Asu by enduring Singaporean chef Ace Tan takes over the former Tamarind Hill to serve up contemporary regional Asian cuisine
Amidst Labrador Nature Reserve, a winding road flanked by lush foliage culminates in a rustic colonial bungalow sitting pretty atop a hill. Resonant with polyphonic cicada song, this tranquil sanctuary tucked away from the bustle of the city is where Singaporean chef Ace Tan has realised his dream of a limitless dining space where one feels at home. You see, housed within this 10,000‐square‐feet historic building is Tan’s latest F&B venture Asu, which opened its doors to the public this October. A love letter to regional Asian cuisine, the 25‐seat fine‐dining restaurant—one of three establishments currently occupying the bungalow (the other two are the smart‐casual Cantonese‐Teochew restaurant Shan and a bar, as yet unnamed, that doubles as an events space)—offers exclusive tasting menus curated by the 42‐year‐old.
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Above Singaporean chef Ace Tan (Photo: Asu)
Tan shares that while the Singapore dining scene remains competitive, he is hopeful that the biophilic environment, his renewed focus on personal craft, and his appeal to health‐conscious gourmands will sustain demand for this new restaurant. “It’s easy to work for F&B groups, but ultimately, what I wanted was to explore the origin of food and keep to the integrity of the ingredients used in the past,” Tan explains of his decision to open Asu. “Take soya sauce, for example. No one knows how it came to be a staple through generations. With Asu, we’re going back in time to replicate the time‐intensive [cooking methods] of ageing and braising.”
Family heritage and ruminating upon the essence of iconic traditional dishes are fundamental to Tan’s culinary philosophy. Consequently, Asu’s fare is not only layered and complex in its creation, but also serves as a medium for exploring one’s roots. Expect, too, cuisine that is an intersection of many cultures, what with Tan’s training in French and Japanese cooking techniques as well as the composition of Asu’s culinary team, which is made up of chefs from various Asian countries: Naing Min Tun from Myanmar, Jack Chong from Malaysia, and Siti Nur Syahirah as well as Hakka chefs Ong Jian Lin and Saw Erhao from Singapore.

Above Crystal dumpling by chef Ace Tan (Photo: Asu)

Above Jessica’s Duck Soup by chef Ace Tan (Photo: Asu)
Rooted in Tan’s culinary values, Asu’s opening menu, aptly titled “Origins”, is reflective of his upbringing and precious personal memories—of home‐cooked meals, picking ingredients out of the soup pot, and following his mother to Tiong Bahru Market and Food Centre for the coveted shui jing bao, or crystal dumpling. The starter, in fact, is a reinvented shui jing bao. While the savoury version of this traditional Chinese snack with a delicate, translucent skin conventionally comes with a turnip or vegetable filling, Asu’s features a lobster ball. Of this surprising upgrade, Tan says: “We’re integrating har gow—a Cantonese shrimp dumpling [served] in many dim sum restaurants.”
In another example, one of the main‐course options is a tribute to Tan’s mother, who “used to cook duck soup for the family once a week”, he shares, adding that “instead of drinking the fluid, I’d fish out the ingredients used to make the stock and eat [them] instead”. Named Jessica’s Duck Soup, the deconstructed take on a domestic favourite features a cored tomato with a consommé jelly casing that comes stuffed with duck confit and topped with perilla leaves, served with soup that has been clarified and reduced into its essence, resulting in a clear, immensely flavourful broth.
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Above Modern Ngor Hiang by chef Ace Tan (Photo: Asu)
Other storied delights include a dessert that is a play on pulut hitam, a classic Southeast Asian dessert made with black glutinous rice and coconut milk, and koji, a Japanese base extracted through fermentation; as well as the Lu Shui An Chun, featuring quail meat served with a quail egg and yam rice. The meat, which was marinated, then poached in a temperature‐controlled environment, comes dressed in a house‐made tare sauce that had been aged for six months.
Meanwhile, the egg, reminiscent of the herbal tea eggs in Tan’s boyhood memories that were sold in Chinese medicinal stores, was braised overnight, dried and glossed with maltose solution before being smoked with lychee wood.
“As a child, growing up exposed to my extended family’s Chinese medicinal shop instilled a belief in consuming nutritious meals and clean eating, which I practise today,” says Tan. He further shares that his encounter with the four seasons and their variety of harvests during his two‐year stint at South Korea’s Michelin‐listed Flower Child—first as a consultant chef and later, as an executive sous chef—deeply inspired his culinary outlook.

Above Lu Shui An Chun by chef Ace Tan (Photo: Asu)
“In Chinese culture, seasons have a strong relevance to what you eat. In a particular season, one consumes certain produce in order to build up immunity for the next season,” he explains. “With Asu, we thought about how we can recreate the experience of seasonal changes, either through flavours or the fermentation and preservation of ingredients past their seasonal prime.” With an obsessive eye for detail, Tan often tweaks his recipes up until the very last second before the dishes are finalised on the menu. His most ambitious project to date is building a signature braising liquid through long cooking that will serve as the base for all of Asu’s dishes, akin to a mother sauce or a sourdough starter.
Tan’s road thus far has not been without setbacks. His first F&B venture, Restaurant Ards, closed just six months after it opened in 2017. His helm at the restaurant at 1‐Group’s 1‐V:U was also short‐lived, with him leaving the lifestyle destination when it rebranded to events space 1‐Altitude Coast.

Above Main dining hall and interiors of Asu (Photo: Asu)
With Asu though, which signifies his shift away from Western cuisine, he looks set to reclaim the narrative. His hope is that its Asian focus will nurture an appreciation for the region’s history and culture in the local fine‐dining scene. “By exploring the diverse cultures of Asia, I can find new cooking inspiration,” he adds. “[For instance,] China alone has eight cuisines. [So] we’ll explore parts of Asia to integrate different influences and for the rest of the team to express themselves through [the] food.”
For Tan, being a chef is a journey that has no end. “There should never be a time when I’ve mastered a cuisine,” he says. “Every day when I wake up, the first thing I think about is how I should build upon my efforts from yesterday; [what’s] lacking and how I can improve.” And on that note, we can expect the menus at Asu to keep evolving while retaining a spotlight on Asian flavours, presenting a unique brand of the region’s cuisines.
Asu
Address: 30 Labrador Villa Road, Labrador House, S(119189)




