Cover Photo: Imran Sulaiman/Tatler Malaysia

The vice president and head of Astro Shaw on what inspired the latest premium drama series 'Kuasa' and why authentic Malaysian stories are primed for the global stage

“There is this perception among some industry players and audiences in Malaysia that local films and series aren’t as good as international ones,” muses Astro Shaw's head and vice president Raja Jastina Arshad.

“It’s our part to change that perception," adds Jastina who started her career with the children’s channel Astro Ceria. "Right now, we’re serving the local market by creating Malay, English, Chinese or Indian dramas for multilingual audiences. But ultimately, we want to create Malaysian stories that are universally appealing to everyone. If we can get that right, we can export our content globally. It starts with winning over the Malaysian audience first.”

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Astro Shaw’s latest premium series in partnership with Skop Productions, Kuasa, is a great example of how they are upping the ante for production quality and fresh storytelling. The first Astro original series to explore the inner lives of a wealthy and influential family in the Malaysian entertainment scene, Kuasa follows the dramatic events surrounding media mogul Tan Sri Dhameer, whose recent announcement of retirement sparks a fierce competition among his three children on who the heir to their father's empire will be.

"Astro has worked with Skop Productions before to produce several successful films that collectively generated over RM40million at the box office. Now, we’ve extended this partnership to the TV screen with our first premium series together," Jastina explains. "The idea for Kuasa came from Skop Production’s Shamin Yusof, the daughter of director Datuk Yusof Haslam. So there was a lot of speculation about whether or not the series is loosely based on her family. But we'll have to leave it to Shamin to answer that question!”

Given the success of past productions like the historical drama The Garden of Evening Mists (which won best feature film at the Asian Academy Creative Awards 2020 and received nine nominations at the 56th Golden Horse Awards), it’s clear that Malaysia-inspired content has international appeal, thanks to the skill and ability of local creative talents.

“There are many captivating Malaysian stories that have yet to be explored or told, stories that capture the beauty of our country, the struggles, victories, the culture. Who can better capture the nuances of our culture and the essence of what makes us unique than us, right?” Jastina enthuses.

“We’ve seen the local film industry grow significantly over the years. We’ve seen local films overtaking the box-office performance of international films in Malaysia. What we need now is more support from local audiences for Malaysian stories that also appeal to diverse audiences.

"Malaysian director Chiu Keng Guan of Ola Bola, for instance, has been directing films in China with a budget that’s three times what we can provide to him. Malaysian creatives are truly very talented, so it’s important that they have a platform to scale up in order to produce stories that can be exported globally,” adds Jastina. 

See also: Bront Palarae On Acting, Awards And An Adventure In The Jungles Of Borneo

Tatler Asia

Our goal is to unite Malaysians through Malaysian stories. Through the everyday stories that are relatable to so many of us, we hope to make an impact and create content that all Malaysians can be proud of.

- Raja Jastina Arshad -

Although this perception gap has improved in recent years, Jastina defines the bar for positive change in the film industry with four must-haves:

1. Working with like-minded individuals

“It’s important for local production houses to work with local talents and international experts. We have our strengths but we also have areas of improvement. It is about finding the right partners who will help us with that transfer of knowledge to improve, which is so important.”

2. Support from local audiences

“How do we see greater enthusiasm from Malaysian audiences? How do we win them over with local content? We can have the biggest budgets, but ultimately I believe the greater challenge is changing the perception that local content isn’t good enough.”  

Tatler Asia
Astro Shaw and Skop Productions' horror thriller film 'Penunggang Agama 2' became the highest grossing local film of 2021, generating over RM5 million (Photo: Skop Productions)
Above Astro Shaw and Skop Productions' horror thriller 'Penunggang Agama 2' was the highest grossing local film of 2021, generating over RM5 million at the box office (Photo: Skop Productions)

3. With great ideas comes great responsibility

"To me, ideas can come from anywhere. We can come up with many ideas, but what’s important is how these ideas can become a reality, that they are well-executed into a film or series that resonates with audiences."

4. “We shouldn’t just aim for one hit wonders”

“We have to have a consistent supply of great quality films to improve the perception of audiences.”

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