Faye Wong’s cult fashion looks, from Maison Margiela to Vivienne Westwood

In a look that is quintessentially ’90s, Wong wore a see-through slip dress and a crop top to perform at a music awards in 1993. It has certainly lived on in fashion mood boards online, and 29 years later, pop star Olivia Rodrigo wore a similar outfit was worn by for her Sour tour.

Wong threw on another daring look for a 1996 concert, this time pulling off a full look from Belgian designer Ann Demeulemeester’s spring-summer 1996 collection that emanated rockstar vibes.

Wong demonstrated her penchant for the designer—famously part of the “Antwerp Six” group of designers—by wearing this striking asymmetrical suit jacket with one shoulder and a metallic tank top detail.

For the cover of her eponymous album, Wong transformed into a goth goddess by wearing a long checkerboard coat from Japanese designer Yohji Yamamoto’s fall-winter 1997 collection and accessorised with striking red eye make-up.

Wong embraced ’90s edgy minimalism, as seen in this brown Helmut Lang ensemble she wore for an editorial shoot for Marie Claire in 1997.

Avant-garde Belgian designer Jurgi Persoons had only opened his eponymous label two years before Wong sported one of his pieces, which is extremely telling of the singer’s pre-Internet intuition of knowing what’s cool. Besides styling it with a Raf Simons “grail piece”, what makes this outfit all the more impressive are the sole-less shoes from Jeremy Scott: Wong is the only person to have worn them off the runway.

Wong continued to sport minimalism towards the end of the decade, this time a grey jumper with visible panel stitching courtesy of the cult fashion label formerly known as Maison Martin Margiela.

Faye Wong modelled Louis Vuitton’s spring-summer 2001 collection in a moody photoshoot—that touched on many of the melancholy themes present in her work with Wong Kar-wai—for City Bella magazine. The pieces were designed by then-creative director, Marc Jacobs, who pulled inspiration from naval and military uniforms, with ’80s day-glo shades and punk elements meeting ’50s pleating techniques and silhouettes.

Besides sourcing pieces from the edgiest fashion brands around the world, Wong also turned to her longtime stylist Titi Kwan for dramatic ensembles to take to the stage in, like this voluminous textured dress he custom-made for her Comeback Tour in 2010.

A year after Alexander McQueen’s death, Wong performed in a dress from the British designer that featured his famous skull motif in honour of his legacy in fashion.

Forget swinging from the chandelier—Wong sang in one for a 2011 concert in Taipei, a feat achieved with the design brilliance of Titi Kwan and over 10,000 sparkling Swarovski crystals.

Even when dressing down, Wong opts for a fashion label unlike any other: old Céline, helmed by Phoebe Philo. The singer is a known fan of the brand, having made rare public appearances to attend its fashion shows.

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