Cover ‘Confluence of Cultures’ (2023) by Hung Wun Hei Emil (Image: courtesy of the artist and Henderson Land Group)

These up-and-coming creatives have envisioned our city in a future where there are artistic and innovative solutions to some of our biggest concerns

What do you see Hong Kong becoming in the next few decades? This is what artists were invited to imagine for Henderson Land Group’s Realising Your Imagination Creative Competition this month, and they rose to the challenge and created their versions of a future Hong Kong through digital artworks that incorporated 3D scans, virtual reality, microfilms, photography and animation. While some focused on local societal concerns, others took inspiration from Henderson Land’s existing architectural designs and envisaged modifications. Some artists also visualised overlooked elements of the city that could be better preserved.

Out of hundreds of submissions, 17 winning pieces were chosen by a panel judges—that included Joseph Wong, the executive director of Hong Kong Design Centre; Alain Chiaradia, deputy head of Department of Urban Planning and Design at The University of Hong Kong; and Chun Hay Au Yeung, the chairman of the Hong Kong Society of Illustrators—and are on display at H Queen’s until June 14. There is also an NFT zone that invites visitors to step into the artworks.

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Tatler Asia
Above Dr Martin Lee Ka-shing (Photo: courtesy of Henderson Land Group)

Dr Martin Lee Ka-shing, the chairman of Henderson Land Group, says he and his team are delighted to see hundreds of contestants imagine a future way of life and he’s deeply inspired by their work.

“Henderson Land is committed to enhancing people’s quality of life through innovation. Our community projects encourage the public to unleash their imagination and nurture talent while contributing to a sustainable future,” Lee says in an exclusive interview with Tatler. “[Our company] will ... remain committed to promoting innovation, sustainability and people-centricity for a better community.”

Tatler also spoke to five winners of the competition about what they value most about the city and how their artwork and inspirations.

‘Generated Memories–ArtLane’

Above “Generated Memories–ArtLane” (2023) by Gerry Li (Image: courtesy of the artist and Henderson Land Group)

Digital artist Gerry Li’s Generated Memories–ArtLane, which won first place in the open group of the competition, takes inspiration from Henderson Land’s ArtLane project that changed an otherwise nondescript Sai Ying Pun neighbourhood into an art-filled and vibrant community. In doing so, ArtLane also changed how people will remember the neighbourhood: from an ordinary place to a colourful one.

For his project, Li played with the concept of the city’s evolution and the slippery nature of memories. Inspired by local residents’ memories of the ArtLane project, he has created an immersive art experience with technologies such as LiDAR scanning, machine learning, point-cloud and real-time 3D rendering.

“I find that memory is not merely a record of real life; it [also] has an impact on the decisions we make for the future. I always have this experience of remembering something, only to realise later that it’s my imagination, and this [inspired] me to explore memory,” he says. 

Li’s work invites visitors in an “inner universe of collective memories” through which he hopes people will see how they are all connected to one another and to the city.

‘Glass Forest’

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“Glass Forest” (2023) by Christine Wong (Image: courtesy of the artist and Henderson Land Group)
Above “Glass Forest” (2023) by Christine Wong (Image: courtesy of the artist and Henderson Land Group)

Visual artist Christine Wong sees IFC mall’s rooftop as many people’s favourite place to catch a break. “The openness, the harbour view, the public tables and chairs—I envision more of these shared spaces where we can find a delightful pause from our busy lives,” she says.

Wong also believes that people’s sense of belonging to their home city stems from community and moments shared with friends and family—instead of its state-of-the-art infrastructure.

In her AR work, which came second in the open category, she amplifies nature and togetherness, which she calls “the denominators of joy”, in what looks like a green neighbourhood where humans and nature co-exist in harmony. “[The message of my artwork is] that innovation can come from shaping our environment in small ways to inspire the social and creative qualities in us,” she says.

‘Sky City’

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Above “Sky City” (2023) by Blair Sugarman (Image: courtesy of the artist and Henderson)

Photographer Blair Sugarman imagined a thriving metropolis floating in the sky as his Hong Kong of tomorrow, and his piece came third in the open category. And according to Sugarman, imagining a city in the future is nothing new for him: “When I was younger, I used to play a lot of video games like Super Mario that involves jumping from one island to another. I also took inspiration from sci-fi movies where futuristic cities are often depicted as floating islands.”

In Sky City, various parts of the city are located in separate, eco-friendly bubbles, with each one having a self-contained, efficient biosphere. While he realises that floating sky cities can be a bit removed from reality, he wanted to emphasise the concept of being eco-friendly through being self-sustainable.

“A greater focus on sustainability, aesthetics and ergonomics would be a great step in Hong Kong’s land development,” he says. “I love iconic buildings that serve as key landmarks in my photos, but [I also hope they] serve as functional locations that are environmentally friendly.”

His artwork also comes with an AR bonus. Upon scanning a code, viewers can add new animated bubbles that float around in the picture.

‘The Moment of Blossom’

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Above “The Moment of Blossom” (2023) by Leung Kin Keung (Image: courtesy of the artist and Henderson Land Group)

With a background in art, design and education, Leung Kin Keung spotlights sustainable living and green development in his designs. His piece, which won outstanding award in the open group, focuses on a simple but important vision: the coexistence of nature and urban development.

He finds it encouraging that there’s a stronger voice in the urban design industry to prioritise sustainability, and he believes it can be driven further by incorporating more green spaces, vertical urban gardens or even farming workshops in the city.

What struck him as an outstanding example is One Innovale’s urban landscape gardens in Fanling, New Territories. He hopes his work can communicate the message that finding the right balance between traditional and modern urban design can bring Hong Kong’s green development to the next level.

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‘A Letter from the Future’

Above “A Letter from the Future” (2023) by Louis Dong, Oscar Leung and Luna Chui (Video: courtesy of the artists and Henderson Land Group)

A Letter from the Future, a video by Hong Kong Baptist University’s Academy of Film graduates Louis Dong, Oscar Leung and Luna Chui, which won first prize in the student category, tells the story of an architecture student who’s received a letter from her future self that emboldens her to pursue her dream designs that would impact the future.

Chui, the director and scriptwriter of the video, hopes for a more refined set of infrastructure in the city. “Our transportation is more user-friendly than before, but there’s still room for improvement,” she says. “I hope that our video will connect the old with the new, and inspire this generation to look back at our past to create a better future.”

Chui also says they joined the competition out of love for Hong Kong and they wanted to show how this generation thrives on challenges to make the city a better place in the future. This sentiment is represented by a scene in the video where the student struggles to the top of a hill to get a view of the city’s skyline—a skyline played a part in designing.

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