Here, the ground level is clad with Indian slate while the upstairs features Bali stone, creating a stunning layering effect. It is a contemporary representation of what was typically seen in historic bahay na bato, says the designer.

The concept of building a strong foundation—a cornerstone of the bahay na bato—is of particular significance to the family. “Foundation is grounding,” says Acuña-Sunshine. “There are different kinds of grounding: one is in the physical grounding in yourself—spiritual and mental grounding; and then there is the grounding of your home. It’s hard to do good work in the world when you don’t have a home base. You want to feel like you have a place from which to operate.”

Featuring a semi-open plan design, the ground level is created with “constant movement” in mind. “I love the fact that the ground floor [in this house] is much more public, and the upper floor is where the family lives,” says Acuña.

The house is in an L-shape, which allows every room to open up to the view of the pool and surrounding garden. An imposing, double-height ceiling of nine metres comes into sight in the foyer by the entry. Here, the delicate paper lattice on an installation by the artist Wataru Sakuma gently shimmers when it catches the rays.

Sunshine was something the Acuñas wanted to capture in this part of the home; it is also the name of the foundation, signifying hope. “When the sun comes up, you’re hopeful—it’s a new day. And when it’s shining, that’s even better,” says Acuña-Sunshine. “It just so happens to be my name, too.”

Behind it is the living room, which is anchored by a bespoke piece by the British hand-painted wallpaper company De Gournay. It features a modified version of an illustration originally created by the Filipino designer Jonathan Matti. The original drawing depicted a plantation home and villagers, and the Acuñas worked with De Gournay to transform the illustration: it now shows a bahay na bato and urban dwellers. The Acuñas also asked De Gournay to infuse warm yellow, blue and red tones into the piece—colours both of the Philippine flag and of many of the furnishings, which are all sourced from Filipino brands. Stairs by the dining area lead up to a light-filled space. The grass-covered roof above the living room functions as a garden and play area for the children in the family.

As well as the bedrooms, the second floor houses an entertainment room, a library, and a wellness space dedicated to fitness and meditation. “What we loved about the piano nobile idea is that it is unpretentious,” Acuña adds. “You can come in and feel like you can see the whole home.”

The house is created to look and feel timeless—something that speaks to the Acuñas’ belief of always being present. “The timbers and the stones we used will be as current ten or 20 years from now as they felt when I was designing the home,” says Acuña. “We want to focus on the energy and the purpose of the house—to bring communities together and reconnect ourselves with the people who want to help [with the efforts of the Sunshine Care Foundation].” When this happens, the house “kind of disappears”, he adds. “It becomes more about the moments we have.”

“The fact that we have decided to have a place here in the Philippines is saying: we’re here to stay,” says Acuña-Sunshine. “And [the home] is a reflection of our work in the world.”

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