Tom Sachs Rocket Factory
Cover Tom Sachs' "Rocket Factory" paintings (photo by Thaddaeus Ropac)

Collectors, auction houses, and artists like Damien Hirst, Tom Sachs, and even Rembrandt are going digital as NFTs revolutionise the art scene

Missed the art fair? Fret not, you can now own your next art piece in just a few clicks and bids. Aside from blue-chip NFT PFPs (non-fungible token profile pictures), other forms of NFT digital art have also become a hot investment for auction houses, celebrities, collectors, and investors. It’s no surprise given Asia alone contributed to a third of the $22 billion trade in NFTs last year. Investing in art traditionally comes with a high price tag, but now with NFTs, art has become more accessible and affordable in its digital form.

Empowered by blockchain technology, NFTs have disrupted the traditional art market and revolutionised the art world. Arguably, anything can be art—and with NFTs, this can be an illustration, a photograph, a song, a video clip, a game, or even just text. These tokens are essentially blocks of digital data that exist on the blockchain, a distributed and decentralised network holding records of digital ledgers across its database shared amongst its network participants.

Typically stored on the Ethereum blockchain and (now more commonly) on Solana, the beauty of NFTs lies in its irreplicable nature and proof of ownership. Traditionally, art may come with physical certificates often signed by artists themselves as verification, but these can also be forged. Unfortunately, the art world is riddled with millions worth of fake art circulating in the network and even hanging in museums. Similar to the process of an expert authenticating and appraising the art, the network verifies the metadata of the transfer when an NFT is sold. These blocks of data come with a unique digital signature that is registered and traceable on the blockchain—all trade data and past transaction history are publicly viewable.

The Rise of the Creator Economy

Web 3.0 has been regarded as the new creator economy as artists benefit from the decentralised market, where creators are connected directly to the buyer without a middleman. Typically, galleries earn a hefty commission for each sale and when resold on the secondary market, proceeds only go to the current owner but the original artist does not benefit from subsequent sales. Now, the democratisation of the art marketplace means buyers and sellers can trade directly with each other without multiple layers between them and are able to profit directly from its royalties, even when sold on the secondary market.

The NFT hype has also generated more interest and appreciation for the arts. Young tech-savvy clients with a new abundance of crypto wealth now step foot into virtual galleries and browse on marketplaces looking to invest in digital art. Artists are now not only able to monetise their digital creations, but they are also able to gain greater exposure with ensured copyright protection. Mike Winklemann—as one extraordinary example—was once a corporate graphic designer but is now known as Beeple, the digital artist behind “Everydays: The First 5000 days”, the most expensive NFT art sold for US$69.3 million at a Christie's auction.

It may take a stroke of luck to be an overnight selling sensation, but the valuation of an NFT is dependent on many factors such as the reputation of an artist, scarcity, quality, and market demand. While art is certainly subjective, the power of NFTs cannot be ignored as even museums are tokenising traditional paintings into digital artwork. Instead of just pixelated cartoons, digital art pieces are now regarded as an investable asset and traditional media artists have also turned to technology to paint their fortune.

The Blue-chip Art Market

Damien Hirst, the artist behind the iconic spot paintings (and taxidermy installations), launched a series of 10,000 NFTs that are associated with corresponding artworks he made in 2016. Dubbed “The Currency”, Hirst’s project allows holders to choose either to “burn” (destroy) their NFT in exchange for a physical artwork, or solely own the digital token. This experiment resulted in 4,851 NFTs being kept, while 5,149 holders requested for its physical twin. Sold at US$2000 each, the collection exceeded its initial value of US$20 million, as the secondary market had inflated the total market value to over US$50 million. The record price for a tender was a sale for US$163,680 at 51 ETH, for “Revocation”.

Tatler Asia
Tom Sachs Rocket Factory
Above Tom Sachs's “Rocket Factory” NFT components (Tom Sachs)
Tatler Asia
Rembrandt The Night Watch NFT
Above Rembrandt’s “The Night Watch” will be fractionalised into 8,000 pieces of NFTs (The Rembrandt Heritage Foundation)

Tom Sachs is another contemporary artist who experimented with NFTs. Minted at random, Sachs’ “Rocket Factory” series features three separate NFT components—a nose cone, body, and a tail, to be assembled together as a complete rocket. As part of the series, the completed rocket is also replicated physically as a handmade sculpture to launch into the sky. After launch, an attempted recovery is made and shipped to the owner in a custom display box, along with a video record. The metadata of the completed rocket NFT is updated with the launch and a video documenting its destruction. Earlier this year, Tiffany & Co. acquired a complete branded rocket NFT for 115 ETH (then worth US$380,000).

Upcoming, Dutch master Rembrandt’s world-famous painting “The Night Watch” from 1642 will be digitally restored and fractionalised into 8,000 NFTs. The Night Watch NFT is a unique piece of “The Night Watch” that represents a particular piece of the painting. Each one is a masterpiece in its own right, consisting of unique traits and various utilities. The funding will help build a metaverse museum, featuring a complete collection of Rembrandt paintings to which holders will have access. Holders can also rent out their NFT for others to experience the museum to view the exclusive collection.

Appreciating Art in the Digital World

NFT art can be shown off in any way that the holder prefers to. Unlike traditional art pieces hung in an exhibition, owners can share their NFTs on social media and through other means for the whole world to see. There are many ways to flex your NFTs—such as in Spatial’s metaverse gallery or in a 98" digital canvas to display your NFT collection at home. Moreover, buying NFT art is an experience itself. Instead of being resistant to change and ridiculing the hype of NFTs, traditional artists have welcomed the new medium to engage with fans and collectors by making the buying process an experience in itself, allowing collectors themselves to decide on the fate of the artwork.