Now streaming on Netflix, the 2024 Metro Manila Film Festival top-grossing film ‘And the Breadwinner Is…’ walks a tightrope between drama and slapstick humour that one could expect from a Vice Ganda starrer
And the Breadwinner Is… far from perfect—just like any breadwinner. But it dares to ask a difficult question: What happens when kindness becomes a burden?
Grossing over PhP 400 million in the Philippines as of latest, it offers an uncharted look at the emotional weight of being a family’s financial backbone while peeling back the layers of Filipino familial expectations to reveal the cracks beneath the surface.
The film, which also began to hit cinemas in Canada and the United States on January 16, is as much about challenging gender and societal norms as it is about the sacrifices of Overseas Filipino Workers (OFWs) while tackling the burdens placed on breadwinners.
The story centres on Bambi Salvador (Vice Ganda), an OFW returning home after more than a decade in Taiwan with the hope of a joyful reunion with her family. Instead, Bambi is blindsided by betrayal, discovering that the hard-earned money she had been sending to rebuild their modest home was squandered on frivolous purchases and bad decisions. This revelation pushes the story into an exploration of trust, self-sacrifice and the toll of being the primary provider.
What sets And The Breadwinner Is… apart is its effort to break familial stereotypes as well as gender norms. Traditionally, breadwinners in Filipino families are portrayed as stoic patriarchs or the eldest child, but the film shifts the narrative by putting Bambi—the bubbly, unapologetically gay second child—as the unlikely provider. Bambi defies societal expectations with grit and vulnerability, shouldering the family’s burdens while changing the mould of what a provider looks like.
Vice Ganda’s performance as Bambi is undoubtedly the heart of the film. Known for her larger-than-life comedic persona as a TV host, and having starred in highly comedic films such as Partners In Crime (2022), Fantastica (2018) and Praybeyt Benjamin (2011), Vice Ganda steps into a more nuanced role that shows her dramatic range.
In a standout one-shot scene, Bambi delivers an emotional monologue about the isolation and exhaustion of being a breadwinner, laying bare the unspoken struggles of selfless OFWs who sacrifice their happiness and much of their personal lives for their loved ones.
“Kung huminto ako, sinong gagalaw? Kung nagpahinga ako, sinong kikilos? Wala namang kikilos, diba? Kasi wala naman akong backup. Wala akong backup kasi ako yung backup [If I stop, who will move? If I rest, who will act? No one will move, right? Because I don’t have backup. I don’t have backup because I am the backup.],” says Bambi, airing the challenges of how it’s like being second in line.

Above Screenshot from ‘And the Breadwinner Is…’ trailer
Bambi also braves the quiet battles of a member of the LGBTQ+ community, navigating deeply ingrained cultural biases of a conservative society. In many Filipino households nowadays, they are often cast as the “default breadwinners”, saddled with the unspoken assumption that because they’re not expected to build families of their own, they’re expected to shoulder familial responsibilities. For Bambi, this becomes yet another layer of sacrifice, as her selflessness and devotion to her family are met with exploitation rather than appreciation.
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For far too long, breadwinners have been burdened with negative perceptions, often painted as solitary figures shouldering the weight of the world alone. But that’s far from the full picture. In reality, many families thrive with multiple breadwinners, each stepping up when needed, pooling their resources and support to share the load. After all, the title of “breadwinner” doesn’t have to be a solo act—it can be a collaborative effort, where the strength of a family lies in its ability to back each other up.
The film also underscores how Bambi’s kindness and selflessness are repeatedly exploited by family members. They’ve come to view Bambi as an endless source of financial support, ignoring the emotional cost of such expectations. It’s a sobering commentary on the lack of reciprocity in many familial relationships and a call for viewers to reassess how they treat those who sacrifice the most.

Above Screenshot from ‘And the Breadwinner Is…’ trailer
Yet, while the dramedy tackles these compelling themes, its tonal inconsistencies prove to be a hurdle. Director Jun Lana, best known for his adeptness with intimate dramas, struggles to balance the weighty subject matter with moments of slapstick comedy. While the comedic scenes aim to lighten the film’s mood, they often feel out of sync with the gravity of the situation. The unearned twist near the end only compounds this imbalance, pulling focus away from the film’s more meaningful moments.
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The off-screen controversies involving cast members Maris Racal and Anthony Jennings further create an awkward layer of discomfort in their on-screen interactions, evident in the audience’s laughter during their supposedly flirty and sweet scenes.
Despite its flaws, the film is commendable for its ambition and heart. The film challenges traditional norms, celebrating a new kind of breadwinner who is unapologetically themselves while carrying the weight of their family’s dreams. It serves as both a tribute and a critique, honouring the sacrifices of OFWs while urging viewers to recognise the humanity of those who bear the brunt of familial responsibility.
In the end, And the Breadwinner Is... leaves us pondering with an uncomfortable truth: kindness, while noble, can often feel like a burden. Being a breadwinner often means tallying up more losses than wins—missing out on countless dreams to fund someone else’s, trading your own happiness for the comfort of others.
It’s a thankless, messy job with no medals or applause, but it’s also a role rooted in love. And perhaps that’s the biggest twist of all: even when kindness feels like a burden, breadwinners carry it anyway because sometimes, love demands nothing less.










