The Lyon-based architect-turned-artist was recently in Singapore to unveil his immersive installation, Remember Your Dreams, the first commissioned work for Porsche’s new global arts initiative, The Art of Dreams, which made its Asian pit-stop at Singapore Art Week, after its first showing in Paris last October

For a brand that is built on dreams—founder Ferry Porsche famously built his own sports car when he couldn’t find the one he was dreaming of—Porsche is all for creating dreams and making them come true.

This is what the German marque hopes to do with its new global art initiative, The Art of Dreams, which brings the works of like-minded artists to tour the creative centres of the world. Its first commissioned work, French artist Cyril Lancelin’s larger-than-life installation Remember Your Dreams, which was first unveiled at the Palais Galliera in October last year, and recently made its Asian pit-stop in Singapore at Marina Bay.

With the work, Lancelin hopes to help “everyone revive their dreams” even more so as we enter another year of the pandemic. “For me, a dream is the desire for something that could possibly happen. Even if it doesn’t come true, just the thought of it would somewhat make you happy,” he expounds.

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Above The Art of Dreams: Remember Your Dreams by Cyril Lancelin at The Promontory@Marina Bay

“I wanted to create an immersive structure, where you can go inside and enter another landscape, as if in a dream that’s so different from your day-to-day,” he said. This “experiential landscape” allows the audience to interact with the work and become part of it.

Taking inspiration from the curves of the Porsche cars—and the purple colour of a 1973 Porsche 911 Carrera RS 2.7 from its archives—the architect-turned-artist based the inflatable work made from the polyester fabric on the arches found in traditional architecture, in this case double arches in a repeat formation. The notions of repetition and parametric generation are recurring themes in his works.

“It’s not a structure that you would see in a museum—with a please-do-not-touch label—you would be pleasantly surprised as it looks very different from the inside and out,” he shares. The kinetic movement, with the ever-changing light and shadow depending on the time of day, as well as the backdrop—in this case, the skyscrapers of Marina Bay—offer a different look from every angle.

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Above Cyril Lancelin

After 15 years working as an architect, Lancelin was spurred to become an artist in 2016 after a visit to the Judd Foundation in Marfa, Texas, which showcases the minimalism works of the American artist Donald Judd. “Unlike European museums where there are so many people, what is great about the Judd Foundation is that there’s a lot of space for you to enjoy the works—and even the sun, which casts light and shadow on the art.”

His training in architecture “helps me to design works that I can scale up or down—it’s most difficult to find the right scale, for you need people to go within the work but also with enough space to inflate it ”. He uses primitive shapes: cubes, spheres and pyramids, among others, multiply them and then add more complex elements, for example, objects such as (fake) watermelons and flamingos heads.

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“I like to bring some figurative elements in minimalism—and mix the both of them—so people who like more figurative works will see something, and those who like minimalist works will see something else,” shares Lancelin, who uses 3D modelling techniques and works with architectural rendering software. He first appeared on the radar of art and design connoisseurs when he started posting images of his artificial and experiential landscapes on his Instagram @town.and.concrete, where he has more than 135,000 followers.

“I love the connection [with my followers],” he shares, citing American artist Daniel Arsham and Japanese artist Takashi Murakami as creatives who are active in sharing their inspirations and artistic process with their followers. “I try to do the same on Instagram, at my level of course, because I don’t have as much to show but I think it’s important for people to understand the process of the artist and know where they can go to see your work—and that’s how you connect with them.”

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Lancelin also recently entered the metaverse with The Meeting Place, “the first immersive NFT (non-fungible token) designed from the ground up to be inhabited and explored in virtual reality”, created in collaboration with fellow artist Benny Or.

“Benny was approached by this tech company called Spatial, which is tapping on VR (virtual reality) and AR (augmented reality) technology to create digital environments. The Meeting Place is part-installation and part-architecture envisioned through the lens of art,” Lancelin explains. “I think the metaverse is going to be very important for the future generations of artists and architects.”

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“The famous Danish architect Bjarke Ingels shared that for a young architect, when you are asked, ‘What did you build?’, you would say nothing because you are still young; it’s the same with design. I think with the metaverse, artists and architects can prove their skills—even before they work on real-life projects. It’s interesting to think about.”

Lancelin continues to collaborate with brands on such projects, and hopes to work with collectors on other commissioned works. He currently has projects lined up in Dubai and Shanghai within the year, details of which will be revealed in the upcoming months.


The Art of Dreams: Remember Your Dreams by Cyril Lancelin runs until January 29, at The Promontory @ Marina Bay.

 

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