Cover In Kogonada’s tender “romantasy”, two strangers confront their pasts to rediscover what it means to open their hearts again. Read the full review below

Margot Robbie and Colin Farrell lead a love story that dares to ask—what does it truly mean to commit? In this review, we explore how the film redefines romance

Director Kogonada’s latest feature, A Big Bold Beautiful Journey, distinguishes itself within the increasingly popular “romantasy” genre. Starring Margot Robbie as Sarah and Colin Farrell as David, the film is an earnest and heartfelt modern love story, albeit one that deliberately steps away from typical romantic ardour. It manages to be both emotionally resonant and intellectually stimulating, carving out a narrative focused less on sweeping grand gestures and more on the quiet courage required to commit to another person. 

The film strategically uses the fantastical element not as a form of escapism, but as a framework for deep psychological investigation into the nature of personal baggage and the persistent, often debilitating, fear of letting go. Sarah and David are presented as fundamentally sympathetic individuals, two attractive people who share the distinct character trait of being unhappily single, each for slightly different, yet equally isolating, reasons.  

Warning: spoilers ahead.

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Tatler Asia
Above Kevin Kline and Phoebe Waller-Bridge in ‘A Big Bold Beautiful Journey’ (2025) (Photo: Sony Pictures)
Tatler Asia
Above Colin Farrell and Margot Robbie in ‘A Big Bold Beautiful Journey’ (2025) (Photo: Sony Pictures)

The fantastical elements are immediately established, beginning not with a charming “meet-cute” but a deliberate “meet generic” at a wedding. Before this pivotal introduction, David and Sarah coincidentally find themselves at the world’s most whimsical rental car service, run by a pair of quirky oddballs played with delightful eccentricity by Kevin Kline and Phoebe Waller-Bridge. This sequence sets a gently surreal tone, confirming that the conventional rules of romance are about to be broken. They each drive away in an old Saturn equipped with an outdated GPS device, setting them on a shared path.

It is during this long road trip home that the central plot mechanism kicks in. David and Sarah begin to encounter a series of randomly-placed magical doors. Crucially, these doors do not lead to different geographical destinations. Instead, they open directly into the most memorable and significant events of each other's pasts. This supernatural intervention is designed to force the characters to bypass the slow, cautious process of dating. They are compelled to share “all the good stuff and all the bad stuff, all at once,” thereby circumventing their fear of commitment and allowing them to let someone in freely and honestly, without the protective walls they’ve spent years building.

See also: ‘One Battle After Another’ movie review: has Anderson finally blended the action blockbuster with auteur cinema?

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Photo 1 of 3 Colin Farrell and Margot Robbie in ‘A Big Bold Beautiful Journey’ (2025) (Photo: Sony Pictures)
Photo 2 of 3 Colin Farrell and Margot Robbie in ‘A Big Bold Beautiful Journey’ (2025) (Photo: Sony Pictures)
Photo 3 of 3 Colin Farrell and Margot Robbie in ‘A Big Bold Beautiful Journey’ (2025) (Photo: Sony Pictures)

What immediately sets the film apart stylistically is its commitment to a slow storytelling rhythm. This is not the type of movie that rushes the viewer toward a grand climax or a satisfying cinematic kiss. Instead, Kogonada insists on a reflective, almost meditative pace. Every time the momentum of the road trip feels sustainable, the narrative pauses to introduce a flashback, a deliberate gear-shift that forces both the characters and the audience to confront the emotional backstory. 

The essential conflict of the film is the profound fear of commitment—the universal baggage everyone carries. Sarah and David’s struggles are less about melodramatic external conflicts and more about the quiet, self-imposed isolation that stems from past heartbreaks. The film uses its fantastical twist to bypass the months or years of gradual vulnerability that typically define a relationship, forcing the protagonists to accept the entirety of each other’s history all at once. 

Tatler Asia
Above Colin Farrell and Margot Robbie in ‘A Big Bold Beautiful Journey’ (2025) (Photo: Sony Pictures)
Tatler Asia
Above Colin Farrell and Margot Robbie in ‘A Big Bold Beautiful Journey’ (2025) (Photo: Sony Pictures)

However, this narrative choice introduces a central dramatic question regarding the nature of the protagonists’ issues. While the film attempts to explore love, loss and the fear of commitment, the emotional obstacles facing David and Sarah are, perhaps, not severe enough to fully warrant the massive, magical intervention that resolves them. Their problems are deeply sympathetic—the universal weight of emotional baggage—but they don’t necessarily involve deeply traumatic “bad stuff.” The consequence is that the grand, fantastical mechanism sometimes feels disproportionate to the relatively mild nature of the issues it is intended to solve. It suggests that while the concept is fresh and surprising, the dramatic stakes might fall slightly short of the ambitious device used to solve them. 

Ultimately, the movie is a profound testament to the belief that every person we meet stands like a doorway in the hallway of our lives—a risk, a possibility and a question. To open that door is to risk reliving old wounds and old heartbreaks. The film reminds us that soulmates are not discovered through a perfect cosmic match, but are forged through the courage to choose that doorway, to step into the unknown alongside someone else, unsure but fundamentally hopeful. 

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Joan Chan
Social Media Officer & Contributing Writer, Tatler Philippines
Tatler Asia
Joan Chan

Joan—“Anj” to some—first stumbled into the literary world through Stephen Chbosky’s The Perks of Being a Wallflower. From then on, she knew she wanted to tell stories—for everyone to read or perhaps simply for her older self to find again someday.

In high school, her love for writing intertwined with her passion for media and entertainment, drawing her to the glossy pages of magazines and online features about her favourite British boyband and Canadian singer. By college, she had found her rhythm in article writing and never stopped chasing stories worth sharing.

As Social Media Officer for Tatler Philippines, she shapes stories that capture moments in entertainment, culture and society. For leads or inquiries, feel free to reach her via joan.chan@tatlerasia.com or @joanntrc on Instagram.