Cover The Philippine Philharmonic Orchestra (Photo: Rodel Valiente / Cultural Center of the Philippines)

In a dazzling night of memories and new beginnings, the country’s premier symphony orchestra takes the audience back in time

Music transcends time amidst metres and calculations. It encapsulates memories of particular moments, emotions, and places in a vessel countable by minutes and seconds. And yet it lasts even beyond for future generations to revisit and appreciate. Opening a vessel that was kept for too long for a widely renowned orchestra was more than appropriate. This concept the Philippine Philharmonic Orchestra (PPO) had braved to do, in celebration of its milestone of 50 golden years. When it opened its vessel crafted during its inaugural concert in 1973, it was not only the company’s legacies and storied past that were summoned. But the vessel has also shed light on the company’s metamorphosis and promising future.

One of the resident companies of the Cultural Center of the Philippines (CCP), PPO mounted its 50th-anniversary gala at the renovated Metropolitan Theater last May 12. Nostalgia was in the air of the elegant halls of the art deco theatre. But the evening’s focal point was PPO’s recreation of its setlist for its debut concert on May 15, 1973.

Read also: National Artist for Music Ryan Cayabyab on hitting the right notes towards his legacy

Tatler Asia
Above PPO’s rendition of Lucrecia Kasilag’s ‘Divertissement for Piano and Orchestra’, conducted by Rodel Colmenar with Aidan Ezra Baracol on the piano (Photo: Cultural Center of the Philippines)

The programme began with Alfredo Buenaventura’s Bathaluman Concert Overture. Under the baton of Maestro Rodel Colmenar, PPO has taken the audience on a musical journey: starting with a maestoso introduction that announces the dual character of Buenaventura’s half-deity (Bathala) and half-muse (Paraluman). A pitch of excitement is reached at the beginning of the allegro ma non troppo, when the dissonant first theme cuts into short motives proclaimed by the horns, picked up pizzicato by the violins, followed by the trumpet, and finally by the oboe.

“The first theme, representing the mythical nature of goddess, is brave and bold,” described Buenaventura, who cheerfully attended the gala. “It is full of dashing strength, voltaic energy, vitality and exuberance of youth,” he continued. “The lyrical second theme in the andante molto cantabile portrays the tender moments of dreamy brooding—the sometimes dramatic and sometimes atmospheric, human aspect of Bathaluman, a modern name for the legendary Maria Makiling,” he said.

Read also: Raul Sunico on Classical Music

Tatler Asia
Above The first set of the concert was conducted by Maestra Rodel Colmenar

Buenaventura is a renowned composer, conductor, and teacher born in Santa Maria, Bulacan, who has been notable in writing sacred music and cinematic symphonies. Bathaluman Concert Overture was commissioned by the Music Promotion Foundation and completed on February 24, 1965.

From the nostalgic and mystical opening number, PPO moved forward to National Artist for Music Lucrecia Kasilag’s Divertissement for Piano and Orchestra. Joined by young pianist Aidan Ezra Baracol, PPO exhibited the East-meets-West kind of music Kasilag was very well known for.

Divertissement for Piano and Orchestra is a full orchestration for this two-piano modern concerto that employs southern Philippine instruments: kulintang, agong, babandil, dabakan, and gandingan. The first movement uses the rhythm of the bamboo poles in the Muslim dance called singkil, in the style of a ground-bass. It is called the allegro in white, for it uses only the white piano keys. The second movement is slower and cast in a simple variation form; the theme is based on a nine-measure Muslim chant called dende-o-dende. The movement is veiled in oriental mysticism with an underlying syncopated ostinato background. The final movement is a rondo of heightening excitement achieved by using a triple rhythm set against a duple rhythm.

To say that Baracol played the piece excellently is an understatement. He was composed and precise, cohesive in his movements, and truly connected with the conductor, the orchestra, and the audience. He deserved his multiple standing ovations and encore performance that brought the first set of the concert to a rousing finale.

Read also: A pas de deux of music and ballet by ABT Studio Company’s “Rising Stars” and Cecile Licad

Tatler Asia
Above Aidan Ezra Baracol (pianist) and Arthur Espiritu (tenor)

Baracol is just 18 years old, and yet, he has already received the National Commission for Culture and the Arts (NCCA) Ani ng Dangal award last 2022. He has received college entrance scholarships and admission at the Royal Academy of Music, the Guildhall School of Music and Drama, the Royal College of Music in London, and the Yong Siew Toh Conservatory of Music in Singapore.

The second part of the concert was graced by the distinguished tenor Arthur Espiritu as the soloist under the baton of Maestro Herminigildo Rañera. Espiritu charmed the audience with Charles Gounod’s Salut! Demeure e Chaste et Pure! from the opera Faust then took them on an emotional ride with Che gelida manina from Giacomo Puccini’s opera La Bohème

Read also: A Night at the Opera: ‘Lucia di Lammermoor’ by Gaetano Donizetti at the CCP

Tatler Asia
Above Arthur Espiritu (Photo: Cultural Center of the Philippines)

Despite the renovated theatre’s acoustic limitations, Espiritu managed to soar with his voice and connect with the recipient audience. Espiritu ended the set with Augusto Espino’s Kundiman ng Langit, a love song patterned after the traditional genre of kundiman. But with the audience raving for more from the esteemed tenor who once sang at the famous La Scala di Milan, Espiritu obliged with an encore of O Sole Mio by Alfredo Mazzucchi and Eduardo di Capua.

To cap off the evening, revered pianist and former CCP president Raul Sunico played George Gershwin’s Rhapsody in Blue. He proceeded with his encore of Ernani Cuenco’s Bato sa Buhangin, which brought the lineup’s time-travelling theme to the contemporary period. Although the gala concert needed a more energetic finale, it was still met with standing ovations primarily for the company’s longstanding reputation and gilded roster of achievements.

Read also: Raul Sunico receives the Commander of the Order of the Star of Italy

Tatler Asia
Above Herminigildo Rañera, Raul Sunico, Rodel Colmenar, Arthur Espiritu, and Aidan Ezra Baracol during the curtain call

PPO started as a simple group of musicians formed to accompany performing artists at the then CCP Theatre. It debuted with Luis Valencia as its first music director and Julian Quirit as concertmaster. In 1979, it was re-organised with Oscar Yatco at the helm and driven by a new vision—to be among the best in the world.

Esteemed local and international conductors have led the PPO through the years, like National Artists Francisco Feliciano and Ryan Cayabyab. Not to mention the long list of foreign and Filipino artists who have performed with them also. For 50 years, the resident orchestra of CCP has been nurturing and showcasing the talents of many Filipino musicians through its educational programmes, workshops, internships, and tours. In celebration of its milestone, PPO had its 38th concert season from 2022 to 2023 with renowned conductors, musical directors, and musicians. Still, PPO is searching for its new principal conductor and looks forward to bringing its music to more parts of the country and the world.

NOW READ

How this homegrown orchestra is giving young Singaporean musicians a stage

New musical titled ‘Ibarra’ with Piolo Pascual in the titular role

Everything you need to know about Fête De La Musique Philippines 2023

Franz Sorilla IV
Art and Culture Editor, Tatler Philippines
Tatler Asia

About

Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.

Work

Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.

As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.

For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.