What other sustainable certifications or standards does Milamore adhere to or strives to achieve in its production processes?
We import diamonds that have been polished from rough stones strictly adhering to the Kimberley Process system, [an initiative set up] to prevent the mixing of conflict diamonds. Given that multiple companies are involved before these materials reach our atelier, it is challenging to include stamps to prove this, in the interest of full transparency.

As a small, independent company, we strive to maintain responsible practices. However, it is difficult for us to scrutinise the entire process; a challenge. I believe is also true for large corporations. Moreover, such thorough vetting would require significant resources, both financially and physically.

Have you faced challenges in maintaining sustainable practices in the production of your jewellery?
My answer is no. This practice is inherent to Japanese craftsmanship, so it’s actually just normal for us. And to be fully transparent, sustainability is not really our message—not because it isn’t important, but because we have other stories to tell and it’s a standard practice for us.

Can you explain the Japanese concepts of wabi-sabi and kintsugi and how they influence your design philosophy?
The teaching of wabi-sabi is accepting and embracing imperfection. That can apply to us [all]—there isn’t a person who hasn’t gone through something hard or who hasn’t made mistakes. So I took that philosophy and created the Kintsugi collection. The idea is that the wearer is being mended with jewellery. Because of that, I like to envision the wearer when making a piece, as they are a big part of my design and creation too.

As the fashion and jewellery industries are often criticised for their environmental impact, what message would you like to convey to consumers about the importance of supporting sustainable brands like Milamore?
I recognise the environmental concerns in our industry and believe in supporting small businesses as a step towards sustainability. Small businesses often operate more sustainably than large corporations, using resources more efficiently and having a smaller environmental footprint. As an entrepreneur, I understand the importance of every dollar and the impact it can have. By supporting small businesses, I believe we’re contributing to a more sustainable economic model, where resources are used more judiciously, and the support goes directly to individuals and their communities. This aligns with my aspiration to blend traditional heritage with modern sustainability practices in my own brand.

What are your plans for growing Milamore while staying true to your heritage-focused mission and community of artisans?
I am committed to continuing my education about Japanese culture. Ever since I designed the Kintsugi collection, I’ve been delving deeper into Japanese history and exploring other art forms such as calligraphy and ikebana [the Japanese art of floral arrangements]. The authenticity and deep presence of Milamore stem from our thorough understanding of history, and we continue to learn and apply this knowledge to our design and communication.

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