Tatler asks photographers who are known for capturing the most stunning architecture around Asia to share their favourite shots
In celebration of Tatler’s Design Issue in May, we asked four photographers around the region, known for their work in capturing architecture, to share their favourite images with us.
In case you missed it:
‘Every building is a house’: Kengo Kuma on the future of architecture
André Fu reflects on a glittering career as a top architect
Designer and architect Nelson Chow on the importance of knowing how to dream
Industry veteran Victor Lo on how good design can transform cities and enhance people’s lives
Hong Kong

Above Hong Kong provides
myriad options for photographers to train
their eye, says Harold
de Puymorin. “From cityscape to nature—it’s limitless”. Photo: Harold de Puymorin

Above Walk-ups in Sham Shui Po. Photo: Harold de Puymorin
A digital camera received as a 30th birthday gift—followed by a trip to Myanmar—“really opened my eyes to how much I enjoy taking pictures”, says Hong Kong-based photographer Harold de Puymorin.
A native of Toulouse, France, de Puymorin moved to Hong Kong in 2011 to work in telecommunications. “After two years, I felt I had done my time being a salesperson,” he says. He then launched his business, HDP Photography Services. He has since established a reputation as one of Hong Kong’s most renowned photographers, known especially for capturing architecture and interiors. His works were exhibited at the Affordable Art Fair 2021, among others.
De Puymorin grew up in an artistic household, though says he didn’t always think he would specialise in architectural photography. But “I was always really attracted by shapes and movement and design,” he says. “I like the freedom this type of photography gives—and the challenge of telling a story of a space.”

Above Tai Kwun. Photo: Harold de Puymorin

Above View of Prince's Building. Photo: Harold de Puymorin

Above Tsim Sha Tsui. Photo: Harold de Puymorin

Above The Xiqu Centre. Photo: Harold de Puymorin
Malaysia

Above Photo: David Yeow

Above Photo: David Yeow
David Yeow has a masters in architecture and is passionate about documenting spaces and how people use them; he cites Tadao Ando as an architect whose work he admires, as he loves how light and shadow play across Ando’s concrete projects. It is perhaps natural that he photographed the PAM Centre (right) in Bangsar, Kuala Lumpur—headquarters of Pertubuhan Akitek Malaysia, the Malaysia Institute of Architects—with its industrial feel, black aluminium screen façade, concrete slabs, exposed pipes, raw brick walls and steel staircases.
Yeow shot the building in the evening. “I took a few different photos as the sunlight crept across the facade, but it was this shot, taken just past 7pm when the sunlight was starting to diffuse, that I selected as the final image. The angled sun [lit up] the interiors and the stepped terrace trees. I like this kind of architecture; it’s not overly complicated, while maintaining a subtle beauty.”
Taiwan

Above Photo: Yi-Hsien Lee
The Kaohsiung Music Center was designed to symbolise the seaport status of Kaohsiung and integrate into the surrounding harbour; it looks a little like a whale swimming in the sea. Designed by Spanish architect Manuel Monteserín and completed in 2021, the complex’s surfaces are covered by tessalated hexagons which create a sense of movement and give the impression from above of a massive coral reef.
These two photos are taken from a series of works by Taiwanese photographer Yi-Hsien Lee, which won the 2022 Architecture Photography MasterPrize Exterior Photography of the Year Award.
Singapore

Above Photo: Benny Loh
“Capturing change is the cure for nostalgia,” says photographer Benny Loh. Living in Singapore, where rapid change is the only constant, “focusing on the present makes me admire the steps taken to move ahead”. Through his images, Loh “captures subjects on the precipice of change—the moment when it tips over to be something else”.
Case in point: this image of the State Courts towers in Chinatown, an extension to the original octagonal State Courts building (partially seen in the middle ground) built in 1975, which achieved conservation status in 2013. The extension shows “the progress and development in Singapore, with a much bigger scale than the original. Having the terracotta-clad courtrooms stacked up also pays homage to the roof tiles of the shophouses nearby.”
Credits
Photography: Harold de Puymorin (Hong Kong)
Photography: David Yeow (Malaysia)
Photography: Yi-Hsien Lee (Taiwan)
Photography: Benny Loh (Singapore)



