Cover The Manila Symphony Orchestra (MSO) under the baton of Jose Reyna, Jr, together with featured soloists Jeanne and Jason Marquez, and the ‘Liberation’ concert sponsors (Photo: Yan Caringal)

Revisiting the historic part it played during and post-Second World War, the Manila Symphony Orchestra (MSO) marked its centennial season with a historic musical celebration at The Metropolitan Theater

The Manila Symphony Orchestra (MSO) staged a grand gala performance last July 4 titled Liberation: 80 Years of the Philippine Republic. Serving as the third concert of the centennial season of MSO, the concert took place at The Metropolitan Theater. The performance was led by guest conductor Jose Reyna, Jr alongside featured soloists, Jeanne Marquez on the violin and Jason Marquez on the clarinet.

The gala directly commemorated the historic milestone of the 4th of July in 1946, the day the American flag was lowered at Luneta Park and the Philippine flag was raised, formalising the birth of a proud, sovereign republic. To honour this occasion, the concert programme paired major historic works from both the Filipino and American orchestral canons.

Read more: Manila Symphony Orchestra’s ‘From Mozart to Mahler’ triumphs—utterly sublime

Tatler Asia
Above Alessio Benvenuti, concertmaster (Photo: Yan Caringal)

The selected repertoire held deep historical significance for the nation and the musical institution itself. It featured Antonino Buenaventura’s symphonic poem Youth (1946), a piece that originally won first prize in a National Music Composition Contest launched by the Independence Committee to celebrate the republic’s birth. Notably, Youth was premiered by the MSO on the 5th of July 1946 during a gala concert at the Rizal Memorial Stadium.

Read more: The Manila Symphony Orchestra centennial season: upcoming concerts you shouldn’t miss

Tatler Asia
Above Jason Marquez (Photo: Yan Caringal)

Also featured was Lucio San Pedro’s Violin Concerto in D minor Op. 51 (1948). This masterful piece traces its roots to the very same 1946 composition contest, where San Pedro’s submission, Hope and Ambition, won a special prize that enabled his advanced studies at The Juilliard School in New York. Recently, San Pedro’s concerto received a prestigious grant from the National Commission for Culture and the Arts (NCCA) for professional encoding and recording. Following the intermission, the programme shifted to American masterpieces, showcasing Artie Shaw’s Concerto for Clarinet and George Gershwin’s Porgy and Bess: A Symphonic Picture (arranged by Robert Russell Bennett), highlighting the cultural exchanges that have enriched Philippine musical heritage over the decades.

Tatler Asia
Above Jeanne Marquez (Photo: Yan Caringal)

The evening’s soloists delivered outstanding performances. Acclaimed violinist Jeanne Marquez is a recent Bachelor of Music graduate from The Juilliard School, a former scholar of the Colburn Music Academy, an MSJO-Standard Insurance International Scholar, and an Ani ng Dangal awardee whose growth has been long nurtured by the MSO Foundation.

Jason Marquez, an alumnus of Andrews University in Michigan, performs extensively as a principal clarinettist in the United States and is highly regarded for bridging classical discipline with complex jazz idioms.

They were guided by Jose Reyna, Jr, a distinguished United States-based Filipino conductor and educator who collaborates closely with the orchestra to promote the continued development of Philippine classical music.

Tatler Asia
Above The Manila Symphony Orchestra under the baton of Jose Reyna, Jr (Photo: Yan Caringal)

The centennial event featured a commemorative message from Maan Hontiveros, president of the Manila Symphony Orchestra Foundation. She noted that the performance reflected the orchestra’s “ensuring mission to champion artistic excellence, nurture Filipino Talent and connect generations through music.”

The celebration was elevated by the dynamic support of corporate partners. The event was presented by the Manila Symphony Orchestra Foundation and Standard Insurance, co-presented by EastWest Bank and PAGCOR, and sponsored by Metro Pacific Tollways Corporation. It was organised in partnership with Bagong Pilipinas, the NCCA, and The Metropolitan Theater. EastWest Bank delighted the audience with a special iPhone giveaway, whilst Panasonic Philippines used their technological support to illuminate the grand 100-year history of the MSO.

Tatler Asia
Above The Manila Symphony Orchestra under the baton of Jose Reyna, Jr (Photo: Yan Caringal)

The gala was attended by an array of distinguished cultural and diplomatic figures, including Cultural Center of the Philippines (CCP) president Kaye Tinga and MSO Foundation trustees, Atty Jose Feria, Atty Katrina Legarda and Corazon Alvina. Heirs of National Artists for Music Buenaventura and San Pedro were also present to witness the revival of these historic pieces.

Significant diplomatic representation included Austrian Ambassador His Excellency Johann Brieger and Madame Roswitha Brieger; Kevin Punzalan from the Australian Embassy in the Philippines; Olivier Dintinger on behalf of Alliance Française de Manille; and May Codia-Bayta representing the Philippine Council for NGO Certification, Inc.

NOW READ

The new preppy rules: how Wimbledon 2026’s best-dressed stars modernised courtside style

‘First Light’: a masterful intersection of faith and environmental advocacy

Zacapa Aventura Privada: A behind-the-scenes look at the bespoke rum experience reserved solely for a discerning few

Franz Sorilla IV
Art and Culture Editor, Tatler Philippines
Tatler Asia

About

Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.

Work

Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.

As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.

For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.