Haven’t you heard? The world is nostalgic for 2016 and its trends (Photo by James Devaney/GC Images)
Cover Haven’t you heard? The world is nostalgic for 2016 and its trends (Photo by James Devaney/GC Images)
Haven’t you heard? The world is nostalgic for 2016 and its trends (Photo by James Devaney/GC Images)

The 2016 nostalgia trend revisits a time when the internet was playful—and prophetic

If 2026 feels oddly familiar, it’s because culture has begun pacing in circles again. A decade is just long enough for embarrassment to soften into affection, for trends once dismissed as unserious to be acknowledged as formative. Back then, 2016 was the year aesthetics went algorithmic, pop culture went personal and the internet stopped pretending it wasn’t shaping real life.

It was a moment when sincerity and spectacle coexisted uneasily—filters were heavy, feelings heavier, and everyone was building a personal brand without yet calling it that. Looking back, 2016 doesn’t feel naïve; it feels like a prototype. And prototypes, as we know, always return with upgrades. And that’s why we’re looking back at the best of 2016 trends and figuring out exactly what needs to be brought back.

In case you missed it: A look back at the food trends that took over Asia, from bubble tea to dirty bread

Kylie Lip Kits

Tatler Asia
Kylie Lip Kit
Above Launched in 2015, the Kylie Lip Kit was at the height of its commercial and cultural powers in 2016 (Photo: kyliecosmetics.com)
Kylie Lip Kit

In 2016, Kylie Jenner turned liquid lipstick into a scarcity-driven event, crashing websites and redefining how beauty was marketed online. The Lip Kits weren’t revolutionary formulas; they were revolutionary distribution, relying on hype cycles, countdowns, and parasocial trust. This was beauty as streetwear—limited runs, resale value, screenshots as proof of purchase. At the time, it felt chaotic and thrilling; in hindsight, it laid the groundwork for today’s influencer-founded empires and TikTok-first launches. In 2026, the revival isn’t about matte lips—it’s about returning to smaller, personality-driven drops in a market exhausted by overchoice.

Rose quartz and serenity

Pantone’s 2016 Colours of the Year captured a collective craving for softness in a year that felt increasingly loud. Rose Quartz and Serenity flooded fashion, interiors, tech accessories and branding with an almost medicinal calm. These weren’t bold colours; they were emotional buffers, meant to soothe rather than impress. At the time, they signalled optimism through gentleness, a quiet resistance to chaos. Their 2026 comeback is subtler—less millennial pink saturation, more muted pastels used as grounding accents in overstimulated digital spaces.

Avocado toast

Tatler Asia
Avocado toasts
Above A breakfast that accidentally became an economic symbol. (Photo: Imad 786 / Unsplash)
Avocado toasts

Avocado toast existed long before 2016, but that was the year it turned into a cultural Rorschach test. Instagram loved it for its clean lines and green-on-neutral palette; critics loved mocking it as shorthand for millennial excess. Cafés leaned into artisanal bread, chilli flakes and price points that invited discourse. What was overlooked then was how it normalised casual, all-day dining as lifestyle content. In 2026, avocado toast returns not as irony but as precedent—the blueprint for how food becomes identity online.

Unicorns, rainbows and maximal whimsy

Tatler Asia
Unicorns and rainbows
Above When adulthood briefly agreed to dress like a Lisa Frank binder (Photo: Joshua Hoehne / Unsplash)
Unicorns and rainbows

From iridescent highlighters to rainbow bagels, 2016 embraced a hyper-colourful fantasy aesthetic that felt deliberately unserious. It was escapism in HD, fueled by Instagram’s square format and an appetite for visual joy. Brands leaned into glitter, holographics, and emoji-coded optimism as antidotes to increasingly grim headlines. What felt excessive then now reads as intentional camp. In 2026, the revival comes with restraint—less sugar overload, more playful accents used with self-awareness.

Pokémon Go

Tatler Asia
Pokemon Go
Above The summer the internet went outside. (Photo: Mika Baumeister / Unsplash)
Pokemon Go

Blurb: For a few months in 2016, Pokémon Go blurred the line between digital obsession and physical movement. People walked miles, met strangers and organised their days around virtual creatures layered onto real streets. Fitness happened accidentally; community formed without friction. It was a rare moment when technology nudged people toward presence rather than distraction. In 2026, its influence is visible in wellness apps and AR experiences that prioritise movement without preaching.

‘Lemonade’ by Beyoncé

Above A pop album that demanded to be watched, decoded and felt

Released as a visual album event, Lemonade collapsed the distance between music, film, fashion and personal narrative. It turned album drops into cultural moments and vulnerability into artistic currency. Beyoncé’s use of Southern Gothic imagery, Black feminism and raw emotional sequencing reshaped how pop stars told stories. Even back then it felt seismic; now it’s considered foundational. In 2026, the legacy of Lemonade lives on in multimedia releases that expect audiences to engage deeply, not passively.

Instagram Stories

Tatler Asia
Instagram Stories
Above With Instagram Stories, permanence stopped being the point (Photo: cottonbro studio / Pexels)
Instagram Stories

Launched in 2016, Instagram Stories quietly changed how people shared their lives. Not everyone was a fan at the beginning, because it felt like a late response to the popularity of Snapchat. But the 24-hour format encouraged spontaneity over curation, allowing messiness back into the feed. Filters were playful, captions casual and posting anxiety briefly lowered. It was the beginning of content as conversation rather than an archive. In 2026, Stories’ DNA is everywhere—in ephemeral drops, temporary group chats and platforms built around impermanence.

The Gucci Dionysus bag

Introduced under Alessandro Michele in 2016, the Dionysus bag signalled Gucci’s reinvention. Structured yet ornate, classical yet irreverent, it rejected minimalism in favour of layered references and visible branding. It became a fixture on Instagram feeds and street style blogs, symbolising fashion’s turn toward expressive excess. At the time, it felt like a risk; now it reads as a turning point. In 2026, its influence is clear in the return of statement accessories that prioritise character over subtlety.

See more: Made in Italy: The story of Gucci through its bags and shoes

Rihanna’s glam

If 2016 had a single fashion and beauty north star, it was Rihanna. She moved effortlessly between red carpet dominance, street style influence and cultural authority without chasing trends—she generated them. Her Anti era visuals, unapologetic silhouettes and refusal to soften her image recalibrated what mainstream glamour could look like. When Fenty Beauty launched the following year, the groundwork had already been laid: inclusivity, attitude and range were no longer negotiable. Looking back, 2016 reads as the year Rihanna stopped being a style icon and became infrastructure.

Strobing and highlights

Above When everyone wanted to look lit—from above, always.

If Kylie Lip Kits ruled the mouth, strobing owned the cheekbones. Matte contouring gave way to light-reflective skin, glossy highlights and the illusion of permanent golden hour. Brands pushed liquid illuminators, blinding powders and dewy primers designed less for real life than for cameras. The goal wasn’t subtlety; it was visibility—faces sculpted to catch light mid-scroll. In 2026, the influence lingers in skin-first makeup and strategic glow, just edited down for daylight.

Topics

Sasha Mariposa
Contributing Writer, Tatler Asia
Tatler Asia

Sasha Lim-Uy Mariposa is a lifestyle journalist who is known for her food writing. Based in Manila, she also covers entertainment and dining, as well as a broad range of topics. She was the former digital editor at Esquire Philippines and was the digital managing editor at Spot.ph, and now writes for the different Tatler Asia markets as a contributing writer for T-Labs.