Marking YTL Group’s 70th anniversary, Rachel Yeoh, executive director of YTL Cement, shares reflections on The Penyu Shell-Ter Project and the power of creativity to drive lasting impact
As YTL Group celebrates its 70th anniversary, the milestone is less a moment of reflection than a statement of intent. Instead of looking back, the group turns its gaze “Beyond 70”, towards the kind of future it hopes to shape. “Legacy is something that we think about expansively. It’s a collective endeavour, considered through the lens of purpose and impact. It is also never a solo feat,” says Rachel Yeoh, executive director of YTL Cement.
One manifestation of that future-minded spirit is The Penyu Shell-Ter Project, a sustainability campaign that unites art, philanthropy and environmental awareness. The project brings together 51 artists and public figures to paint 70 turtle sculptures, each meticulously crafted from YTL Cement’s patented lower-carbon innovation, ECOCem. These sculptures are being displayed across YTL Hotels nationwide before being auctioned for charity.

Above Lifelong art lover: Rachel Yeoh seated against a masterpiece by pop realism artist Hisyamuddin Abdullah (Photo: Fady Younis)
The initiative is led by Yeoh, part of the next generation carrying the family’s vision into a more purposeful future. “We wanted to mark this milestone through an intergroup collaboration, with YTL Hotels as our main venue sponsor,” she explains. “The project continues the work we’ve been doing through YTL Cement’s CSR arm, BUILDS, where one of our key pillars focuses on cultivating creative curiosity. It has always guided the initiatives we choose to champion.”
For Yeoh, creativity is inseparable from innovation and impact. “It is an integral part of the conversation here, not an afterthought,” she says. “Leaning into creativity and making the most of it is important, because creative thinking is a catalyst for change, and that’s why we invest heavily in it through BUILDS.”
Her approach reflects a belief that even the most consequential issues can be made accessible. “A serious topic doesn’t require a serious approach to start important conversations,” she adds.

Above From the top left, clockwise: Irfan Naza: Shell of Life, Perol Graffiti: Struggle to Exist, Hisyamuddin Abdullah: Eternal Voyage

Above From the left: Ong Pei Yee: Moonlight Guardian, Izzuddin Basiron: Beyond the Concrete Veil
Symbols of longevity
That commitment to creativity and purpose also shapes how Yeoh views legacy, finding meaning in protecting symbols that reflect Malaysia’s natural heritage. “Turtles are such an integral part of Malaysian design, iconography and history. They even feature on our RM20 note,” she says. The symbolism runs deeper still. Of the seven sea turtle species found worldwide, four nest on Malaysian beaches: the green, hawksbill, olive ridley and leatherback turtles. Beyond the marine realm, Malaysia is also home to a remarkable diversity of freshwater turtles and tortoises, with 18 species recorded out of the 100 found across Asia underscoring the country’s vital role in regional conservation.
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The decision also stemmed from the group’s connection to local conservation efforts. “Turtle Conservation Society of Malaysia (TCS) and Pulihara are doing critical work in turtle conservation. They have also carried out efforts in areas covered by YTL Hotels,” Yeoh adds, noting that both organisations have active programmes near Tanjong Jara Resort and Gaya Island Resort. “Anchoring such conservation efforts in creative work is something not often done, but it’s an exciting opportunity.”

Above Dato’ Sheila Majid: Mrs. Jazzy Pants

Above Katun: To love and protect
Meaningful materials
That same attention to meaning extends to the very material from which the sculptures are formed: ECOCem, YTL Cement’s patented lower-carbon product. “We think it’s important people are moving towards sustainable construction. It’s something we’ve championed for a long time,” Yeoh says. The turtle sculptures embody extensive research and development to ensure durability and quality.
“It speaks to the ethos of what we do: creating constructions that last,” she explains. Each sculpture takes five days to produce. Concrete is carefully mixed and poured into a mould by an artisan mould maker to ensure there are no air bubbles. After a day of hardening, the sculpture is carefully demoulded and allowed to cure for three more days before it is ready for painting.

Above Lim Anuar: Wonderful Environment

Above Dato’ Zainal Abidin: Vanishing Patterns
The art of collaboration
“It’s poetic how each sculpture carries the imprint of so many hands, and we want to highlight the depth of collaboration behind it, including contributions made by the artists we’ve worked with,” Yeoh says.
Among the participating artists are Abey Zoul, Bayu Utomo, Cloakwork, Fadhli Ariffin, Gabriel Cheah, Katun, Lim Anuar, Michelle Yap, Wan Jamila and many more. “One of my favourite aspects of this project is the diversity of artists: from street artists and sculptors, to textile artists, painters and even neurodivergent creators. This has been a very inclusive endeavour. After all, creativity comes in all forms.”

Above Abey Zoul: Waves of Resilient

Above Wan Jamila: Beyond The Shell
The National Art Gallery serves as the official partner and supporter of The Penyu Shell-Ter Project, a collaboration Yeoh deeply values. “The National Art Gallery helped us to curate and elevate conversations happening around this project,” she says. Other respected Malaysian galleries, including Galeri Sasha, G13 Gallery, Taksu Gallery, A+ Works of Art and the Angkatan Pelukis SeMalaysia, also lent their support. “With their support, we’ve managed to find a very diverse range of artists. That dynamic has given this project not only excitement, but so much integrity.”
For Yeoh, engaging with the wider creative ecosystem was essential. “It was important to us to have conversations with the galleries and tap into an ecosystem that’s already established, that deserves to be celebrated. They have been integral to this entire project,” she says. “I may risk over-using the word, but The National Art Gallery has been extremely generous with us. Generous in terms of sharing their resources, generous with their ideas, vision and even their time. It has been a deeply rewarding partnership, and we are most grateful.”

Above Gabriel Cheah: Hurry Up, We’re Dreaming

Above Aimman Hafizal: The Shell Tales
Giving back through art
Instead of a commission fee, YTL Cement is donating RM5,000 on behalf of each artist to a charity of their choice. The beneficiaries include The Lost Food Project, Hospis Malaysia, Dignity for Children Foundation, Global Environment Centre, Hara Makers, Kloth Malaysia, Kota Buku and the Malaysia Mental Health Association. Together, these organisations support causes from food security and healthcare to education, women’s empowerment, environmental sustainability and mental health. “The artists have been so generous with us, and we hope this effort makes a positive impact across these diverse causes and charities,” Yeoh says.
Since October, the painted turtles have formed part of a travelling showcase across six locations: The Majestic Hotel Kuala Lumpur, The Ritz-Carlton Kuala Lumpur, JW Marriott Kuala Lumpur, Pangkor Laut Resort, Tanjong Jara Resort and The Starhill. Select sculptures will be available for adoption, while others will be auctioned to raise funds for the TCS and Pulihara as they safeguard nesting sites, rehabilitate injured turtles and advance marine conservation through community engagement and research initiatives.

Above On location at Tanjong Jara Resort for a preview showcase of the 70 hand-painted Penyu Shell-Ter sculptures

Above The Penyu Shell-Ter Project is a landmark art-meets-conservation initiative by YTL Cement, in partnership with YTL Hotels
Building with intention
Yeoh’s approach to leadership and legacy is grounded in reflection and balance. “As long as we’re moving mindfully and intentionally with all our projects and initiatives, it will be the right direction,” she says. “We have to be agile and adapt, and if you can do that while staying true to your own values, it’s most certainly a form of success.”
With a master’s degree in fine art and an undergraduate degree in politics, philosophy and law, Yeoh acknowledges how her education shapes her perspective. “Maybe that amalgamation has given fruit to what you’re seeing around us today,” she says.
For her, impact must extend beyond the self. “True impact is about creating value that reaches beyond your own circle,” she reflects. “With this initiative, we hope the ripple can be felt by many, from the artists and galleries to the charities and communities involved. I hope it continues to grow as we move forward, always guided by the same goal: to build with purpose, intention, integrity and creativity.”
For more information or to bid on a turtle, visit The Penyu Shell-Ter Project.
Credits
Images: YTL Cement
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