Queenie Rosita Law is the director and founder of Q Art Group, an art company that operates Q Contemporary, a private museum in Budapest; Q Studio, an art studio; and Double Q, an art gallery in Hong Kong
Queenie Rosita Law has made a career out of showcasing both emerging and historically overlooked artists from around the world, while changing the way people view the gallery experience.
A graduate of Central Saint Martins College of Art and Design in London, Law has travelled the globe in search of opportunities to bridge the gap between artists and collectors, as well as curating and producing artwork. Her work focuses on Central and Eastern European (CEE) contemporary art.
Almost seven years after she established the company, Law continues to explore the untold stories of CEE art through the exploration of countries like the Czech Republic, Slovenia and Slovakia. Here, she shares how her passion for the region began, what makes her tick and teases a new gallery space in Hong Kong, set to open this year.
Describe what you do.
I am addicted to art. I run a gallery in Hong Kong with my husband and business partner, Nick Chu, and we run a non-profit space in Budapest—a place we have adopted as our second home.
How does your work make a difference?
We make a difference to artists, collectors and the community. First, we support our artists by helping them produce works, put on great shows, and also by finding ways to support their careers long term. We believe in them, stand by them and pour all our energy into helping them. For collectors, we provide great art in people’s homes. The art doesn’t just make them happy and it’s not just beautiful—it’s inspiring and thought-provoking. Finally, our work [benefits the community]—we love sharing art and the artists’ inspiration with visitors in Hong Kong and Budapest. We give tours and educate them about the artists and exhibitions we are putting on.
Describe a typical day in your life.
I spend most of my time researching artists and visiting artists’ studios. I also work on exhibitions: planning the shows and being there during every installation to ensure it looks perfect.
Speaking to an artist and listening to their inspiration is the very reason I fell in love with what I do. There is nothing more special than talking to an artist—it has become a highlight for me and is my favourite part of the job.
What was your first job?
My first job was in 2013. I worked as an assistant at a fashion photography and creative agency called Art Partner, in Paris. I have loved photography since I was young.
