A spoiler-free review on The Sandbox Collective’s ‘Next to Normal’
Having premiered on Broadway in 2009, the American rock musical Next to Normal tells the story of the Goodman family as they navigate through the struggles of mental health and grief. Originally a 10-minute workshop titled Feeling Electric about a woman undergoing electroconvulsive therapy (ECT) in 1998, it has since garnered three Tony Awards and the prestigious Pulitzer Prize for Drama. After two adaptations in the Philippines—one in 2011 by Atlantis Productions and another in 2020 under Ateneo Blue Repertory—Next to Normal returns to the stage with The Sandbox Collective. Here’s what we thought of this heartwrenching musical.
Trigger warning: Themes of self-harm, substance abuse, grief, and trauma are present.
More from Tatler: Meet the cast of The Sandbox Collective’s ‘Next to Normal’
Above Shiela Valderrama, Vino Mabalot, OJ Mariano in Next to Normal (Photo Lance Bersamina)
Directed by Toff de Venecia, Next to Normal (2024) shows us a realistic representation of mental illness—as well as being on the receiving end of it. From Diana Goodman’s (played by Shiela Valderrama and Nikki Valdez) manic episodes and mood swings to the painful neglect that Natalie (played by Sheena Belarmino and Jam Binay) felt, it was a raw experience that hit close to home for most. For instance, during Diana and Dan’s (played by OJ Mariano and Floyd Tena) argument in the songs You Don’t Know and I Am The One, the two have a theatrical back-and-forth about what it’s like to have bipolar disorder and depression. Dan, on the other hand, explains his struggle about always being there and unconditional love. While one pushes the other to leave, the other pulls back to keep them afloat. This scene alone perfectly paints both sides and helps the audience understand the characters on a personal level.
Above Davy Narciso and Jam Binay in Next to Normal (Photo Lance Bersamina)
Ejay Yatco’s musical direction can’t be understated. His decision to incorporate a live band in the production makes the musical’s electric soundtrack much more pleasing. Listening to Next to Normal’s songs on Spotify already sets you in the mood to become vulnerable, but hearing The Sandbox Collective’s rendition is night and day—amplifying every emotion to make you feel everything.
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Above Sheena Belarmino and Omar Uddin in Next to Normal (Photo Loreta Arroyo)
The whole show uses lighting and colour to paint each character’s mental state. During sombre moments, the stage is illuminated by a dark blue light to portray Diana’s depressive episodes while her manic attacks show a flurry of colours—showing the audience what it’s like to be in them: messy, chaotic, and you don’t know why.
Above Shiela Valderrama and Jef Flores in Next to Normal (Photo Loreta Arroyo)
The casting of The Sandbox Collective’s adaptation was on point. Both sets of cast looked like a real family, and each character bounced off each other seamlessly. Valderrama and Valdez’s performances as Diana captured the many nuances of bipolar disorder and the treatment journey. Whether she’s in a frenzy to clean the house and retile the whole roof or skipping her medication due to the side effects, Valderrama and Valdez delivered an emotional rollercoaster. Another notable quality is that they both sound very close to the original Broadway cast recording.

Above OJ Mariano as Dan in Next to Normal (Photo Loreta Arroyo)
Mariano and Tena’s depiction of Dan was painful. Both actors portray a broken and codependent man trying his best to hold everything together for the sake of his family and to perfection. The two’s experience in the industry is evident as they exhibit numerous subtleties in body language and diction. One thing to note is the difference in Mariano’s approach compared to Tena. The former was softer, indicating a touch of softness in his voice, while the latter was firmer and more stern. This contrast changes the dynamic of the whole musical, allowing for more interpretations and making rewatches much more enjoyable.
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Above Nikki Valdez, Benedix Ramos, and Jef Flores in Next to Normal (Photo Loreta Arroyo)
Vino Mabalot and Benedix Ramos’s portrayal of Gabe Goodman made audiences feel the weight of his presence on stage once the big reveal had been made—making us dread their appearance while loving the two’s performance of the character’s iconic song, I’m Alive.

Above Sheena Belarmino and Omar Uddin in Next to Normal (Photo Loreta Arroyo)
Above Shiela Valderrama and Jef Flores in Next to Normal (Photo Lance Bersamina)
Belarmino and Binay’s rendition of Natalie had the audience convinced that they were 16 years old—depicting teenage angst paired with parental neglect to the T Henry, on the other hand (played by Davy Narciso and Omar Uddin), showed us what love can and should look like, commanding the audience to root for the two characters. Finally, Jef Flores, as Dr Madden, gave respite amidst the heavy themes. As the only cast member without an alternate, his dynamic with both ensembles is a testament to his versatility as an actor. His soothing voice, alongside his musical talent, gave us hope for Diana despite her instability.
Above Benedix Ramos and Floyd Tena in Next to Normal (Photo Lance Bersamina)
Overall, The Sandbox Collective’s Next to Normal is one of the company’s best so far. Their depiction of mental illness straddled the line between realistic and theatrical without being out of touch. While some scenes may trigger some, it offers a cathartic experience while continuing an important conversation that we should never stop having.
The Sandbox Collective’s Next to Normal runs until February 23 at the Power Mac Center Spotlight Blackbox Theater, Circuit Makati. For more information, visit their social media pages.
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