Cover The home’s covered outdoor terrace, seen at dusk, frames a direct view of the mountains across the Wyoming landscape
The home’s covered outdoor terrace, seen at dusk, frames a direct view of the mountains across the Wyoming landscape
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Anchored into a Wyoming hillside, this family home by CLB Architects holds four generations with an uninterrupted view of the mountains beyond
High above the valley in Jackson, Wyoming, a 49-acre residence offers uninterrupted views of the Teton Range and Sheep Mountain. Designed by CLB Architects for a family from New York, the home settles into the mountainside, drawing on stone, cedar and walnut.
The clients wanted to create a home that could accommodate four generations at once. They envisioned a retreat that felt nothing like their stately, banker-style Manhattan house, favouring natural materials, generous gathering spaces and uninterrupted views across the valley.
Steep contours and sloping terrain dictated the home’s orientation from the start, and local height restrictions meant the structure had to anchor into the hillside rather than rise above it. This means that the layout cascades downward from the main floor to the level below. That same sensitivity to the landscape carries through beyond the architecture: a geothermal system and a highly insulated envelope keep the home’s environmental footprint low.
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Above Exterior view at dusk, showing the home’s low profile and stone chimneys against the Teton Range
Exterior view at dusk, showing the home’s low profile and stone chimneys against the Teton Range
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“My favourite thing about this project is that you get to occupy the space between contrasts and enjoy them both,” reflects Eric Logan, a partner at CLB Architects. “The house sits between the quiet, contemplative courtyard, and expansive views to the valley below.”
That contrast begins at the entrance with a stone-clad courtyard that nestles into the mountainside. One is first greeted by a calm, sheltered arrival before opening towards panoramic views of the valley beyond. Inside, a custom, curving light sculpture hangs above the dramatic double-height staircase. The stair follows the home’s north-south axis, connecting the entry level down to the bedrooms.
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The stone-clad entrance frames a direct view through the house to the valley beyond
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Floor-to-ceiling glazing frames the sweeping mountain views, treating the panoramic landscape as an artwork for the living room. A palette of sage greens, ochres and burnt oranges echoes the tones of the surrounding mountains, while cedar-lined ceilings, walnut finishes and Montana stone offer warmth and texture.
As interior designer Sarah Kennedy explains, “we incorporated rich cedar and walnut to connect with a traditional aesthetic, but played off these luxurious textures with more refined, modern details.”
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A view from the living room, showing the sofa and armchairs positioned to face the mountains
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A handcrafted walnut dining table, anchored by a sculptural steel base, sits beneath a striking glass pendant inspired by the winding course of the Snake River.
Suspended in delicate, organic forms, the light installation appears to drift across the timber-lined ceiling of the dining area. Caramel leather chairs and dark stone surfaces round out the room, tying it back to the same materials found throughout the house.
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Above A close view of the dining area, showcasing leather-upholstered chairs
Above The open-plan kitchen and dining space with a glass light installation overhead
A close view of the dining area, showcasing leather-upholstered chairs
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Opening onto the dining and living areas, the kitchen is designed around a large, veined stone island, its scale suited to a household spanning four generations, with room for everyone to be in the kitchen at once.
A black stone backsplash, veined to match the island, runs behind the cooktop and blackened steel accents carry through the cabinetry. The open-plan layout ensures the kitchen remains connected to both the dining space and the mountain views beyond.
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Above The kitchen island's stone waterfall edge sits above a run of leather-topped bar stools
Above A close-up of the kitchen’s material palette, including veined stone and dark walnut
The kitchen island's stone waterfall edge sits above a run of leather-topped bar stools
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The primary suite is designed as a private retreat, tucked from the more communal living spaces on the same level. The room projects out towards the landscape through floor-to-ceiling glazing, with a cosy cantilevered sitting area that occupies the edge of the room, creating the illusion that it floats above the landscape. Suspended, floating lamps replace conventional bedside lighting on either side of the bed.
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A floating nightstand and pendant light in the primary suite
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A freestanding stone tub sits on a raised tile platform before a picture window overlooking the Tetons. Warm walnut panelling softens the cool stone elements, while the bathroom is finished with restrained detailing and uninterrupted views across the valley.
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Above The primary bathroom with a floating vanity
Above The stone tub positioned around full-height windows
The primary bathroom with a floating vanity
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While the upper floor is designed around living and uninterrupted mountain views, the lower level expands to accommodate family and guests. Three bedroom suites, two bunkrooms, a lounge and a wine cellar ensure the house can comfortably host multiple generations at once.
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Above A wine cellar and seating nook occupy part of the home’s lower level
Above Walnut bunk beds designed to accommodate visiting family
A wine cellar and seating nook occupy part of the home’s lower level
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Above The lower-level lounge opens directly to the fire pit outdoors
Above An aerial view of the home overlooking the Teton Range
The lower-level lounge opens directly to the fire pit outdoors
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A separate guesthouse, complete with its living quarters and wellness amenities, offers an area for the family to spread out, whether that’s for a weekend or a full house at Christmas.
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Credits
Photography: Matthew Millman
