Like a sparkling oasis in a desert of sparse social calendars, a new exhibition had Hong Kong art lovers dashing to Victoria Dockside on January 15.
The exhibition, Tracing the Fragments, was the result of a collaboration between the K11 Art Foundation and Queenie Rosita Law, an artist and the founder of Q Contemporary, a gallery headquartered in Hungary that focuses on central and eastern European art.
Held on the sixth floor of Adrian Cheng’s K11 Musea, Tracing the Fragments was the first exhibition Q Contemporary hosted in Hong Kong and the first comprehensive exhibition of central and eastern European art in the city. The ever-glam Law personally conducted a private tour on the opening night, explaining that the idea behind the show was to explore the similarities between contemporary central and eastern European art and contemporary Chinese art.
“I love listening to artists’ stories, and visiting their studios is an absolute treat,” Law said. “A few of these artists are, in fact, the ones who sparked the whole [Q Contemporary] journey four years ago, including Dóra Maurer and Ilona Keseru from Hungary. I remember meeting them and telling them that I loved their work. They had this kind of amazed expression on their face, as if to say ‘Where did you even find me?’ They remember me as this Chinese girl who really loves central and eastern European art.”