Filipino fashion designer Rajo Laurel talks about the vision and inspiration behind 'Protea,' his newest collection under his House of Laurel label (Photo: Artu Nepomuceno)
Cover Filipino fashion designer Rajo Laurel talks about the vision and inspiration behind 'Protea,' his newest collection under his House of Laurel label (Photo: Artu Nepomuceno)
Filipino fashion designer Rajo Laurel talks about the vision and inspiration behind 'Protea,' his newest collection under his House of Laurel label (Photo: Artu Nepomuceno)

Rajo Laurel’s newest spring-summer 2025 collection under his House of Laurel label is a sensory tribute to the African continent

Through the years, Rajo Laurel has established himself as one of Philippine fashion’s most eloquent storytellers. He is a designer who is generous in letting his garments speak for themselves without having to wax poetic. It’s a rare and honest aspect of his work, which repeats in ‘Protea’, his spring-summer 2025 collection under his House of Laurel label. First glances at these pieces offer a glimpse into a corner of the world unravelling in colour, movement, and—in true Rajo fashion—sentiment.  

To Laurel, inspiration doesn’t come with a set formula. Waiting for this impetus to arrive is a constant uphill battle for those who create. At most, it comes randomly, and in the worst case, at the very last minute. However, an eventful group trip to Namibia in 2024 ignited his creative spark almost immediately.

More from Tatler: At BYS Fashion Week, Rajo Laurel invents a new language for menswear

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The Sade gown from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Sade gown from the ‘Protea’ collection (Photo: Artu Nepomuceno)
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The Imani set and Imani cover-up from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Imani set and Imani cover-up from the ‘Protea’ collection (Photo: Artu Nepomuceno)
The Sade gown from the 'Protea' collection (Photo: Artu Nepomuceno)
The Imani set and Imani cover-up from the 'Protea' collection (Photo: Artu Nepomuceno)

“At first, I wasn’t sure how I was going to translate this experience,” Laurel admits, “but as I settled in and took a long look at my surroundings, I knew this was a really special place. The colours were otherworldly and the landscape felt like it was truly touched by God.”

This is far from the first time Laurel’s travels have influenced his work. Over the years, his journeys have found themselves manifested in previous collections. Two years ago, a trip to Mexico prompted the designer to conjure up his spring-summer 2023 collection called Barragán, similar to a sojourn to Russia in 2011 and to Bhutan in 2016. 

Africa, in all of its picturesque landscapes and mesmerising imagery, holds a special place in Laurel’s heart, and he regards the continent as one of his favourite destinations, having visited four times over the past 25 years. “Each time I visit, I am left only inspired by the people, but by its flora and fauna, and by its colours.” And it shows—‘Protea’ is a defiant serenade to these experiences, fashionably distilled into fabric, colour, and design.

See also: Home tour: A peek into Rajo Laurel and Nix Alañon's weekend home away from the metro

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The Asha dress from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Asha dress from the ‘Protea’ collection (Photo: Artu Nepomuceno)
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The Mombasa dress from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Mombasa dress from the ‘Protea’ collection (Photo: Artu Nepomuceno)
The Asha dress from the 'Protea' collection (Photo: Artu Nepomuceno)
The Mombasa dress from the 'Protea' collection (Photo: Artu Nepomuceno)

The name ‘Protea’ comes from a wild, resilient bloom that grows amidst the most dire circumstances. Laurel drew comparisons between the flower’s symbolism and the enduring creativity of Filipino design. These creative individuals, according to him, have the ability to conjure incredible with the least amount of resources. “I loved that connection,” he remarks.

Texture and breathability take the foreground, as Laurel expects a sweltering summer this year. Lightweight and natural fabrics are spotlighted, like pleated cotton madras, “delicious” tufted cotton toile reminiscent of the African sky, and airy cotton linens. Eco-consciousness also plays a crucial role. “We are very proud about how sustainable our production practices are,” he comments. “We do not over produce and we proudly use deadstock materials so there is very little wastage. 

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The Knoop set from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Knoop set from the ‘Protea’ collection (Photo: Artu Nepomuceno)
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The Obinna dress from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Obinna dress from the ‘Protea’ collection (Photo: Artu Nepomuceno)
The Knoop set from the 'Protea' collection (Photo: Artu Nepomuceno)
The Obinna dress from the 'Protea' collection (Photo: Artu Nepomuceno)

Laurel admits that he is partial to this collection’s prints—an interpretation of African textiles that leans toward a poetic approach rather than a literal copycat. “I didn't want this to be a literal interpretation of my trip,” he admits, as he considers the ‘Protea’ as more of a ‘perfumed adaptation’ of what he felt and witnessed in the continent. There is also a series of white shirts which the designer believes are destined to become summer staples.

Those who are familiar with the designer’s oeuvre can notice traces of the brand’s DNA. While ‘Protea’ stays true to the brand’s signature aesthetic, it also introduces new elements in fabrication, colour and shape. The approach remains straightforward and steadfast, to excite not only the clientele, but Laurel’s own creative team.

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The Aida jumpsuit from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Aida jumpsuit from the ‘Protea’ collection (Photo: Artu Nepomuceno)
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The Raja top and Knoop skirt from the 'Protea' collection (Photo: Artu Nepomuceno)
Above The Raja top and Knoop skirt from the ‘Protea’ collection (Photo: Artu Nepomuceno)
The Aida jumpsuit from the 'Protea' collection (Photo: Artu Nepomuceno)
The Raja top and Knoop skirt from the 'Protea' collection (Photo: Artu Nepomuceno)

He reveals, “We’re doing new things with our shapes and adding nuances to our design vocabulary.” A notable expansion is the inclusion of menswear pieces, building on a pattern that began with the ‘RAJOMAN’ collection he debuted at last year’s BYS Fashion Week. It’s a direction Laurel is committed to exploring further. 

As fluent, versed and in-touch as he is with his creative ability, Laurel affirms that understanding the needs of his clients is one of the most paramount parts of the design process. He envisions the pieces from ‘Protea’ as updates that enhance and elevate their own personal style. “This, for me, is the exciting part,” he gleams. “I cannot wait to see how they wear the pieces and interject their own personality into this narrative.”

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Julianna Cabili
Features Writer, Tatler Philippines
Tatler Asia

About

Julianna has been interested in leading a literary life since she first read Frances Hodgson Burnett's A Little Princess at eight. Before working with Tatler, she was an archive intern at The Center for Fiction in Brooklyn, New York. She is a textbook Pisces who devotes most of her spare time to her crochet projects, watching classic films, and going through her never-ending pile of unread books. She studied creative writing, global literature and art history at Sarah Lawrence College, graduating with a Bachelor of Arts degree in 2022. Toni Morrison, Nora Ephron, Clarice Lispector and Jia Tolentino are among her all-time favourite writers.

Work

Julianna writes about fashion, beauty, sustainability, and the arts. She is always keen on conducting interviews with talented women who are changing the game in their respective fields. 

For event invites and story leads, hit her up at julianna.cabili@tatlerasia.com