Going once, going twice...These Singaporean artworks have been known for breaking international and local records for auction prices, and the appreciation for local art has never been greater since
When people hear about Singapore, they most often associate the country with business, technology, economy and science. This is not the case these days with our burgeoning art scene that is cultivated by the emergence of local artists and their magnificent works of art.
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While the local art scene was previously overshadowed by other sectors of Singapore society, Singaporean artists and their oeuvres are gaining traction internationally and locally as their outstanding artworks are being auctioned off at exorbitantly high prices.
This is undeniably a huge milestone for the local art community and the larger cultural-scape of Singapore as the extremely high auction prices for Singaporean artworks show a greater international recognition and appreciation for our local art, which in turn highlights a larger awareness for Singaporean art and culture amongst foreigners and locals alike.
These most expensive Singaporean artworks ever sold reflect a changing cultural landscape in the country and the positive potential of the Singapore art scene.
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1. Tan Swie Hian’s ‘Portrait of Bada Shanren’
Singaporean artist Tan Swie Hian broke the record for the most expensive work sold at an auction by a living Singaporean or South-east Asian artist in the 2014 Poly Auction in Beijing with his ink-on-rice-paper work titled Portrait Of Bada Shanren—which sold for $4.4 million. He outdid himself when this ink painting beat his auction price of his oil painting When The Moon Is Orbed—which was sold at the same auction in 2012 for a record $3.7 million.
The popularity of the higher-priced ink painting amongst Chinese art collectors not only highlight a Chinese affinity to ink paintings, but it also gave the artist and Singapore Overseas Chinese art greater recognition in China. In reacting to the milestone event, the artist told The Straits Times, “This has come as a complete surprise. It is certainly a rare honour to be recognised in China which is emerging as the global art centre. My art has been embraced by collectors there who continue to support me.”
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