(Photo: Unsplash)
Cover The Spiegel Publishing House cafeteria in Hamburg, designed by Verner Panton in 1969-70, features clusters of Flowerpot lamps alongside his bold use of colour and geometry. (Photo: Unsplash)
(Photo: Unsplash)

The man who broke every rule of Scandinavian design, Verner Panton pushed modern interiors toward colour and radical new forms

Interiors become immersive landscapes of sculptural forms and electric colour in the work of Danish designer Verner Panton. They feel like visions of tomorrow, yet these immersive interiors were imagined more than half a century ago.

At a time when Scandinavian design was synonymous with pale timber, muted palettes and restraint, Panton embraced bold colour, sculptural forms and the possibilities of new industrial materials. Fascinated by new manufacturing techniques and the possibilities of plastic, he challenged conventional ideas of what furniture, and interiors, could be.

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This year, his centenary offers a timely reminder of just how radical his visions remain now. From the world’s first one-piece plastic chair to lighting that became an icon of the Space Age, these are the 10 designs that best define one of the 20th century’s most visionary designers.

1. Panton Chair (1967)

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(Photo: Gettyimages/G. Cigolini)
Above The first chair moulded from a single piece of plastic (Photo: Getty Images)
(Photo: Gettyimages/G. Cigolini)

One continuous cantilever curve replaces the traditional four-legged chair form. First conceived by Panton in 1960 and brought into production with Vitra in 1967, it became the world’s first single-piece cantilevered chair moulded entirely from plastic. Its fluid S-shaped silhouette demonstrated the new possibilities of industrial mass production, proving that a single material could be both structural and sculptural.

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2. Cone Chair (1958)

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(Photo: Gettyimages/J. Wilds)
Above The Cone Chair on display at a trade fair (Photo: Getty Images)
(Photo: Gettyimages/J. Wilds)

The design that first announced Verner Panton as a radical new voice in Danish furniture, the Cone Chair challenged every expectation of what an armchair could look like.

Originally created in 1958 as a design for a Danish restaurant, the chair’s form is stripped down to one dramatic gesture: an inverted cone in steel, upholstered and perched on a narrow pedestal base. The design later evolved into the Heart Cone Chair, distinguished by its winged backrest.

Now produced by Vitra, the Cone Chair remains close to Panton’s original design.

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3. Panton One (1955)

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(Photo: Montana)
Above The Panton One chair by Montana, shown in a range of colours (Photo: Montana)
(Photo: Montana)

Before the plastic curves and cantilever forms that would define his career, Panton designed a chair almost entirely out of string. The Panton One was his very first mass-produced furniture piece, with its seat and backrest handwoven from cord around a bent steel tube frame. Stackable and lightweight, it was built to move easily between public and private spaces alike.

Relaunched by Montana in 2003, it remains in production today.

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4. Living Tower (1969)

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(Photo: Gettyimages/Keystone-France)
Above Two women sitting within Panton’s fantasy landscape environment (Photo: Getty Images)
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(Photo: Wikimedia Commons/Nobuyuki Hayashi)
Above Panton’s Living Tower reissued in a soft lilac and blush palette (Photo: WikiCommons)
(Photo: Gettyimages/Keystone-France)
(Photo: Wikimedia Commons/Nobuyuki Hayashi)

Designed in 1969 and standing over two metres tall, the Living Tower discards the very idea of a chair entirely. It reads more like a sculptural landscape than a piece of furniture, its red-upholstered peaks and hollows spread across four different levels, built to be sat in, curled up on, or even climbed over.

Panton called it part of the era’s “Domestic Landscape” movement, using the full height of a room rather than confining seating to the floor. It was produced only in small numbers before Vitra discontinued it in the early seventies, only to bring it back decades later as a cult object.

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5. Flowerpot Lamp (1968)

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(Photo: Gettyimages/Vittorio Zunino Celotto)
Above Panton’s Flowerpot pendant lamp, in red (Photo: Getty Images)
(Photo: Gettyimages/Vittorio Zunino Celotto)

Named after the Flower Power movement that swept through the late 1960s, the Flowerpot lamp became a symbol of the era: colourful, optimistic, and unconcerned with taking itself too seriously. The lamp is made up of two opposing hemispheres, the upper one twice the size of the lower, concealing the bulb and letting only its reflected colour glow through.

First introduced in vivid orange and red, the Flowerpot is now produced by &Tradition in a wide range of colours and sizes.

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6. Cloverleaf Sofa (1969)

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(Photo: Verpan)
Above Panton’s snake-like modular sofa, seen from above (Photo: Verpan)
(Photo: Verpan)

A serpentine backrest snakes across the Cloverleaf sofa, its undulating form creating alternating inward and outward-facing niches. Debuted at the legendary Visiona 2 exhibition in 1969, it sits on a pentangular base plate that is cut into a rounded, open pentagon.

Verpan has produced the sofa since 2011, over five decades after its debut.

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7. Fun Lamp (1964)

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(Photo: Gettyimages/Jessica Torres)
Above Panton’s Fun pendant lamp, made of hanging mother-of-pearl discs (Photo: Getty Images)
(Photo: Gettyimages/Jessica Torres)

The Fun lamp is believed to have been influenced by a trip Panton made to Malaysia, where the shimmer of mother-of-pearl is said to have informed its design. Hundreds of translucent capiz shell discs are strung onto delicate metal chains, cascading from a single central bulb.

As the shells sway gently, they cast a soft, shimmering glow across the room. Its ethereal appearance earned it a place in the 1969 Bond film On Her Majesty’s Secret Service, hanging in Blofeld’s Alpine lair. Today, it is produced by Verpan.

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8. Panthella (1971)

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(Photo: Gettyimages/Benstockphoto)
Above Panthella lamps feature a mushroom-shaped dome and tapered stem (Photo: Getty Images)
(Photo: Gettyimages/Benstockphoto)

Panton designed the Panthella in 1971, its mushroom-like profile reflects Panton’s interest in organic forms. It was engineered so that both the shade and the base reflect light, the two working together to cast a soft, glare-free glow rather than a single beam.

Louis Poulsen continues to produce the Panthella, the only Verner Panton design in its catalogue.

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9. Moon Lamp (1960)

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(Photo: Verpan)
Above Overlapping blades form the round shape of the Moon lamp (Photo: Verpan)
(Photo: Verpan)

Ten curved aluminium rings, each individually adjustable, spiral concentrically around a hidden bulb. When illuminated, the rings scatter the light into soft, layered bands, creating a rippling pattern of light and shadow that foreshadows the visual language of the Op Art movement.

Originally produced by Louis Poulsen, the Moon Lamp has been made by Verpan since 2007.

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10. VP Globe Suspension (1969)

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(Photo: Gettyimages/View Pictures)
Above Close up of Panton’s VP Globe, with red and chrome discs inside a glass orb (Photo: Getty Images)
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(Photo: Verpan)
Above VP Globe pendant in a dark interior setting (Photo: Verpan)
(Photo: Gettyimages/View Pictures)
(Photo: Verpan)

One of Panton’s most futuristic designs, the VP Globe turns a simple pendant into a study of light and illusion. Housed inside a transparent acrylic sphere, five aluminium reflectors hang from steel chains, their flashes of red and blue appearing to orbit the concealed light source.

Designed in 1969, the same year as the moon landing, the VP Globe has been produced by Verpan since 2003.

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