Spotlight by Art Basel 2020 Showcases Art During The Pandemic
From November 26 to 30, Art Basel pulled off an event that many doubted was possible in a pandemic: a real-life, in-person art fair. Titled Hong Kong Spotlight by Art Basel, it was the only physical event the company held in 2020: Covid-19 forced it to cancel its flagship fairs in Basel, Miami Beach and Hong Kong, and pivot to hosting online sales instead.
Twenty-two galleries took part in Hong Kong Spotlight, among them international players like Gagosian and Simon Lee Gallery, as well as local names such as Kwai Fung Hin and 10 Chancery Lane. The fair kicked off just as the fourth wave swept into the city, but nothing could deter art collectors and connoisseurs from getting their fix: 8,000 of them visited Hong Kong Spotlight and its neighbour, local fair Fine Art Asia, which took place simultaneously at the Hong Kong Convention and Exhibition Centre.
Pascal de Sarthe
Edouard Malingue, Claire Hsu and Lorraine Kiang-Malingue
Levina Li-Cadman and Estella Huang-Lung
Pascal de Sarthe, Arthur de Villepin
Katie de Tilly
Pascal de Sarthe, Willem Molesworth
Chan Wai Lap
Mask-wearing was enforced (though some visitors momentarily took theirs off for Tatler’s photographer), but many people still commented on the joy of speaking to people face-to-face—even through fabric. “It feels so great to be out and see people. It almost feels like a weekend away,” said Sally Lo, founder of the Hong Kong Cancer Fund, which had a fundraising booth at Fine Art Asia.
A dapper Henry Tang strolled past De Sarthe’s booth, assistant in tow, while Cathy Chon-Feliciano snapped photos of works by American artist Doug Aitken and Chinese multimedia artist Wang Yuyang exhibited by Massimo De Carlo. Federico Tan, Jonathan Cheung, Geoffrey Chuang and Dee Poon also made appearances.
Untitled (1991), an installation by artist Kimsooja
Perrotin’s booth, featuring paintings by Eddie Martinez
The Autumn Walk (2020) by Stephen Wong
An Urs Fischer print at Gagosian
Sculptures and a painting by Takashi Murakami at Gagosian’s booth
Wave (2020) by Alex Israel
Although the art was centre stage, it was hard not to notice that many visitors had dressed up for the occasion, which was perhaps their first social outing in months. Orange socks, snazzy braces and retro eyewear were just some of the accessories we spotted in the crowd.
Sharp-eared flies-on the-wall caught observers’ whispered remarks: how much was Lévy Gorvy asking for that masterpiece by Zao Wou-ki? And who has the space for that eight-metre-long painting by Eddie Martinez? But there was one comment that recurred more than any other: what a pleasure it was to see art in person, and to get together for a much-needed dose of conversation and culture.