Cover EJ Villarin and Christian Wrona onstage with the Manila Symphony Orchestra (MSO) for MSO’s second concert in its centennial season (Photo: Yan Caringal)

The Proscenium Theater in Rockwell Center, Makati, was filled to capacity last May 30 as the Manila Symphony Orchestra (MSO) staged a completely sold-out gala performance

Titled From Mozart to Mahler, the evening marked the second concert of the Manila Symphony Orchestra in its centennial season. The performance not only showcased artistic excellence but also highlighted a historic cultural exchange, perfectly coinciding with the 80th anniversary of Philippine-Austrian diplomatic relations.

Before the downbeat, an eight-minute documentary directed by J C Jose anchored the audience in the orchestra’s profound 100-year history. The institution’s trajectory is deeply intertwined with Austria, tracing its roots back to its founding years under Viennese conductor Alexander Lippay from 1926 to 1939. This Austrian connection proved vital to the orchestra’s identity, as the ensemble later became a symbol of cultural resistance during World War II under the courageous leadership of Austrian conductor Herbert Zipper.

Read more: The Manila Symphony Orchestra centennial season: upcoming concerts you shouldn’t miss

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Above The Manila Symphony Orchestra with members of the Manila Symphony Junior Orchestra and the University of Santo Tomas Symphony Orchestra (Photo: Yan Caringal)

Co-presented by Standard Insurance and EastWest Bank, this centennial milestone was fittingly organised in partnership with the Austrian Embassy Manila and the University of Santo Tomas (UST) Conservatory of Music, honouring a legacy that continues to bridge two nations through the universal language of music.

The concert paired two monumental works from the classical and romantic canons, beginning with Wolfgang Amadeus Mozart’s Sinfonia Concertante for Violin, Viola, and Orchestra in E-flat Major, K 364. Violinist Emanuel John Villarin and violist Christian Wrona delivered a stunning performance that brought Mozart’s intricate instrumental dialogue to life.

Read more: Adrian Nicolas Ong on how passion and imagination shaped his journey as a violiinist

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Above Maan Hontiveros, president of the Manila Symphony Orchestra Foundation, Inc (Photo: Yan Caringal)

Villarin, a 22-year-old Standard Insurance scholar currently completing his bachelor’s degree at the Hochschule für Musik Hanns Eisler in Berlin, is one of the many results of the MSO Foundation’s education programmes. Alongside him, Wrona—an international chamber musician who also graduated from the same prestigious institution in Berlin—provided the perfect collaborative counterpoint.

The interpretation of the piece was a masterclass in balance. As noted in the evening’s programme written by Crystal Rodis-Concepcion, Mozart’s composition is celebrated for its masterful use of timbral contrast, pitting the bright, shining resonance of the violin against the darker, richer hues of the viola. The soloists shone particularly in the second movement, treating the andante as a lyrical, operatic duet that beautifully demonstrated Mozart’s unparalleled gift for melody.

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Above Margit Loidolt, Chargé d’Affaires of the Austrian Embassy in Manila (Photo: Yan Caringal)

For the second half of the programme, the stage swelled as the MSO performed side-by-side with selected members of the UST Symphony Orchestra. Under the masterful guidance of guest conductor Joshua Dos Santos, a Venezuelan protégé of Maestro José Antonio Abreu and a product of the renowned “El Sistema”, the combined ensembles tackled Gustav Mahler’s expansive Symphony No. 1 in D major, also widely known as Titan.

Mahler’s work is historically significant for bridging 19th-century romanticism with early 20th-century modernism, famously pushing tonality to its limits and utilising massive orchestral forces. Dos Santos and the musicians adeptly captured the symphony’s sweeping dynamic journey. They navigated seamlessly from the first movement’s subtle, nature-inspired awakening to the eerie, minor-mode rendition of the folk tune Frère Jacques in the third movement, which Mahler envisioned as a solemn procession for a hunter’s funeral.

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Above National Artist for Music Dr Ramon Santos standing in the midst of the crowd (Photo: Yan Caringal)

The grand finale was executed with sublime intensity, reflecting the composer’s vision of a “flash of lightning from a dark cloud” and culminating in a victorious, heart-swelling resolution. The magnificent hour-long masterpiece earned an enthusiastic standing ovation from the captivated crowd.

Beyond the spectacular music, the gala underscored the enduring mission of the Manila Symphony Orchestra Foundation to nurture Filipino musicians through education and international collaboration.

Read more: Menchu Lauchengco-Yulo in ‘Master Class’—a transcendent and piercing portrait of Maria Callas

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Above Curtain call of ‘From Mozart to Mahler’ (Photo: Yan Caringal)

During the honorary speeches, MSO Foundation Inc president Maan Hontiveros perfectly summarised the profound spirit of gratitude and community that defined the evening. Addressing the packed theatre, she stated: “As we celebrate the MSO’s centennial year, we remain deeply grateful to our supporters, partners, scholars, educators, musicians, and all of you who continue to believe in the vital role of music in cultural life and nation-building.”

With this unforgettable performance, the MSO not only paid a fitting tribute to its storied, Austrian-rooted past but firmly proved that its artistic heart beats stronger than ever as it marches into its next century.

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Franz Sorilla IV
Art and Culture Editor, Tatler Philippines
Tatler Asia

About

Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.

Work

Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.

As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.

For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.