From gallery owners to esteemed artists and designers, meet the individuals who have left a lasting mark in the creative field
Kenneth Cobonpue, Ronald Ventura, and Isa Lorenzo—renowned figures such as these three stand as pillars in the creative industry. The entire community they belong to continually impresses through groundbreaking work and a genuine commitment to fostering the talents of tomorrow. Discover some of the Philippines’ impactful artists and designers, where names evoke familiarity and respect within their circles. From gallery owners to esteemed artists and designers, these are the people who have redefined creativity, influencing trends and inspiring change.
See the full list here: Asia’s Most Influential Creatives Philippines
Kenneth Cobonpue
His name is recognised both locally and internationally. Kenneth Cobonpue, the multi-awarded industrial designer and manufacturer from Cebu, is among the country’s top talents. Having pursued his education in New York, Italy and Germany, Cobonpue has a touch of worldliness that is reflected in his many designs. Still, he has put his heritage front and centre in his work. Since returning to the Philippines in the mid-nineties, Cobonpue has established a global brand that employs over 300 artisans in Cebu.
“I’m proudest of having created a home-grown brand utilising natural materials and employing skilled craftsmen in the Philippines,” he shares. “Asia was known as the factory of the world, not as a source for originality and creativity. I wanted to change that, so I decided it was time for the world to recognise great modern Filipino design. I hope to leave this legacy for many other talented and creative Filipinos to look back to their heritage.”
One of his upcoming projects leans heavily on Philippine art. With promises of creating limited-edition collectables and art, Cobonpue reveals that one of them is “a fascinating project [that involves the creation of] limited-edition figures of Filipino myths and legends called ALAMAT”. Inspired by the oral tradition of Filipino culture, Cobonpue attests to the importance of keeping the legacy alive.
Cobonpue is passionate about sharing his knowledge. “Design education and mentorship is my passion and advocacy,” he shares. “I wish to open a school where artists, designers and craftsmen can live, work, study and experiment side by side.” Techniques, innovations, and new skills will be taught at Cobonpue’s school alongside endangered traditional methods. “Hand skills that are part of our rich Filipino tradition—like weaving, embroidery, metalworking and carving—are slowly dying out. The average age of the Filipino weaver and craftsman is 60,” Cobonpue points out. “It is up to us to make design manufacturing attractive so that younger generations of artisans can continue these traditions and develop them for the future. A school specialising in design and technology for handmade craft and art is my legacy project.”