Cover A rug from the Ki collection by Marmi. Image: Marmi

In this new series, we highlight the intriguing work of some of the women-led studios that we spotted at Maison&Objet in Paris—first, we speak to Asli Smith of Marmi about the rug brand that she co-founded with Sirin Aysan

A s the world eases back into travelling again, international design fairs have also returned with a splash. The Maison&Objet (M&O) fair in Paris made a great comeback this year, with over 2,000 design companies from 60 different countries launching and debuting new products. Held from 18 to 23 January this year, the French trade fair offered a vibrant array of novelties ranging from furnishings and lighting to tableware and accessories to entice designers and house-proud visitors alike.

The leitmotif for this edition of the event was sustainability: designers and manufacturers are becoming more mindful of their environmental impact, and aim to reduce the carbon footprint of their firms by promoting more sustainable methods of production. This eco-conscious approach is evident in the work of the women creators behind four of such design firms. While these studios may originate from different countries and cultural backgrounds, and showcase a diverse mix of styles and material choices, they all tap into a common ecologically minded ethos that aims to minimise waste in their production processes, harness locally derived resources, and support homegrown artisans where possible.

We speak to the women founders of four firms, who tell us more about their chosen creative path and philosophy, and how they navigate the challenges of their dual roles as both designers and creative entrepreneurs. In the first of four articles, we start with Marmi, a rug brand founded by Asli Smith and Sirin Aysan.

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Tatler Asia
Above Asli Smith, co-founder of Marmi

When a studio is based in two very different cities, its creative approach can consequently be both versatile and eclectic. Such is true of Marmi, a rug brand founded in 2022 by two friends: Asli Smith, a multidisciplinary designer based in Istanbul and New York, and Sirin Aysan, an award-winning storyteller who lives in Los Angeles. Marmi creates contemporary rugs inspired by the myths, art and history of Asia Minor cultures.

Each rug is crafted by artisans in Turkey, the country in which Smith and Aysan grew up. “I always thought I was going to be a painter; honestly, I’m not sure how I ended up as a designer. But I love being a designer. I love the problem-solving and playtime that come along with it,” quips Smith.

That said, her artistic background is evident in her drawing-like rug designs, which emphasise their natural influences. “For Marmi, we would like to keep creating collections that tell a story and reflect our appreciation of natural colours, materials and textures,” says Smith. What are the future plans for their fledgling firm and how do they manage to make their cross-country collaboration work? Smith tells us more.

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Above A hand-tufted rug from the Ki collection by Marmi, which is made with 95 per cent wool and 5 per cent Tencel fibres

What inspired your decision to start Marmi?
I co-founded Marmi with my good friend Sirin Aysan last year. We had been talking about opening up a studio since before the pandemic. The stars finally aligned, and we started our company last summer. We both share a mutual love of handcrafted artisanal rugs and textiles, and we started our company, based in Istanbul and Los Angeles, with the desire to work with artisans in our homeland, Turkey, and to create unique collections that turn rug design into an art form. 

Describe your design philosophy.
We try to take a holistic approach, using long-lasting, sustainable materials in harmony with environmental matters [to us]. Inspiration can come from a conversation, a person, a film, or a song; I’m a curious person, and it helps.

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Photo 1 of 3 Presented at the recent M&O fair, these rugs are from Marmi’s new collection, Ki, which means “earth” in the Sumerian language, and draw inspiration from Mesopotamian culture and aesthetics
Photo 2 of 3 Another rug from the Ki collection, seen next to a staircase
Photo 3 of 3 Marmi rugs are hand-crafted by artisans in Turkey

Which are the techniques that you are most interested in right now?
I’ve been learning about and experimenting with Anatolian weaving techniques. I’ve also a serious interest in dyes—I’m interested in chemical-free, sustainable dyeing practices. I’d like to learn more about making dyes from bacteria and possibly use them in my work.

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Photo 1 of 3 The playful forms of the rug make a nod to Smith’s interest in painting and drawing
Photo 2 of 3 The rug bears an abstract form in warm and sandy colours
Photo 3 of 3 Another rug from the Ki collction by Marmi

What are the colours and materials that you consider timeless and why?
I’m interested in earthy colours at the moment; warm, sandy colours. For materials, I’m most interested in wool because I’m designing rugs; I’ve experimented with a lot of wool dyeing in the past years, as it takes up dye beautifully. It’s of the oldest textile fibres used by humanity, 100 per cent biodegradable, natural and renewable.

For our rugs, we prioritise locally and ethically sourced materials from Turkey. We use natural fibres such as wool and Tencel, which are biodegradable and renewable. We work with local artisans and love the collaborative process of working with dyers and weavers.

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