Stray Kids Felix style: 9 looks that show his fearless approach to fashion

For the Gentle Monster x Disney x Formula 1 campaign, Stray Kids Felix pulled out an archival prize: the Yohji Yamamoto x Dainese motorcycle jacket from Autumn/Winter 2004, complete with padded shoulders and bold graphic lettering. Paired with black utility trousers, silver Gentle Monster wrap sunglasses and a sculptural racing helmet, the heavy armour reads futuristic rather than aggressive. A shaggy, uneven blonde mullet with dark roots softens the whole look, bridging vintage subculture with tomorrow’s motorsport aesthetics.

At Louis Vuitton’s Cruise 2027 show at The Frick Collection, rain became part of the styling story. An elongated, double-breasted coat with curved shawl lapels channels old-world Regency drama, worn over a black shirt and tie, finished with a crystal LV monogram pin. To complement the look, Felix’s bleached hair was swept away from the face. The result reads less like a guest at a fashion show and more like moody royalty.

Even off duty, Felix’s instinct to disrupt proportion holds. A polar-white Skylark hoodie with dropped shoulders and exaggerated balloon sleeves swallows a simple white tee, while grey sweatpants keep the base relaxed rather than baggy. A backward periwinkle cap and full-sized DJ headphones sit above a necklace of crosses and daggers, giving the look an audio-core edge. Bare, dewy skin and visible freckles keep the styling grounded, proving comfort and fashion are not mutually exclusive.

Shot against a Manhattan brownstone, Stray Kids Felix’s look leans fully into Rick Owens’ signature brutalism. Loose black cargo shorts, with deep gussets and untied drawstrings trailing past the knee, lower the silhouette’s centre of gravity, while a boxy white tee and a Chrome Hearts letterman jacket keep the upper half loose. Chunky Adidas trainers and pulled-up socks add deliberate bulk underfoot. Paired with a backward cap and narrow sunglasses, it is a study in wearing volume without losing shape.

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At Louis Vuitton’s Visionary Journeys exhibition in Seoul, Felix reworked classic tailoring from the ground up. An ivory blazer with black piping and a bullion-embroidered crest nods to collegiate regalia, but its formality dissolves the moment it meets a low, scooped white tank exposing the collarbones. Below, frayed white denim flares dramatically from the thigh into a 1970s bell-bottom hem. A platinum centre-parted bob completes an androgynous finish that reframes what red-carpet menswear can look like.

For Atiissu’s Desert Cowboy campaign, Felix took on western menswear. A crisp white safari shirt and narrow black tie set a formal-frontier tone, but the lower half breaks convention with an asymmetric pleated kilt layered over fitted trousers. A sculpted black leather cowboy hat anchors the concept, while jet-black straight hair—a rare departure from his usual blonde—sharpens the look’s austere edge.

Stray Kids Felix folds American collegiate ease into European luxury heritage. A cherry-red varsity jacket with leather sleeves and a back patch sits over a longline tee, while the accessory tells the real story: a Louis Vuitton Monogram bag built like a miniature vanity trunk, complete with brass rivets and a playful charm. Wireframe glasses and a platinum bob add an intellectual, geek-chic finish to the schoolboy-meets-heritage mix.

Here, Stray Kids Felix sets traditional British tailoring against gothic street volume. An unstructured double-faced camel overcoat—a staple of classic outerwear—drapes over a fine-knit black turtleneck and Rick Owens cargo trousers, their long drawstrings trailing visibly below the hem. A glossy leather trapper hat and chunky platform trainers push the look firmly into subversive territory, while flash-lit alabaster skin and bleached brows give the whole ensemble a sculptural, almost gothic finish.

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