Each year, the Loewe Craft Prize platforms artisans who push the boundaries of craft, all in the name of sustainability and creativity
Embodying the enduring power of artistry in an increasingly fast-paced digital world, the Loewe Craft Prize signifies the appreciation of craftsmanship and the pursuit of innovation. The Loewe Foundation has unveiled the names of 30 gifted artists shortlisted for the 2024 edition of the esteemed prize.
These individuals hail from vast corners of the world, representing 16 countries; their remarkable works will be displayed at the Palais de Tokyo in Paris from May 15 to June 9, 2024. One winner will be chosen by a jury of 12 panellists from design, architecture, journalism, criticism and museum.
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Above Filipino artist and Loewe Craft Prize finalist Racso Jugarap

Above 'Echinoid' by Filipino artist Rasco Jugarap
Among the distinguished finalists is Racso Jugarap from the Philippines, who worked with galvanised iron wires and gold leaf to create his masterful piece Echinoid Ange Dakouo from Mali, whose “woven gris-gris” textile-making technique was inspired by amulets worn by Dozo hunters; Ferne Jacobs from Los Angeles, who has been creating fibre art since the Sixties; and ceramicist Ken Eastman from England, whose work centre around the concept of the vessel as a subject.
Also among the 30 finalists are Jeremy Frey, Raven Halfmoon, Alison Croney Moss, Aya Oki and Polly Adams Sutton (United States); Andrés Anza (Mexico); Kevin Grey (UK); Saar Scheerlings (Netherlands); Norman Weber (Germany); Emmanuel Boos (France); Luis Santos Montes (Spain); Karl Fritsch (New Zealand); Patrick Bongoy (Democratic Republic of the Congo); Ozioma Onuzulike (Nigeria); Miki Asai, Hiroshi Kaneyasu, Gaku Nakane, Ikuya Sagara and Kazuhiro Toyama (Japan); Yuefeng He (Mainland China); Chun Tai Chen (Taiwan); and Eunmi Chun, Heechan Kim, Kira Kim, Weon Rhee and Debaroun (South Korea).
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Above 'Bloom IX' by American artist Aya Oki

Above 'Displaced' by English artist Kevin Grey
Since its inception in 2016, the Loewe Craft Prize has lauded excellence and merit in modern craftsmanship, reaffirming the importance of tangible artistry in today’s culture. “Craft is the essence of Loewe,” creative director Jonathan Anderson stated at the award’s inception. “As a house, we are about craft in the purest sense of the word. That is where our modernity lies and it will always be relevant.”
This year’s final pieces, selected from a pool of over 3,900 submissions by artisans worldwide, emphasise the elevation of everyday materials. In essence, it is a sustainable effort to push the boundaries of artistic expression.
The finalists have displayed their remarkable achievements in various ways, such as repurposing found materials like rubber tiles and compressed wood and using a unique approach to glass blowing. The shortlist highlights the immense talent within the art community by showcasing a wide range of mediums, including ceramics, textiles, woodwork, furniture and more.
This distinction offers a platform for exposure and professional and artistic development, which can help open doors for artisans from different backgrounds. It also inspires future generations to appreciate the act of simply “making”.

Above 'Holly Shell' by American artist Alison Croney Moses

Above 'Symphony in Ash' by American artist Jeremy Frey

Above 'Don't Get Around Much' by English artist Ken Eastman

Above 'Weeping Willow Women' by American artist Raven Halfmoon
The exhibition of the finalists’ work at the Palais de Tokyo joins a prestigious lineup of previous venues, including The Design Museum in London, the Seoul Museum of Craft Art, Isamu Noguchi’s indoor stone garden in Tokyo and Noguchi’s studio at his eponymous museum in New York.
At its core, the Loewe Craft Prize is a celebration of creative ingenuity, a reminder of the value of craftsmanship as an act of contributing to human heritage. Anatxu Zabalbeascoa, executive secretary of the Loewe Foundation Craft Prize Expert Panel, relays, “Craft, to us, embodies creativity, meaning, culture and technique, and we believe that traditions are best preserved when they are questioned and reimagined.”
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Erratum: We have initially published this article on our April 2024 Issue with a misspelling of Racso Jugarap's name, mistakenly spelled 'Rasco' instead. We sincerely apologise to the artist. We have already taken immediate action to correct this error, as reflected on the present version of the article.
Credits
Images: Courtesy of Loewe





