Photo: Symorizwa Gupta/Bibo Aswan
Cover Photo: Symorizwa Gupta/Bibo Aswan

Faced with pandemic challenges, here's how Malaysian fashion designer Syomirizwa Gupta, who has worked with the likes of Deborah Henry, Marion Caunter and even Malaysian royalty, is staying in the game

Syomirizwa Gupta lost eight friends in the span of months since the pandemic began. The designer likened the past year to “a perpetual limbo with no closure. It got to the point where I was just numbed with grief,” he shares. “No final good-byes, no more future plans or meet-ups... What a year, right? It made me rethink my priorities, both as a designer as well as a person.”

Recognising that fashion can be used to reflect the times, Gupta took care to double down on his roots and aimed to celebrate inspirations close to home, including its people. From his first-ever menswear line with Naza Group’s joint group executive chairman Datuk Wira SM Faisal, to releasing various homeware products, the designer had been reaching out to various people in the local scene on collaborations. 

Read also: Asia's Most Stylish—Sarah Illyas On How The Pandemic Has Changed Her Beauty Routine

Tatler Asia
Photo: Syomirizwa Gupta 2018 Holiday Collection
Above Photo: Syomirizwa Gupta 2018 Holiday Collection
Tatler Asia
Photo: Syomirizwa Gupta 2018 Holiday Collection
Above Photo: Syomirizwa Gupta 2018 Holiday Collection

“For designers, one of the many challenges the pandemic poses is how to remain emotionally in touch with reality while running a business,” he explains. “People are undeniably more careful about what they spend their money on these days. Which is why now is the time to start reflecting on ourselves [as designers] as well as our business practices, where we start creating things that actually click with people’s current priorities instead of shoving trend after trend down their throats.”

See also: Check Your Wardrobe—Is Fashion Truly Sustainable?

Above Directed by Zahir Omar and narrated by Tatler Malaysia's June 2020 cover star, Bront Palarae, Syomirizwa's first-ever fashion film is a haunting piece that is engaging from start to finish

I wanted something more real, something that actually addressed the ‘disquiet’ that everyone was feeling from prolonged stagnancy, instead of this forced image of positivity

- Syomirizwa Gupta -

This much was evident in Gupta’s most ambitious project for the 2020 Kuala Lumpur Fashion Week, where he worked on a fashion film entitled Kegusaran (which was Malay for disquietness) with Zahir Omar, a local film director renowned for his commercial work as well as his feature debut Fly By Night, a 2018 neo-noir crime thriller movie.

“When we were told that last year’s KLFW would turn to the virtual stage, I floundered—I had no clue on what I wanted to do,” he says. “But one day, back when interstate travel was still allowed in the late quarter of 2020, I was on a trip with my friends when I caught wind that someone else had initially approached Zahir on making a fashion film, but was told that he actually wanted to collaborate with me instead.”

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Photo 1 of 3 Image: Kegusaran/Zahir Omar
Photo 2 of 3 Image: A film still of Vanizha Vasanthanathan, Odissi dancer and Malaysian model, on the set of Kegusaran
Photo 3 of 3 Image: Kegusaran/Zahir Omar

The two hit it off immediately after one phone call. Despite the show being only a month away, the project went on without a hitch. Apparently, the seven-minute video (which was also narrated by Bront Palarae, Tatler Malaysia’s June 2021 cover star), with its myriad of costumes and varying scenes, took only one day to film! 

“The synergy between Zahir’s team and mine was amazing,” Gupta enthuses. “He knew what I stood for as a designer and understood that I wanted something more real, that actually addressed the ‘disquiet’ that everyone was feeling from prolonged stagnancy, instead of this forced image of positivity.

“That’s why, in the film itself, you have people wearing all these expensive gowns and toting about these luxury items but have nowhere to go; a lonely dancer who dances by herself and can’t perform onstage [because of the pandemic]. I wanted the story to provoke people into actually thinking about what’s happening right now.”

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