The Wes Anderson film has been released today, and these are the looks we’re loving (and analysing)
Wes Anderson has a very particular and extremely recognisable aesthetic: kitschy, kooky, vintage, neat, muted yet bright and all around iconic. And it’s thanks to costume designers Karen Patch and Milena Canonero, who can communicate Anderson’s vision so well and who he has worked with on almost all his films.
The director turned to Canonero for his most recent film The French Dispatch, and we love what she’s done with the 1960s-literary-revoluntionary look so, just for fun, we wanted to figure out where each look would place on an alignment chart (a Dungeons & Dragons chart that considers moral and lawful codes of characters).