On a momentous occasion, Rosendo "Roy" Aguilar mounts a retrospective exhibition, spanning 40 years' worth of memorable works
Coinciding with the Masskara Festival last October, Negros Museum mounts a retrospective exhibition of the works and legacy of Rosendo "Roy" Aguilar, one of the Negros' most prominent living artists.
Amidst the city-wide blackout the previous day, the "Vista Negrense: Retrospect + After Image" solo exhibition for Aguilar officially opened on October 16. At the ceremonial ribbon cutting, Aguilar was joined by Dr Maria Cecilia Locsin-Nava (representative of the late National Artist Ramon Muzones), Sister Joan Brigida Corazon S Infante (president of La Consolacion College Bacolod), Carlo Gabriel Pangilinan (FAMAS Best Director Award recipient in 2019 for his film Tanabata's Wife and senior lecturer from UP Diliman), and Relina Jimenez (representative of The Negros Museum).
The Negros Museum also held an artist talk in a hybrid setup between artists, art educators, and the youth the following day, October 17. Participated by a total of 143 students from various universities online and 56 students on-site, the event tackled Aguilar's journey as a cultural worker, and how he started as an artist, and also touched on the role of artists as local historians, bearing truth and social justice in their works.
The Vista Negrense Artist Talk at The Negros Museum was organized by Forem Digital in partnership with UP Pi Sigma Fraternity.
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Aguilar is a multi-awarded Visayan artist who served as the editorial cartoonist of the Visayan Daily Star. For 34 years, he has been a faculty member of the Fine Arts department of La Consolacion College Bacolod. He is very much known for his obra maestra, the historical mural titled Ang Babaylan.
As a child, Aguilar spent his childhood in his hometown in La Castellana by recreating 1960s films as charcoal drawings on cemented streets. At the age of 14, he moved to Sampaloc, Manila to study and work. His innate talent in art and illustration helped him survive in his younger years. He would create hand-drawn greeting cards and accept art projects from his classmates and teachers so he would have money to buy food, clothing, and art materials. His early exposure to Fine Art was when he roamed around Ermita, Manila’s hub for small galleries and printing houses. Eventually, he was hired as an illustrator and ceramic designer at Paglaum State College Ceramic Center in Bacolod while formally studying Fine Arts, majoring in Advertising at La Consolacion.
He has won various local and national state-sponsored art competitions such as that of The Design Center of the Philippines.
Roy, an active member of the Art Association of Bacolod, participated in group shows before he had his 1st Visayan-themed solo art exhibition which earned him the highest sales award in the early 90s.
At present, he is painting full-time and continues to advocate for art education, preservation and socio-cultural sensitivity through art as one of the founding members and the current Historian of the Art Association of Bacolod.

Above "Ang Babaylan", 1996, oil on canvas
This four-month solo exhibition featuring scenes of Negros from the past and present, painted by the renowned social realist and art educator of Negros will be available for viewing until January 2023 at the JGM Gallery of the Negros Museum.
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