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Formerly the most popular medium of literature in the country during the 20th century, Filipino comics are being revived amid the online landscape of entertainment today

Think back to your earliest childhood memories. Perhaps the Internet was but a dream at the time, or maybe dial-up made it challenging to enjoy. But if you grew up without ready access to Wi-Fi or LTE, you may have a special place in your heart for comic books. I remember dusty old boxes of ArchieGarfield, and Calvin & Hobbes at home, poring over them on a bright Sunday afternoon. This was the reality for many of those who grew up before the 21st century—and in the '70s, '80s, and '90s, Filipino comics were the likely choice. 

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"More people read comics in the Philippines than newspapers and magazines," says Rexy Dorado, co-founder and president of Kumu. "It was the most popular print medium locally." But with the advent of TV and the Internet, interest in the artform began to dwindle.

"One of the reasons why the comics industry kind of broke down before was because the industry was not taking care of its creators," explains Nissie Arcega, a comics enthusiast and one of the co-founders of Penlab Philippines. "Even though we have some publishing companies, they don't really invest a lot in comics [anymore]. Not a lot of people [even] know that there's still a comics scene, even if the community is still very much alive and creating. It's still in a bubble." 

There was also the fact that before the 2000s, the comics industry was pretty niche. "There were only a few players actually in the '70s or '80s. And so when they shut down, everybody also disappeared," explains Bernie Mercado, who co-created the comic Katipunera Warrior, also available on Penlab. 

"It was basically one or two companies by the end of the '90s. And then those companies shut down, they took the industry down with them. So it's more of an industry shock rather than demand-driven," says Dorado. 

The solution then? An inclusive online platform that can support a variety of Filipino writers and creatives. 

Enter Penlab Philippines, an online platform and initiative that aims to "bring quality Filipino komiks together in one place". Its name is a portmanteau of the words "pen" and "tablet" and is an easy-to-access online website that also now has its own app, powered by Kumu. The newly launched app available via Appstore and Google Play allows anyone to browse over 300 comic book titles in various genres. “We hope to unlock the creative potential of Filipino creators,” says Kumu co-founder Angelo Mendez of the project. 

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There's plenty more in store for Penlab too, including Penlab Originals. "These are weekly or monthly serialised stories on the Penlab platform," explains Dorado. Among these are comics in various genres and plots: from a children's isekai fantasy to a romantic drama webtoon, a workplace comedy about Filipino mythological monsters, and even a queer mecha series. Mercado adds that it would take them an entire year to finish a single chapter. "But we saw that there were a lot of people who wanted to read it on a regular basis." 

This says a lot about the current spark of interest. "We're living in a special time for Filipino comics where a lot of international companies and international publications [are taking notice]. There's Trese with Netflix right now, but that was just the tip of the iceberg. Tori Tadiar who also has two comics on Penlab—Sagala and Twinkle Twinkle—has a publishing deal with Disney now," says Mendez. "It's just the beginning [for comics], but it's picking up fast," adds Dorado. 

But what exactly do Filipino comics entail? "I think the biggest thing we have about Pinoy comics is the diversity of stories and art. You have all sorts of things compared to say Western publishing, where you have specific stories for a specific market," answers Mercado. And as it appears, Filipino comics rely less on an art style (unlike the very distinguishable manga) and more on the plot itself, where relatable themes—such as those of family, adds Dorado—are present. "The Philippines is kind of in this unique place where we consume a lot of different content from other cultures and I think the Philippines absorbs a lot of those styles really well," comments Dorado. 

Two more projects are in the works for Penlab: Penlab Create, which allows anyone to upload their own creations onto the website, and Penlab Plus, where people can access known works and even translated comics, all for a premium.

For a group so passionate about the art, it's important to know what they consider a good story for those wanting to dip their toes into the industry. Trese is a no-brainer, and one that the entire group agrees is a must-read for any Filipino seeking to understand the medium. "Anything by Dead Balagtas (aka Emiliana Kampilan), but especially Tomo 1. It's an insanely beautiful komik that really plays with the language of sequential art, plus it's a wonderfully-crafted story about love with Philippine history as its backdrop," adds Arcega. "The Mythology Class and Elmer [are must-reads as well]," says Mendez. 

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