’m not the same chef as I was 10 years ago. I just want to make things tasty, and continue to do good for Hong Kong.

- ArChan Chan -

The direction of Ho Lee Fook has definitely taken a turn for the traditional in your time there. What spurred the change?

[Black Sheep founder Syed Asim Hussain] grew up in Hong Kong, so he really wanted the restaurant to have that Hong Kong DNA—to go back to our roots but at the same time represent the Hong Kong energy that we have. Personally, that was a very clear direction that I knew I would enjoy, because when you’ve been in your career for as long as I have, you’ll ask yourself: what’s your purpose? What will make you happy? What is your responsibility and duty? I want to be able to contribute to Hong Kong, not just as another chef cooking Chinese food, but to be able to change something or give people an impression.

I always say the front-of-house is really special here because at the end of the day in Hong Kong, there’s a lot of food you can find that is similar or better, but a lot of English speakers might be intimidated by the style of service in more traditional restaurants. But here, you’ll be able to enjoy what we want to present to you as Cantonese food, but with friendly and accommodating service. This is the Ho Lee Fook experience.

How do you accommodate the different types of diners who pass through Soho?

This is something that we think about a lot because we know there are different palates, but I guess what we want to do is to create something that every type of palate would like. We might have dishes like the double steamed broth which I know most locals will appreciate. But we will also have items that like the okonomiyaki prawn toast, which we kept from the previous menu by chef Jowett Yu because it makes sense and it’s really clever. I believe if you cook from the heart, eventually people will understand.

I’m also not the same chef as I was 10 years ago when I wanted to reinvent the wheel. I just want to make things tasty, and continue to do good for Hong Kong.

How else do you think chefs can modernise Chinese cuisine?

Many people have tried to use that term for a lot of cuisines in the past 10 years; and because I have also been in a position of doing that back at Ricky & Pinky in Melbourne, I know for a fact that modernising Chinese food is really, really hard. Korean or Japanese cuisine is somehow easier to modernise, because Japanese and French cuisines have some mutual ground, whereas Chinese food uses the wok quite a lot. Once you’re done stir-frying food, it goes straight onto the plate. If I’m using my tweezers, by the time it reaches the table, the food will be cold.

That’s why I often say that I really appreciate The Chairman. I don’t think they’ve modernised Chinese cuisine: they are classic and authentic, but they upgraded the flavour to the next level and put Cantonese food on the world map.

I'm not sure if “modernise” should be the term any more. We should think more about being flavour-driven and ingredients-driven. I’ve read about how Danny Yip of The Chairman will ask his kitchen staff what flavours they remember the most, and build the dishes from there. This is a very good approach when you think about what we want to achieve.

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Tatler Asia

What challenges do you think Cantonese cuisine faces in the future?

With the commercial mindset in Hong Kong, I’m really scared that many people will stop doing what they do because it doesn’t make sense, like with making soy bean paste or shrimp paste [by hand] or growing vegetables.

If we start losing these aspects, the flavour is going to change. We’ll still be able to source a lot of things for sure, but it’s different. Our food is really labour intensive. We have to do a lot of chopping, a lot of fermenting. It’s not like [Italy] where you get really nice burrata, really nice tomatoes, beautiful olive oil and basil, and then you have a great Italian dish.

The challenge is when people start to think, why do I spend 15 hours a day working when I can get a job in the government that pays more than triple the salary? People just don’t want to put in that hard work any more.

What is one Cantonese dish that encapsulates the city of Hong Kong for you?

I would pick sizzling chicken clay pot with rice. First of all, the quality of chicken in Hong Kong is really good. I love the strong flavours of this dish—I can eat it all the time, in winter or summer. It’s not popular anywhere outside of Hong Kong, and it needs to be made with a charcoal fire for the best flavour, and not many places are willing to put in the effort any more. It’s Hong Kong in a pot.

Read more: Tatler Dining’s Chef of the Year, Vicky Lau, shares her thoughts on soy and spirituality

Wok-fried clams with black beans and chillies

Tatler Asia
Above Photo: Stephanie Teng

Recipe by ArChan Chan

Ingredients

  • 1kg fresh clams
  • 125ml Shaoxing rice wine
  • 2 tbsp canola oil (or any other cooking oil)
  • 2 tbsp chopped garlic
  • ½ red onion, sliced
  • 1 tbsp salted black beans, minced
  • 2 red bird’s eye chillies,deseeded and chopped
  • 1 tbsp oyster sauce
  • 125ml chicken stock
  • 1 tbsp cornflour, mixed with 2 tbsp of water
  • 3-4 spring onions, finely sliced

Method

  1. Add 6 tbsp salt to 2 litres of water. Add the clams and leave to soak for 1-2 hours. This will purge them of sand and grit. Rinse thoroughly. Dispose of any with broken shells or which don’t close when tapped.
  2. Place the clams in a large frying pan or wok, add enough water to cover, then add 2 tbsp Shaoxing wine. Place over a high heat and bring the water to a simmer. Remove the clams once they open, and discard which remain unopened after they have been simmered for a few minutes. Strain, reserving the liquid. 
  3. Heat a large, clean frying pan over high heat until smoking hot. Turn off the heat, carefully add the oil, swirl it around the pan then pour it out into a small dish. Reduce the heat to medium, add the oil back again, then add the garlic, red onion and salted black beans. Sauté for 30 seconds before adding 2 tbsp Shaoxing wine.
  4. Add the chopped chillies and sauté for a further 30 seconds before adding the clams. Stir well, then add 1 tbsp Shaoxing wine, the oyster sauce, chicken stock and reserved clam cooking liquid, and bring to a simmer.
  5. Add cornflour as desired to thicken the sauce to your preference, stirring continuously.
  6. Garnish with spring onions and serve immediately.
Ho Lee Fook
Cantonese   |   $ $ $

G/F, 1-5 Elgin Street, Central, Hong Kong

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Credits

Photography  

Affa Chan

Styling  

Cherry Mui

Make-Up  

Sandy Cheng/MakeupBees

Stylist's Assistant  

Summer Li

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