Cover Curtain call of ‘Hamilton’ in Manila during its international tour’s gala performance (Photo: Zeus Martinez)
Curtain call of ‘Hamilton’ in Manila during its international tour’s gala performance (Photo: Zeus Martinez)
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It is not surprising for Lin-Manuel Miranda’s ‘Hamilton’ to be well-received for all its accolades throughout the years. However, this new international production that chose to open in Manila proves that the acclaimed material can be elevated to greater heights
Hamilton in Manila takes pride in its impressive technical aspects like lighting and sound design, sets and costumes flown in by the Michael Cassel Group, the cast’s styling thanks to Estée Lauder’s makeup sponsorship, and the palpable energy of the cast—conjured by Andy Blankenbuehler’s choreography, Thomas Kail’s direction, Alex Lacamoire’s orchestrations and co-arrangement conducted by Andre Cerullo, and Lin-Manuel Miranda’s impeccable book, music, and lyrics.
With the touring cast having rehearsed in New York before premiering in Manila, they were able to polish the show under the scrutiny of Hamilton’s original creative team. These elements elevated Hamilton to a theatrical spectacle worth seeing, even for hardcore fans, who might have seen the show in New York, London, or Disney Plus. As expected, Hamilton’s international production is electrifying and riveting, overshadowing the original material’s divisive depiction of American history.
Read also: Critically acclaimed musical ‘Hamilton’ arrives on Philippine shores
Above Brent Ashley Hill as King George III (Photo: Johan Persson)
Brent Ashley Hill as King George III (Photo: Johan Persson)
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Hamilton was based on the biography of Alexander Hamilton by Ron Chernow, published in 2004. It narrates his life, involvement in the American Revolution, and rise to power during the early years of the establishment of the United States of America. Jason Arrow starred as the titular character, which he first played in the 2021 Australian tour, in utter perfection, depth, and relatability.
Rachelle Ann Go, reprising the role of Elizabeth Schuyler Hamilton, which she originated for the West End run that began in 2017, stole the show in the second act. Her enigmatic presence on stage and powerful vocals made Eliza a character worth having her own spin-off musical.
Read also: On producing ‘Hamilton’ in Manila: In conversation with international tour producer Michael Cassel
Above Rachelle Ann Go as Elizabeth Schuyler Hamilton in the West End production (Photo: Michael Cassel Group / GMG Productions)
Rachelle Ann Go as Elizabeth Schuyler Hamilton in the West End production (Photo: Michael Cassel Group / GMG Productions)
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But perhaps the most memorable performances in the show are of Deaundre’ Woods’ Aaron Burr, the principal antagonist in the story, who has taken audiences on an emotional journey of varying perspectives through the life of Hamilton. His well-controlled vocals and sharp timing were mere cherries on top of his impressive emotional range. Not to mention Brent Ashley Hill, whose portrayal of King George III was endearing and enchanting, far from being merely a comic relief. Akina Edmonds, meanwhile, showed that the strength of the character Angelica Schuyler lies in her silent power, reserved thoughts and feelings, and sincerity of her love.
Read also: Hamilton in Manila 2023 will spark conversations, says cast
Hamilton’s story of heroism resonates with Filipino audiences as this country fought against imperialism, too. The complicated jungle of politics birthed by revolutions is also present in American and Philippine histories. Hamilton presents a new way to see through the making of a nation. By incorporating musical genres unusual for Broadway and West End musicals, Hamilton not only revolutionised these sought-after theatre venues but also the way we view, analyse, and question history. The ingenious storytelling of Miranda in this seminal work of his has proved that younger audiences of musical theatre are not distant from socially-relevant and politically-charged narratives. In fact, Hamilton inspires the youth to take a stand in shaping and chronicling the would-be history of the world today.
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About
Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.
Work
Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.
As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.
For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.
