Cover The Maxalto Arbiter sofa features a discontinuous backrest to bring lightness to the modular design (Photo: Courtesy of B&B Italia, Maxalto)

Italian architect Antonio Citterio reflects on his enduring collaboration with Maxalto and how far the furniture brand has come since its early beginnings

A vision of a family’s elegant Parisian apartment, with new furnishings to suit their evolving needs—this is the key image that has stuck with Italian architect Antonio Citterio throughout the three decades he has designed products for Italian furniture brand Maxalto. “This Parisian apartment has stayed in our [minds]; we always photographed the collection in the same home for 25 years,” shares Citterio, who is also the brand’s longtime artistic director.

The sister label of furniture giant B&B Italia, Maxalto was launched in the mid-seventies. In 1995, Giorgio Busnelli took over the reins of the company from Piero Busnelli, his father and the founder of B&B Italia. In that same year, Giorgio enlisted Citterio to relaunch Maxalto with a new vision that has endured since then; in Singapore and Malaysia, the brand is available exclusively at Space Furniture.

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Above Italian architect Antonio Citterio (Portrait photography: Gianluca Di Ioia)

Citterio describes the process of designing the collections to be almost “film-like”. “You imagine a family living in that space, you see the needs that they have, and you write a sort-of script by ‘writing’ the product,” he says. “The idea for Maxalto was to create a collection for enclosed spaces, imagined with a certain middle-class rituality. It’s a rituality that’s about inviting people [to the home] for lunch or for dinner; it’s about understanding good manners.”

The collections are thus sized to suit rooms in apartments of various styles and scales, while conveying a sense of timelessness that makes the inhabitants feel proud to show their home to their guests. Here, Citterio elaborates on the concept of the new Maxalto collections.

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Above The Maxalto Sileo bed features a high headboard and an aluminium frame clad in a fabric or leather cover (Photo: B&B Italia / Maxalto)

Could you tell us more about the novelties for 2023?
In 2023, there is a different family [living] in the Parisian apartment that I was talking about. This time we used the house as if it was a loft. Now, we have a young family who wants to stay on the couch, but also wants to watch TV. As [the apartment] is a loft, a continuous space, [the owners] might put a wardrobe or a screen in the middle of the room to divide the space. We also designed this very relaxing sofa where you would sit in a very informal way. It’s a different perspective, but it’s still about [having] products that express an idea of high quality.

What does luxury mean to you, in this day and age?
I prefer to talk about the concept of quality, instead of luxury. For me, it’s about understanding quality. It is never something that is shown off; quality is something that is perceived and acknowledged. Often, when talking about luxury, it’s about displaying something that’s recognisable. For me, thinking about luxury is thinking about the perceived quality of products that stand the test of time.

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Above The Lilum sofa by Antonio Citterio from Maxalto is designed to create an intimate and convivial environment (Photo: B&B Italia / Maxalto)

In your opinion, what are some of the most important considerations when designing a chair or sofa?
Designing a chair or a sofa always begins with imagining what will happen with that product: when someone sits down when they want to eat, or when they want to speak with someone. For example, when designing the Caratos chair with a low-set curved backrest, I imagined a dinner event [where] you want to talk with everyone. When you design products that are closely linked to how people live, you always think about those who will use them.

What are the materials that you are most interested in right now and why?
Maxalto is very much characterised by the use of materials of high quality. In the first part of the collection, I worked a lot on artisanal materials. For example, I used die-cast aluminium for the Caratos armchair because I was interested in having very refined surfaces. So, the technology and the materials are chosen for the specific product that I would like to achieve. 

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Above The Caratos dining chairs by Antonio Citterio for Maxalto are designed to provide comfort and foster conversations (Photo: B&B Italia / Maxalto)

How do climate concerns affect your most recent designs?
There are different ways of thinking about sustainability. One way to think about it is in terms of the materials that you can recycle completely after the product has reached the end of its life. For Maxalto, the idea is to offer products that are timeless, products that you can pass on to your children, who can in turn pass them on to their children. You imagine products that stand the test of time. In fact, when you look at the Maxalto catalogue, you realise that there is no difference between products designed 25 years ago and products that are designed now. All the products that have been designed resonate with one another, and they are timeless. I feel that this is also another way we can think about sustainability.

Which collections from B&B Italia and Maxalto are among your favourites and why? Which do you have in your home (if any)?
At my home in Milan, and in other homes, I have quite a few pieces from Maxalto: the Febo armchair, Clio armchair, Caratos chairs, Calipso chairs, Sidus table, and Ares table. 

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