Speaking of actors you've worked with, what are your observations on Filipinos compared to foreigners?

In terms of training and education, I guess foreign actors are luckier. There are lots of arts schools abroad, excelling particularly in theatre and music. So when they start working their way in the industry, they are all fully equipped. Unlike us Filipinos, we have a different culture, most especially during my younger years. We went to business and science schools, and pursuing a career in the arts was looked down by many at the time. Hence, I believe that we are more skilled and resourceful. Filipinos can pick up and memorise quicker under pressure because not everybody had rigorous musical education. Moreover, I grew up in a training where understudies do not have the luxury of rehearsing their roles. However, I experienced abroad having asked to rehearse even if I was just an understudy. They were all surprised that I knew the lines and blockings already. 

Recently, you've ventured out to original Filipino productions...

Yes! I actually like it and have been doing it for the past two years already. It's always an amazing feeling to be part of an original piece. And I am always blown away by the music that our composers write... of the original productions I've either worked with or have seen.

What can you say about the future of Philippine theatre?

I hope that it will continually roll and educate more non-theatre goers to actually watch our own productions. Furthermore, may it open more doors for artists to make it as a full-time career. Back in the day, you won't survive wth just four shows in a year. But now, more production companies are coming in. Also, it is a good thing that younger people are starting to make it a habit to watch plays and not just movies.

In celebration of your 25th anniversary, what are you most grateful for?

A lot... even the bad things because it made me who I am now. I'd say, I'm fairly lucky because it definitely wasn't an easy journey. There was a time when I had to compete with more popular, mainstream celebrities who are crossing over to theatre. I've experienced being suddenly replaced. But I'm grateful now that I'm settled, and being able to do more than what I would want to do. Most especially, I'm celebrating my milestone together with the boom of the theatre industry.

Do you have any plans to put up your own production?

Yes I'm planning to. It's still in talks and I really can't divulge that just yet.

Shiela is reprising her role of Lily dela Rosa in the rerun of Binondo: A Tsinoy Musical, which opens on July 12 at Solaire Resort and Casino. Spanning two decades and two countries, the production by Maritess Alava-Yong Foundation explores how love prevails even in times of racial prejudice, political turmoil, absence, and longing. From the original story by Rebecca Chuaunsu, it is written by Ricky Lee (together with Gershom Chu and Eljay Deldoc), directed by Joel Lamangan, with music by Von de Guzman, and choreography by Douglas Nieras—the same team behind Maynila sa mga Kuko ng Liwanag.

In August, she will be playing Katherine Lyons again in the critically-acclaimed musical Dani Girl, as Sandbox Collective's fifth anniversary offering. "This is one of the best shows I've done in my career. I didn't even expect that I'll audition for this five years ago, but the material and the music were superb. Now, its headlining the fifth anniversary of Sandbox Collective as it was their very first production. It really was a gem of a show and I'm so happy and excited to be working with the new cast, who are equally amazing."

Shiela is also having a musical comeback in Repertory Philippines later this year with Adarna. The last production she had with Rep was a straight play entitled, A Comedy of Tenors. Moreover, it is her comeback with the Children's Theatre. Adarna runs from September to January next year, under the direction of Joy Virata with music by Rony Fortich.

She will also be portraying one of the most coveted roles in musical theatre, Fosca, in the Philippine Opera Company's production of Stephen Sondheim's Passion. In celebration of the company's 20th anniversary, Passion is its first non-opera musical production and will be mounted at the RCBC Theatre in September. "It is my dream role and everybody is surprised that I got the part. She is against all the roles I've ever done and it is indeed a bucket list item for me."

Catch her as well in Resorts World Manila's variety shows Disco Glam and Motown Funk, from August to November.

What can you advise to rising young artists?

You have to love what you do because it's not easy. You have to have a heart of stone to take all the rejections, disappointments, and humiliation. It's something that we all have to go through. However, it makes you strong. Remember that if this is the career you want, it's blood, sweat, and tears. But if you love it, it's all worth it.

What was the biggest lesson you've learnt so far in your career?

You're only as good as your last production. There is no way that the next one would be easier. Also, I'm a firm believer of hardwork and dedication.