What is beauty but an unreachable societal standard?
For her third solo exhibition, Tracie Anglo-Dizon dives deep into the meaning of timeless beauty. Constrained by the idea of cultural conventionality, Anglo-Dizon challenges the status quo through paintings of classic iconic grace—shrouded in an auratic mystique. From Chinese porcelain to Filipina icons and even Pokemon, she plays with the boundaries between modern and classical, oriental and western, with a witty, feministic touch.
Beauty’s value belongs to the subjective and arbitrary, constantly being judged by those that see it. But Blue China is not subject to this treatment. It is perfect and immortal.
More from Tatler: Fashion meets art in this collaboration between Melissa Yeung-Yap and Yong Studio
Anglo-Dizon struggled to find what she wanted to create. ‘‘Sometimes what plagues an artist is not how to paint something, but what to paint,’’ she shares. So she went through an introspective journey and learned that she wanted to encapsulate what it meant to be a woman—using objects to symbolise beauty, jars as bodies, and plates as faces—all while capturing her ideal standard of elegance and grace—Miss Universe.