Sigrid Sophia Agatha de Torres von Giese (alexlimcolorization)
Cover Sigrid Sophia Agatha de Torres von Giese (alexlimcolorization)

Revealing the woman behind two iconic songs and the mystery beyond her name

Paraluman is a name that translates to a very beautiful woman. It is a word recognised by the Filipino community that describes someone who simply has goddess-like features: perfect and surreal. At one point in time, a beau has used the name to sweetly define her lady, a friend specifically referred to the name in comparison to the girl he’s enamoured with, and the most known of it all—local musicians have immortalised the name in their songs. But who is Paraluman, exactly?

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Paraluman is the screen name of an award-winning Filipina-German actress and star of Sampaguita Pictures, Sigrid Sophia Agatha de Torres von Giese. She made a name in Philippine cinema after her debut movie Flores de Mayo in 1940, where she first went by the screen name Mina de Gracía. Her extraordinary beauty rechristened her as Paraluman by Fernando Poe, Sr., followed by her Paraluman film in 1941. Von Giese was nominated four times in the FAMAS awards, twice as best actress in Bobby and Anino ni Bathala in 1959, and twice as best supporting actress for Lilet in 1972 and Mister Mo, Lover Boy Ko in 1976.

Von Giese definitely made her mark in the industry not just as a celebrity, but as a model and epitome of beauty: perfect bone structure, svelte figure, long brown hair, hypnotic eyes, an impenetrable gaze and an expressive face capable of registering any emotion; listed in her biodata. She was coined as the Philippines’ acknowledgement of Greta Garbo, a Swedish-American actress remembered for her sombre persona and subtle display of tragedy in her films.

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Von Giese passed away in 2009 at age 85 and although her prime days were long over before that, her screen name’s legacy still holds a significance of timeless beauty to date. Paraluman is a favourite word for Filipino poets to cleverly use in portraying a flawlessly alluring woman since the 19th century, but even in recent years, artists still sought the name as their muse. Especially for the music world. Paraluman resounds from the lyrics of "Binibini" by The Rainmakers in the '70s, in "Ang Huling El Bimbo" mentioned by Eraserheads in the '90s, the title of Adie Garcia’s song released just last year, and a Filipino rock band named after the classic diva; Paraluman Music.

Tatler Asia
(Paraluman Music)
Above (Paraluman Music)

The latter naturally utilised the term paraluman as a figure to connote an exceptional female, or to pay tribute to the brilliant idea. But does it hold further meaning for famed composer Ely Buendia and renowned songwriter Adie Garcia? Where did the inspiration to incorporate paraluman come from?

For singer-songwriter Garcia, the answer can be summed up in another name: Angelina Cruz, Sunshine Cruz’s daughter. According to Adie, his big crush on Cruz influenced the number one song on Spotify’s Trending Track Playlist just by the concept of her beautiful face, brimming with elegance. Albeit the young music artist answered with bravado on her admiration for Cruz, additionally he shared that paraluman can be anyone found anywhere, depending on the viewpoint. “For me, there’s no certain characteristic or definition for my paraluman. As much as I’m into that person and whatever kind of person she’s gonna be, I’ll treat her as a paraluman, a beautiful person,” Adie emphasized. He also shared that the thought originated from a dream so profound he couldn’t get his mind off it—or rather, her.

As for the classic composer Buendia, and the genius of the song "Ang Huling El Bimbo" by the legendary Eraserheads which never gets old, Paraluman was a childhood memory. “I had a huge crush on this girl who was older; she was the one who taught me the dance, and I think that was the first time I was really in love with a girl. Then, I never saw her again,” revealed Buendia in an interview with Wake Up with Jim and Saab. His own experience lies within the song’s narrative, for the most part, highlighting his perspective of paraluman through nostalgia, which made "Ang Huling El Bimbo" golden for Filipinos.